Ecologies of relation: post-slavery,post-apartheid,and rethinking race across the Atlantic in Zakes Mda’s Cion

This article will argue that Zakes Mda’s 2007 novel Cion stages a dialog, one where two “Souths” – South Africa and the American South – speak to one another and give a critical voice to an under-acknowledged history of transatlantic discursive exchange on race and racial governance. Mda’s fictional South African critique, of an America still struggling with the cultural and political legacies of slavery, gestures towards a history of exchange between the two countries that in many ways is representative of a more global dialog on racial segregation during the first half of the twentieth century – of which both southern (US) segregation and apartheid are seminal examples. Moreover, this article explores various conceptualizations of race as well as the governance of racial relations as they have been articulated through ecological imaginaries, and especially between South Africa and the Southern United States over the course of the twentieth century. In this article, I argue that not only can apartheid (as well as pre-apartheid segregation) be rethought of as part of a global conversation on race and thus less as a South African anomaly, but also that the United States through its examples of various racialist technologies was highly influential across the colonial and apartheid worlds.     

Anti-Apartheid Solidarity Networks and the Production of Come Back,Africa

In 1957, American filmmaker Lionel Rogosin arrived in Cape Town, South Africa, determined to make a film about apartheid. “Anti-apartheid Solidarity Networks and the Production of Come Back, Africa” discusses the film’s historical and cultural significance, and— a topic which deserves more attention— the film’s production. The article examines the interconnected and international nature of early anti-apartheid activism. International movements against apartheid may have been relatively small between 1957 and up until March of 1960, but Come Back Africa’s production shows that anti-apartheid activists and artists were becoming increasingly connected in a transnational web spanning the Atlantic with hubs in South Africa, Europe, and the United States. In the case of Come Back, Africa, relationships forged between Rogosin, black South African artists-activists (such as Lewis Nkosi, William “Bloke” Modisane, and Miriam Makeba) and white liberal anti-apartheid activists (including Father Trevor Huddleston, Reverend Michael Scott, and Mary Benson) proved mutually beneficial.     

After the euphoria: The United States and South Africa in the 1990s

The United States welcomed the recent transition in South Africa and has worked closely with the new government since April 1994. Traditional American interest in South Africa was motivated first by opposition to communism and then by opposition to apartheid. However, the demise of those systems as well as uncertainties regarding South Africa's transition make it doubtful that the US will give the country as much attention in the next several years. In the more distant future shared interests are likely to bring the United States and South Africa closer.     

Forlorn daughters? The role of social motherhood in transnational African Methodist Episcopal missionary women networks, 1900–1940s

Abstract

This paper examines the transnational networks formed between women who were part of the African Methodist Episcopal Church (AME) within the United States (US) and its South African missionary societies during the early twentieth century. From the outset, these networks enabled South African women to gain tertiary education in the US, but were nonetheless entrenched in unequal power dynamics. US-based women considered themselves metaphorical mothers to the female South African members, portraying the African women as daughters in need of social and financial support. US AME women were complex role models for Black African women who could not reasonably maintain the lifestyle enjoyed by many AME missionary women. Often, however, South African women appear to have utilized these unequal power dynamics, embracing the rhetoric of being “forlorn daughters” of Africa to maintain the AME’s support. Nevertheless, these networks helped sustain both US and South African women’s participation within the AME Church.     

Cold War brotherhood contested: KATUSAs,slicky boys,American G.I.s,and the Status of Forces Agreement in post-armistice South Korea, 1954–1966

ABSTRACT

As the largest contingent of Americans in postwar South Korea, the G.I. best represented the United States’ Cold War objectives. Their deployment was an emblem of hard power containment, but the G.I. also embodied soft power integration, and through both, G.I.s helped to promote Pax Americana. This article focuses on the militarized masculinity of these ambassadors of America and their people-to-people diplomacy in South Korea between 1954 and 1966. These American G.I.s constructed their militarized masculinity vis-à-vis the Korean male Other, their “lesser” counterparts – the hapless houseboy, the inferior partner soldier, and the menacing slicky boy. At the same time, this liberal imperialism did not go uncontested. Violent imaginaries of the American G.I. from the borderlands were used by Koreans to demand a new bilateral framework – the Status of Forces Agreement in 1966 – to replace the outmoded wartime extraterritorial jurisdiction wielded by the American military after cessation of hostilities on the Korean peninsula in 1953. The militarized masculinity practiced in everyday encounters, thus, became the basis of a critique of American liberal imperialism in one of the United States closest Cold War “brother” nations.     

