Citizens of their World: Australian Feminism and Indigenous Rights in the International Context, 1920s and 1930s

Inter-war Australia saw the emergence of a feminist campaign for indigenous rights. Led by women activists who were members of various key Australian women's organizations affiliated with the British Commonwealth League, this campaign proposed a revitalized White Australia as a progressive force towards improving ‘world’ race relations. Drawing upon League of Nations conventions and the increasing role for the Dominions within the British Commonwealth, these women claimed to speak on behalf of Australian Aborigines in asserting their right to reparation as a usurped people and the need to overhaul government policy. Opposing inter-war policies of biological assimilation, they argued for a humane national Aboriginal policy including citizenship and rights in the person. Where white men had failed in their duty towards indigenous peoples, world women might bring about a new era of civilized relations between the races.     

Queer Black Feminism: The Pleasure Principle

In this critical personal narrative Harris explores some of the gaps between conceptions of feminist thought and feminist practice. Harris focuses on an analysis of race, class, and desire divisions within feminist sexual politics. She suggests a queer black feminist theory and practice that calls into question naturalized identities and communities, and therefore what feminism and feminist practices might entail.     

How to live precariously: Lygia Clark's Caminhando and Tropicalism in 1960s Brazil

Economic booms and busts, major social upheavals, brutal military dictatorships: precariousness has been a feature of everyday life in Latin America since its independence. But what does it mean to “propose precariousness as a new idea of existence,” as Brazilian artist Lygia Clark did in 1966? This essay focuses on one specific work by Clark, her 1963 Caminhando, in order to explore the ways in which the very status of performative practices can respond to their social and political conditions and thus offer a model for a subjective experience of precariousness in everyday life. A close study of the process that led Clark to create precarious works will be further supplemented by a contextual analysis of debates about precariousness and adversity within the Tropicalist movement that emerged in late-1960s Brazil, which included artist Hélio Oiticica as well as singers and film-makers.     

Beyond Repudiation: The Affective Instrumentalisation of Feminism in Girlfriendly Spaces

As a mediated sensibility, Gill, McRobbie and Angela have argued that postfeminism is held together by an incorporation of feminist ideas, in order to position feminism as ‘past’, a positioning which contributes to the production of highly individualised subjectivities. This article highlights an emerging modality of feminine subjectivity in which feminism is affectively incorporated, but, rather than being repudiated, it is deconstructed and instrumentalised to fit within norms of girlfriendship. To draw attention to how this discussion may open a more nuanced understanding of the relations between feminist and postfeminist subjectivity, I explore a set of blogs hosted on Tumblr that are situated within ‘girlfriend’ culture. In these blogs, young women articulate humorous reactions to everyday situations based on assumptions of common, feminine experience. I suggest that girlfriendliness, as an emerging normative condition of youthful femininity, constructs an instrumental relation to feminism requiring the discerning, selective performance of traits suggesting an acceptance of certain feminist ideas. Rather than proceeding to a repudiation of feminism per a classically postfeminist sensibility, feminism is dismantled into an affective plasticity that is flexibly incorporated to show individual value, creating ‘likeable’ and resilient femininities. This article draws attention to shifts in the regulation of femininity that occurs on the plane of the affective, calling for an expanded analytical approach that more broadly problematises the instrumentalisation of feminism as a technology of subjectivity.     

The Emergence of Feminism in Fiji 1

This article traces the etymology of Indo‐Fijian (Fiji Indian) feminisms in Fiji. In the first section, the resistances of female indentured laborers (for example, Sukhrania, Naraini and Kunti) are recovered as reflections of early forms of individualized feminisms in the early 1900s. In the second section, it is proposed that the informal and organic, yet socially significant movement of Indian women laborers in Fiji in the 1920s comprised one of the first collective intersections of gendered, classed and ethnicized relationships in Fiji. The 1930 (post‐indenture) women's movement, with its main emphasis on economic empowerment, is included in the discussion of Indo‐Fijian feminisms in the third section. The conclusion highlights that while each phase of the early feminist movement in Fiji focused on a different set of concerns that impacted on the lives of Indo‐Fijian women, this group of women have played and continue to play a prominent role in furthering the rights of women nationally and regionally.