浅谈如何开展职工之家实体化建设工作

随着北京建设国际一流的和谐宜居之都步伐的不断加快,职工队伍结构和需求发生了深刻变化,对首都工会工作提出了新要求、新挑战。当前阶段,不断健全完善工会三级服务体系,全力推进首都服务型工会建设,是各级工会工作的首要任务。"职工之家"作为三级服务体系的重要组成部分,是基层工会发挥作用的主要阵地,面对新形势新任务,迫切需要进一步加强和创新基层工会"职工之家"建设,在以往评家验家的基础上,赋予职工之家新内涵,拓展职工之家新内容,推动职工之家建设工作不断创新发展。服务职工是工会的重要职能,通过职工之家实体化建设,可以更好的服务职工,团结和凝聚职工,为单位各项目标任务的实现做贡献。     

坚持道路 服务大局 履行职责 开拓创新——各地工会工作巡礼（二）

按照市委《关于加强和改进工会工作的意见》和市总十二大提出的“调整适应、改革创新”的工作方针，制定了《北京市“十二五”时期职工发展规划》，以及“三级服务体系运行机制”、“工会服务站规范化建设”、“职工之家建设”、“社区联合工会建设”、“加强产业工会建设”、“专职工会社会工作者队伍建设”、“引导社会组织参与服务职工活动工作方案”、“加强工会服务职工设施建设”、“推进职工互助保障工作”等9个落实《关于深化工会三级服务体系建设参与加强和创新社会管理的意见》的文件。     

卷首语

正六月夏至,第2期学报如约与大家见面。上半年,为首都工会界瞩目的北京市工会工作会议和北京市工会第十三次代表大会召开,揭开首都工会工作新篇章。贯彻落实习近平总书记系列重要讲话特别是在北京视察工作时的重要讲话精神,谋划首都工会未来5年图景,以顶层设计带动北京工会维权、服务工作的全面深化,稳固发展     

职工诉求与实现：构建新时代服务职工工会工作体系的价值旨归

构建服务职工工会工作体系是新时代赋予工会的神圣责任,是工会履行竭诚服务职工基本职责 的时代体现,也是推动职工实现体面劳动、舒心工作、全面发展的有效路径。构建新时代服务职工工会工作体 系必须以习近平总书记关于工人阶级和工会工作的重要论述为指导思想,以全心全意依靠工人阶级为指导方针, 以坚持党的领导、以职工为中心、一切从实际出发等为原则,具有系统性、层次性、调整性等特征。鉴于此, 本研究认为,构建新时代服务职工工会工作体系要充分彰显该体系的价值性、保障性和激励性,不断提高工会 组织的吸引力、凝聚力和战斗力,工会组织要正确处理服务资源增量和存量之间的辩证关系,坚持客观评价原则, 推动常态构建,加强工会干部队伍专业化建设。     

北京市总工会以三级服务体系为依托参与社会管理的实践与启示

当前，北京处于城市化、市场化、国际化、现代化的加速期，构建和谐社会首善之区、加快建设创新型城市，对工会工作提出了新课题新要求。适应形势任务的变化，北京市总工会以建立健全市、区县、街道乡镇三级服务体系为依托，积极参与社会管理和创新，推动工会组织和工会工作对职工的全覆盖，实现服务职工由工会自我循环向社会化格局转变，在维护职工合法权益和职工队伍稳定、组织动员职工为促进首都改革发展建功立业等方面做了大量工作，取得了积极进展，充分发挥了工会在职工群众工作中的主导地位，切实体现了工会做职工群众工作的主体作用，逐步探索出一条具有中国特色、首都特点的城市工会工作发展新路子。中共中央政治局委员、全国人大常委会副委员长、全国总工会主席王兆国多次作出重要批示，对北京市总工会的经验做法予以充分肯定。今年6月，全国总工会副主席、书记处第一书记王玉普带领全总调研组赴北京进行了专题调研。北京市总工会的主要做法有：     

贯彻落实《〈工会法〉实施办法》“学用结合”的研究

贯彻《北京市实施工会法办法》维护职工权益,增强落实实施办法的自觉性、坚定性,工会干部要从"三知一会"的视角,在"精、新、实"上下功夫。各级工会要以宣传实施办法为契机,将宣传贯彻落实工作同破解工会难点工作结合,同推动工会工作创新发展结合起来,全面推进工会工作法治化建设。     

