Le théologien et le somnambule: un épisode récent de l'histoire almoravide en Mauritanie

In 2012, images of a mystical mermaid known locally as Mami Wata circulated on the Internet and via people's mobile phones, sparking rumours that Chinese labourers had captured her as they were installing underwater fibreoptic cables. Appearing as a grotesque sea-creature with a gnarled, shrivelled body, this new image of Mami Wata challenges older, popular depictions of her as a beautiful maiden. Further, in her deformed body, Mami Wata reveals new tensions arising from promises of wealth and modernisation promoted by both Chinese and Congolese governments. Accounts of rumours/urban legends and metaphors of contagion animate larger contemporary discussions concerning development projects, “otherness” and the influence of the Internet and mobile phone technology on production of popular African culture. The female siren, Mami Wata, is a recurring motif in Kinshasa's collective urban imaginary. Historically she has been an expression of modernity and hybridity through visual representation in popular painting, sculpture and television serials. Now Mami Wata appears in the digital world. In this article, in addition to analysing the ways in which contemporary technology mediates this archetypal figure, I draw on notions of otherness, recent historical, political and economic changes in the Democratic Republic of Congo to analyse the ways they inform the particular shape and meaning that Mami Wata takes when transformed into the digital domain.     

Logiques transnationales et stratégies locales: les étapes de l'implantation des religions afro-brésiliennes au Portugal

The transnationalisation of Afro-Brazilian religions to Portugal is marked by the opening in 1974 of the first terreiro (house of worship) in the city of Lisbon and today there are around 40 terreiros throughout the country. This article will attempt to elucidate the stages in the implantation of Afro-Brazilian religions in Portugal at the level of individual religious observance as well as at the more global level of Portuguese society. In order to understand these stages, it is necessary on the one hand to consider the purely local strategies enabling a progressive adaptation of Afro-Brazilian religions in Portugal. On the other hand, this study must be situated within comparative research on the transnationalisation of Afro-American religions, which facilitates an understanding of their common processes of legitimisation in new contexts.     

Les Ninja,les Cobra et les Zoulou crèvent l’écran à Brazzaville: le rôle les médias et la construction des identités de violence politique

In his recently published studies, the author analyzed the development and use of militia groups in the political conflicts that shook Congo-Brazzaville in the 1990s. After briefly reviewing these events, he points up the change in recruiting militiamen that occurred in the last phase of these conflicts. His text is primarily concerned with the role of Western mass culture in shaping the bodies and identities of these militiamen and the militiamen’s sense of identity. From the late 1950s (here the author draws on the research of Georges Balandier) to the late 1990s, the young men of Brazzaville were inspired in constructing a modernity of their own bodies by certain Western action films. The graphic violence in these films, perpetrated by characters whom the young men adopted as their heroes, legitimated their own use of violence.     

L’érosion de l’autorité musulmane à Ouagadougou: le discours de militants de l’Association des Elèves et Etudiants Musulmans au Burkina

Abstract

Whilst religious radicalism is at the heart of media and scientific preoccupations, this study shows that, in Burkina Faso, Muslim authority has experienced a steady regression in the urban environment of Ouagadougou. On the basis of interviews conducted with young Muslims at the University of Ouagadougou, the article proposes a reflection on the factors that are causing such an erosion of authority. If the spiritual dimension of this authority is not being called into question, the temporal dimension is undergoing a process of de-legitimisation, which is increasing in line with the interpenetration of the religious and political spheres as well as the discrediting of the semi-authoritarian regime of Blaise Compaoré. In addition to highlighting the fragmentation of the sectors of authority, the study allows for better identification of the position of youths (“cadets sociaux”) in the religious field.