The gender-apartheid analogy in the transnational feminist imaginary: Ms. Magazine and the Feminist Majority Foundation, 1972-2002

Abstract

This article considers the rhetorical implications of transnational exchange between feminist activists in the late twentieth century. It uses Gloria Steinem’s Ms. Magazine (est. 1972) and the Feminist Majority Foundation (FMF) as a lens through which to understand the emergence of the gender-apartheid analogy in the 1990s. During the 1970s and 1980s, Ms. demonstrated knowledge of and commitment to the anti-apartheid movement. However, when the FMF and Ms. began using apartheid as an analogy for gender-based oppression in the Middle East after the fall of the apartheid regime, the limitations of transnational understanding became fundamentally apparent. This article traces the historical and rhetorical foundations for the use of race-based analogies in women’s rights activism. It then examines the journalistic and foreign policy perspectives espoused toward the South African apartheid regime and women’s rights abuses under fundamentalist Islamic regimes. At the turn of the twenty-first century, this article argues, the transnational feminist imaginary was shaped by a process of inspiration and appropriation which delimited solidarity and understanding across transnational networks of feminist activists.     

The United States and South Pacific regionalism: Participation or subversion?

Abstract

Increasing political awareness in the Pacific island nations during the 1970s led them to adopt foreign and domestic policies that the metropolitan nations considered detrimental to their interests in the Pacific. The South Pacific Forum (SPF) stood at the center of much of the decision making. For the United States in particular it became imperative that it check the SPF's decision-making process. This led the United States to seek avenues through which it could effectively influence the decisions of the South Pacific's regional organizations. Such attempts were intended primarily to undermine the sovereignty and independence of the South Pacific Forum and affiliated regional organizations. This article discusses the rationale for and processes through which the United States has been trying to manipulate South Pacific regional institutions into serving its interests in the region.     

Before the window closed: internationalism,crossing borders,and reaching out to sisters across the seas

Abstract

This article puts into conversation existent and new scholarship regarding black radical women of the Left in the United States and South Africa during the twentieth century. It is primarily concerned with the evolution of women’s protest from localized issues of race-based discrimination to international, anti-colonial protests of the era. It is a timely response to contemporary historical analyses that emphasize the necessity of broadening historical concepts to include themes that cross traditional chronological, ideological, and geographical lines. This article posits four women whose ideological and organizational connections extended far beyond their own national borders and helped to change contemporary ideas regarding the supposed place of black women in national and international protests. The article illustrates the high level of awareness and commonality between communities in protest, and speaks directly to the conflicting intersections of gender, race, and protest that traversed both ideological and geographical divides.     

Cross-circulations and Transnational Solidarity: Historicizing the US Anti-apartheid Movement Through Song

In encounters with African-American expressive culture, black South Africans at the dawn of the twentieth century recognized possibilities for their own lives—educational institutions free from white intervention, professional advancement, and independent nationalist governance. African-Americans seeking to reconnect with the continent worked for South Africa’s independence from apartheid. Music was a critical component of these engagements, creating lasting connections across national boundaries.

This paper situates the anti-apartheid activism of Sweet Honey in the Rock and In Process…, both African-American women’s a capella ensembles, within a larger historical trajectory. Through cross-circulations between the U.S. and South Africa, music constituted shared interpretive space linking African-American and black South African activist communities in combating systems of racial injustice in both countries. Building on scholarship on the role of performance in social movements, I explore the creation of shared community across national boundaries through the profound circulation of song.     

The existentialities of Ethiopian and Nigerian migrants in South Africa

Many studies on international migrations have concentrated on South-North migrations, causes and consequences of such migrations, sending and receiving countries and characteristics of migrants’ interfaces. there is much less scholarly work on South-South migrations, and academic and policy works on wider Africans’ migrations into South Africa are particularly scarce. even among the very few existing studies on South-South migrations, very few account for migrants’ existentialities in South Africa – a nation experiencing the largest scale migrations in Africa and strategising to cope with associated issues, especially among the hard-to-reach migrant communities. This article therefore, examines the ramifications of experiences and existences or existentialities of ethiopian and Nigerian immigrants in South Africa as crucial case study for the growth of pan-Africanism. the approach adopted for this article is transnational systematic interactions and observations in Ethiopia, Nigeria and South Africa. Secondary sources from unclassified documents, scholarly journals, reports and reliable Internet sources were utilised. The findings suggest the need for more robust, inclusive and dynamic social/migration policies in South Africa, as well as other southern nations experiencing high immigration. the argument is that the receiving nations of migrants must pay more attention to objective and comprehensive understanding of migrants and migrant communities to sustainably appropriate migration’s gains and to ameliorate unintended migration consequences.     