倾力打造服务型工会

建设服务型工会是对工会本质属性和工会工作内容方面的要求,也是新时期基层工会组织建设的主要目标和重要任务。打造服务型工会,要认真履行维护职工合法权益基本职责,努力构建服务职工工作体系,加强工会自身建设,增强工会组织吸引力凝聚力。唯有以服务职工群众为宗旨,以职工群众满意为标准,创建工会工作服务品牌,服务型工会之路才能越走越宽。     

“互联网 +”语境下工会服务职工的路径探析

探索"互联网+"语境下工会服务职工群众的路径有助于进一步明晰新业态、新关系下工会的工作机制和服务方式,增强组织凝聚力,实现工作创新突破,更好地开展服务。面对当前工会运用"互联网+"服务职工存在整体规划模糊、信息共享不足、数据价值发挥不够充分等问题,建立权威的、全国工会层面的工会移动互联网服务平台,可以实现信息互通、资源共享,促进社会合作,为职工提供更精准、更深层、更长远的服务。该平台应以移动互联网应用程序即App为主,侧重服务、互动、综合信息的分析与发布,其建设需要工会工作人员和技术人员共同深度参与、持续完善。     

“高校+工会”的社会化、专业化维权模式——基于瓯海区总工会的探索

维护职工合法权益是工会的重要职责。打造一支专业化、社会化的工会法律援助队伍,提高工会工作成效是促进职工队伍和谐稳定的重要前提,也是促进职工所在单位发展的必然要求。本文通过对浙江省温州市瓯海区总工会"高校+工会"维权模式的系统研究分析,探索了通过加强工会和高校协同,培养具有创新精神和实践能力的专业法律人才,促进职工权益维护的工会维权模式。     

福建省泉州市建立职工维权工作联席会议制度和职工维权法律顾问团

《关于进一步加强工会工作的意见》从加强新时期工会工作的重要意义、指导思想和总体要求，充分发挥广大职工在全面建设小康社会中的主力军作用，建立健全维护职工合法权益的制度和机制，全面加强工会基层组织建设，切实加强工会领导班子和工会干部队伍建设，进一步加强和改进对工会工作的领导等方面，提出了指导意见。     

Introduction to queer circuits: Critical performance and digital praxis

This introduction situates the articles making up this special issue within four thematic clouds, positing queer theorization as broadly relevant for critically engaging with computational technologies and culture. These sub-themes offer suggestions for future queer inquiry and praxis and reflect key terms in performance studies and queer theory that have undergone transformation with the ubiquity of digital technology.     

Women,Science and Culture: Science in the Nineteenth-century Periodical

The Victorian periodical press offers unique insights into many diverse areas of nineteenth-century experience, and the complex relations between gender, science and culture in particular, yet it has been consistently marginalized as a primary resource in academic study. The Science in the Nineteenth-century Periodical (SciPer) project at the universities of Sheffield and Leeds is creating a new point of access to a wide range of non-specialist periodicals across the century by means of a fully searchable electronic index. By detailing the entire contents of each journal, and not just those articles that have a clear scientific relevance, it becomes clear that science formed a fundamental and integral part of nineteenth-century culture. The electronic index, moreover, will include hypertext cross-reference links that will allow the user to identify a dialogic pattern of encounters between ostensibly diverse articles, rather than only to browse in a simple chronological mode. By adopting this innovative approach, the SciPer database will reveal the manifold intertextual relations between the fictional works of women writers like Elizabeth Gaskell and the scientific articles that often appeared in the pages of the same magazines, and will show that writers of both sexes and across several different genres actively engaged in vibrant interdisciplinary debates concerning scientific issues in a forum provided by the periodical. Although the SciPer database itself is not specifically focused on issues of gender, the index will include several periodicals aimed explicitly at a female readership and, by providing access to titles still rarely utilized in modern scholarship, it will offer further insights into the important contemporary debates about women and science, as well as the more subtle ways, in which gendered imagery was employed within scientific discourse. This article details some critical findings from Punch , The English Womans Domestic Magazine , Cornhill Magazine and the Review of Reviews .     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

Feminism, Aestheticism and the Limits of Law

This article seeks to identify and address the normative void that resides at the heart of postmodernist-feminist theory, and to propose a philosophical framework – beyond postmodernism, but incorporating its central insights – for thinking through the normative questions with which feminists are inevitably confronted in their engagements with positive law. Two varieties of postmodernist-feminism are identified and critically analysed: the ‘corporeal feminism’ of Elizabeth Grosz and Judith Butler, which seeks to ground feminist critical practice in the irruptive capacities of the material body considered as an arte fact of social construction; and the deconstructionist feminism of Drucilla Cornell, for whom ‘the feminine’ is an indeterminate but disruptive force beyond its construction in law and in other social sites. The first component of the argument elaborated here is that each of these approaches ultimately reduces to a form of aestheticism which is incapable of generating a worthwhile and workable feminist approach to the restructuring of politics and law. The second component of the argument involves a return to aesthetics, in particular to the philosophical aesthetics of Kant’s Critique of Judgement. Kant’s aesthetic philosophy, it will be suggested, yields a framework of concepts which, duly re-manipulated, could speak to the very concerns that have inspired postmodernist-feminism: how to attend to (bodily) particularity while avoiding the dangers associated with ‘essentialism’; and how to theorise the propensity of the unrepresentable power of the feminine to exceed both embodied human capacities and the confining rein of socially privileged rationalities. Crucially, however it also responds to a set of preoccupations – those of the feminist lawyer – that cannot be accommodated by postmodernism: how to translate embodied experience into (legal) norms; generalise from the particular; seek consensus; and codify an endless potentiality in the form of law. This revised version was published online in July 2006 with corrections to the Cover Date.     

The Unexpected: Bionic Woman at the Millennium

Wilfred Bion's A Memoir of the Future provides a point of departure for feminist thinking about the millennium. Bion problematizes hopes for the future and associates thought with catastrophic change. Women play an unexpected role in Bion's experimental autobiography, posing provocative questions and unsettling the status quo . Since Bion has little to say about women in his clinical writings, A Memoir sheds light on his thinking and on the post-Kleinian culture of the 1970s. Book I of A Memoir depicts a class- and sex-nightmare played out between men and women, and women and women, in an age of anxiety whose setting appears to be the fascist 'pacification' of Middle England during an unspecified period. In this hallucinatory drama, all encounters are reduced to a brutal fiction of dominance and submission. The violence of the action suggests the primitive mental world of psychosis. Book II of A Memoir satirizes 'the brilliance of masculine thought' through the voices and criticisms of women. But this is the purgatorial movement of Bion's autobiography, inhabited by 'idées mères' (untransformed beta-elements) and haunted by the ghosts of Bion's traumatic war-time experience. A monstrous plot is hatched to kill primitive, fascistic Man, who retaliates and takes the female spoils. Is this the prelude to catastrophic change? Book III stages a country-house debate between different characters who represent aspects of Bion's personality, recapitulating the concerns of his later writing. The debate includes a meditation on childbirth as compared to war trauma, but Bion takes his distance from feminine intuition or common sense. Women fight on both sides of the barriers in the Bionic revolution - becoming, however, figures for the 'unexpected' and precursors of emotional upheaval. The gendering of millennial thought in Bion's Memoir provides an opportunity to scrutinize our own unthought fantasies of change.     

The Between

Thinking with this special issue's group of feminist thinkers – some artists and others scholars – this introduction makes a strong case for co-authorship and a more collaborative humanities, while also insisting that the couple form – that stalwart object of queer and feminist theory – is neither a known quantity nor an exhausted entity, but rather, a field ripe for analysis. Situated squarely within performance studies, this introduction pivots away from questions of ontology and toward method and performativity, in order to ask: what modes of intellectual practice, erotic exchange, political work, and aesthetic experimentation happen uniquely within couple forms, in their most capacious and non-self-same iterations? What queer and feminist work can they do? What, in other words, is possible in the infinity, if indeed it is an infinity, between one and two?     

Guessing in the Gaps

The genesis of this conversation was the forthcoming new Penguin edition - under the general editorship of Adam Phillips - of the works of Freud. Mark and Phillips consider the concept of a 'literary' Freud alongside the 'scientific'or 'clinical' Freud, and discuss the related issues of translation, representation and interpretation, particularly as they bear on psychoanalytic writing. Adam Phillips's relationship to the institutions of psychoanalysis is considered, and the perpetuation of these institutions through the training of psychoanalysts and psychotherapists. Also discussed is the project of psychoanalysis: the nature of psychoanalysis as a therapy as well as a body of ideas. Mark and Phillips make reference to the work of Freud, Lacan, Klein, Winnicott and Laplanche, and to concepts such as the 'enigmatic signifier' and 'transgenerational haunting'.     

Other forms of conviviality: The best and least of which is our daily care and the host of which is our collaborative work

In this collaboratively written essay, artists Park McArthur and Constantina Zavitsanos take a queer materialist feminist approach to the entanglement of dependency and reproductive labor, disability, intimacy, and the impossibility of exchanging incommensurables. The text merges the authors' experiences receiving and providing one another care with their artistic practices, and includes instructive performance scores for past, rather than future, events.