“What is it that We Call the Nation”: Cecilia Lillian Tshabalala’s definition,diagnosis, and prognosis of the nation in a segregated South Africa

Abstract

This paper examines the ideology of Cecilia Lillian Tshabalala who spent 18 years in the United States from 1912 to 1930. Within two years of returning to South Africa, she founded the self-help group, the Daughters of Africa in 1932. Tshabalala used the Daughters and the widely read newspapers—Bantu World and Ilanga laseNatal—to define, construct, and diagnose the African nation she found materially and socially wanting upon her return. Tshabalala’s experience abroad and her exposure to African-American women’s clubs and her participation at the annual Chautauqua conferences in upstate New York provided the platform for her to conduct her own social service gospel in segregated South Africa. This essay, which argues that religion served as Tshabalala’s antidote to all the social ills plaguing the African nation, traces the evolution of her ideology by discussing how she was in conversation with African-American and South African male movements, and also women on the African continent.     

Zulu: a transnational history of a New Orleans Mardi Gras krewe

This article examines the transnational ties, both real and imagined, between New Orleans and South Africa through the lens of the Zulu Social Aid and Pleasure Club, an African American Mardi Gras krewe founded in 1909 and based on the popular conception of the South African Zulu of the era. While the organization’s performance of Zulu remained largely fixed, the world around it altered significantly, leading to changing outsider perceptions – and criticism – of the club. I examine how this relationship evolved over time, starting with the genesis of the organization, and how the Zulu krewe interacted with or was disconnected from the links between the two locations. As such, this work explores two parallel strands: the increasing, tangible ties between the Crescent City and South Africa – particularly economic trade – and the performance of Zulu.     

South Africa and Japan: maintaining a difficult friendship

Japan's economic and political relationship with South Africa has been characterised historically by ambiguity. Throughout the twentieth century, economic ties were underpinned by mercantilist and strategic considerations. During apartheid, this placed Japan in an uneasy position as it sought to balance a relationship of expediency with wider foreign policy objectives in the rest of Africa and beyond. The demise of apartheid created the space for new forms of engagement centred on the pursuit of cognate goals. This has seen the intensification and deepening of economic ties in particular. Yet relations, especially at the political and diplomatic levels, have also been more complex than anticipated, and in recent years, the rise in Africa of other players from Asia and the Global South has had a bearing on South Africa–Japan ties. In this paper, it is argued that two related dynamics pivoting on policy elites’ changing conceptions (or self-view) of the nature of the state they are running and its place in the wider world order help explain the post-apartheid evolution of the South Africa–Japan relationship. First, there has been an apparent shift in South African foreign policy elites’ self-view, mediated by a changing systemic context. The development and manifestation over time of a stronger Global South self-conception in South African foreign policy, fashioned in juxtaposition to what have been considered in the past key Global North relationships, had direct consequences for South Africa–Japan ties. Second, meso- and micro-level dynamics – the role of the general operations in the diplomatic (i.e. bureaucratic) arena, and the personalities and shifting political preferences of individual executive leaders – had major impacts on how South Africa engaged with Japan in the past two decades.     

Public and private higher education in South Africa in the context of the African renaissance

Abstract

This article examines the concept of higher education as a public good in relation to the currently evolving interface between public and private higher education in post‐apartheid South Africa. In order to illuminate the significance of the particular ways in which this public‐private divide is unfolding, the first part of the article sketches the history of the emergence of higher education from the South African public and private elementary and secondary education system, and reaches some conclusions about the social, political and economic considerations that drove the emergence of this dualism in the colonial era and during apartheid, and the emergent assumptions on education as a public good. Making use of Amartya Sen's thesis of development as the expansion of freedoms, the second part constitutes an examination of the manner in which the liberatory agenda of post‐apartheid education policy is shaping the current articulation between public and private higher education in South Africa. This is specifically with respect to issues of access, funding and knowledge acquisition and production. This article makes observations, not only about the consequences for development of the particular ways in which the public‐private divide is evolving and how the nature of the interface connects with issues of the public good in education, but also about the degree to which the drive for the marketisation of education is impacting on current understandings of education as a public good. In the very last section, a South African case study is used to provide broad commentary on the nature of the public‐private interface that may benefit development in the context of the African Renaissance.     

‘Very Brave or Very Foolish’? ‘Gallant Little’ Botswana’s Defiance of ‘Apartheid’s Golden Age’, 1966–1980

The period from 1966 to 1979 is claimed to have been ‘apartheid’s golden age’ when the anti-apartheid forces were alleged to have largely acquiesced in the well-resourced South African government. However, this paper observes that Botswana, a country of about one million people and almost entirely surrounded by extremely hostile white minority regimes, demonstrated a spirit of defiance to apartheid’s golden age. Botswana defied military intimidation and reprisals from South Africa (an African giant) and its ally Rhodesia by continuing to host large numbers of refugees despite Botswana’s severe budgetary constraints. Botswana did this even though it was landlocked and overwhelmingly dependent on South Africa for economic survival. Botswana felt that it was a moral obligation to make sacrifices for the benefit of the oppressed black people of South Africa. This article attempts to demonstrate that despite being defenceless and dependent on South Africa for economic survival, Botswana did not yield in its principled stand against apartheid, a stand which won international acclaim during the period from 1966 to 1980 – apartheid’s golden age. It concludes that in its own small way Botswana demonstrated that apartheid was not entirely invincible.     

The limits of agency: Emily Hobhouse’s international activism and the politics of suffering

Abstract

This article pieces together the activism of the British welfare worker and feminist-pacifist Emily Hobhouse (1860–1926) during two largely unrecorded episodes of transnational activism: firstly, her ministry of Cornish miners in Virginia, Minnesota, in the United States; and secondly, her interventions during the period of reconstruction following the South African War (1899–1902). The article endeavors to contextualize Hobhouse’s activism and offer a broader understanding of the limitations and restraints on her actions. Ultimately, her activism required a platform that was in the gift of political actors and establishment figures, and dependent on fluctuations within specific political and bureaucratic situations. Based on close inspection of undocumented material in both South African and British archives, the article investigates Hobhouse’s repertoire of missionary and philanthropic roles within a wider context of humanitarian politics. It demonstrates how women’s activism and their behind-the-scenes politicking informed political decision-making in modern imperial and international affairs.     

On Music,Censorship, and Globalization

Malik Bendjelloul’s music documentary, Searching for Sugar Man (2012), uses the narrative of its central figure, American rock “n” roll musician Sixto Rodriguez, to allegorize South Africa’s emergence from censorship and isolationism to a post-apartheid and increasingly transnational dispensation. I look at the cultural politics of apartheid-era censorship in attempt to account for Rodriguez’s cult appeal in South Africa, despite his artistic shortcomings and his obscurity in the USA. I then focus on the film’s final concert sequence, featuring Rodriguez’s first South African performance, which Bendjelloul subtly positions as a moment of celebration over the new possibilities enabled by the demise of apartheid and the rise of an increasingly integrated global culture.     

The South African Life and Afterlife of Jim Reeves

This article considers the overwhelming and lasting popularity of the country singer, Jim Reeves, in South Africa. Interpreting the press and radio coverage of his two tours to the country (1962 and 1963) and two recent biographies, it considers the ways in which this representative of the Nashville Sound was constructed to appeal to particular sectors of the South African community. Reeves’s habitus was constructed – despite all evidence and behavior to the contrary – as respectable, devout, and loyal to Afrikaner nationalist ideology. The argument considers the ways in which this conservative demeanor bridged the bucolic imaginary and aspirant modernism of apartheid South Africa.     

Ernest Cole: the perspective of time

Ernest Cole’s photographs reveal the contradictions and paradoxes of apartheid South Africa. At a very young age, and with little formal instruction Cole instinctively produced a significant documentary photo-book titled House of Bondage (1967). This article makes a close reading of some of Ernest Cole’s photographs in relation to the historical circumstances of apartheid and how they can be perceived through the lens of hindsight in postapartheid South Africa. The work offers a potent argument for the power of perception to uncover overlooked moments of the period. As an African, Cole’s photographs construct a narrative of apartheid from the position of an “invisible” black insider. In so doing, they tellingly reveal how he used the system of apartheid to his own advantage in his photographic practice. His photographs ask us to consider his modus operandi and the courage it took to make them at that time, offering the opportunity to behold moments that cut across gaps of space and time.     

Ideological and pedagogical tensions in an environmental sustainability education project: A review of adult education practices around Lake Fundudzi,South Africa

ABSTRACT

Research in poor communities in South Africa faces intellectual challenges and tensions which offer lessons for evaluating environmental education (EE). This article illuminates five such tensions that emerged during the course of an adult environmental education programme, implemented from 1999 to 2002, in communities surrounding the catchment of Lake Fundudzi in South Africa: tensions arose between traditional and modern concepts of community; between traditional and post-apartheid structures of local governance; between liberal empowerment and traditional conservationist ideologies; and also within and between environmental ideologies and research paradigms. Paramount among the lessons learned is the need to develop multi-, inter- and transdisciplinary (MIT) practices that are sensitive to local community and environmental needs, and to solutions expressed through local residents, community workers and academics – in other words, the recognition and affirmation of local indigenous knowledge systems (IKSs).