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This article contends that French language is both the perfect tool for the expression of one’s own identity and the instrument of knowledge that has shut down all possible other ones in Algeria. The works of Rachid Boudjedra (1969) and Yacine Kateb (1966) illustrate the highly ideological dimension of Algerian literature. By debunking the very idea of French literature, their novels fight back the concept of cultural imperialism. Yet, I think that the conflict between ideology and literature did not appear recently, after the colonial wars of independence, but was already underlined at the birth of French language as a national idiom in the writings of an author such as François Rabelais.  相似文献   

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L'histoire du football Rwanda commence avec la colonisation du pays. En une cinquantaine d'années, ce jeu sport d'origine anglaise, en intégrant une société agro-pastorale et guerrière, est devenu une pratique culturelle locale. Comprendre ce phénomène nécessite d'articuler l'ancrage colonial d'une activité cosmopolite aux [ré]inventions culturelles locales suscitées par son implantation. Ce texte vise à montrer comment un jeu de balle, en traversant une société en cours d'occidentalisation, a marqué l'édification d'une modernité guerrière reçue et façonnée par les joueurs de l'époque. En traversant les transpositions ludiques d'enjeux sociaux et politiques plus larges, on observe que cette pratique, tout en participant du procès de "civilisation" que s'administra l'institution coloniale, constitua l'un des fers de lance de la lutte pour l'émancipation.  相似文献   

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In countries like Senegal where democracy seems to be institutionalising itself, evaluation of the quality of this practice often happens at critical points of reference such as elections. The democratic changes between Presidents Diouf and Wade in 2000 and between the latter and President Macky Sall in 2012 are generally deemed to be indicators of the healthy condition of democracy in this country. The present article stipulates that the politicians involved in this alternation plan and prepare for it as much at the heart of their administrations as do the political parties, but often also outside election periods. This article demonstrates that the Wade regime, following that mindset, has instrumentalized its cooperation with China in attempt to consolidate its power.  相似文献   

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The author looks into the chain of political violence, as well as into political discourse about past violence, experienced by ordinary Congolese from Independence up to the present. According to him, every major outburst of political violence underwent a discursive recuperation by Congolese/Zairian politicians and produced its own social memory. The Zairian state political culture of violence, blended with people’s experience of every day violence (economic and social), explains the generalisation of violence during the 1990s civil wars and lootings of all major and medium-sized cities.  相似文献   

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Cet article tente de dater la genèse et de suivre l'évolution dans le temps d'une chefferie Bamiléké (ouest-Cameroun) en l'inscrivant dans ses contexte régional et historique, couvrant la période précoloniale (fin du 17ième siècle approximativement à fin du 19ième siècle). Pour ce faire nous avons recours à la tradition orale telle que celle-ci a été définie par Jan Vansina (1985), que nous complétons par d'autres sources confirmant ou infirmant ces traditions. Nous essayons de mettre à l'épreuve le paradigme de la "frontière africaine" introduit par Igor Kopytoff (1987) et montrons en quoi notre étude de cas conforte certaines de ses hypothèses et en réfute d'autres. L'article porte l'accent sur une contextualisation historique et culturelle des sources utilisées. S'appuyant sur les travaux de certains historiens de l'Afrique centrale (MacGaffey, Miller, Vansina), il conclu par des remarques concernant la conceptualisation du temps et de l'agencéité, l'historicité et la culture des sociétés Grassfields précoloniales.  相似文献   

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This article takes as its theme the literature of sub-Saharan Africa, and in particular the prolific work of the Cameroonian author Calixthe Beyala, who, since 1987, has published numerous novels in exile. Calixthe Beyala is among those expatriate writers for whom exile, far from being synonymous with banishment, on the contrary represents true salvation. The article examines how Calixthe Beyala speaks of expatriation in three of her novels: Tu t’appelleras Tanga (Your name shall be Tanga) (1988), Les honneurs perdus (1996) and Comment cuisiner son mari à l’africaine (2000). Belonging to three successive decades, these works relate specifically to the theme of exile and plunge to the heart of Cameroon and to the Cameroonian diaspora in Paris, shedding light on the grieving process linked to the loss of one’s own geographic space, and to the loss of self.  相似文献   

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Abstract

In the context of socio-political liberalisation, which has been happening since 1991, together with the competition between the different religions in the public arena in Burkina Faso, the visibility of Islam has increased considerably with the creation of Islamic media and the growing use of the Internet. This article examines the impact of the growing mediatisation of Islam on the agency and the content of the discourse of Muslim elites in Burkina Faso. This has led to the emergence of new, very mediatised religious figures who have gained authority in the public arena. However, the multiplication of the Islamic message is not accompanied by greater politicisation. Their agency resides rather in their relative capacity to invest in the public arena to defend their vision of society governed by Islamic moral norms. The debate surrounding the introduction of the Senate and the revision of Article 37 of the Constitution between 2011 and 2014 has shown the lacklustre agency of the Muslim leaders.  相似文献   

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One asks oneself vigorously about the conditions of the construction of knowledge relative to the African continent as well as to its way of thinking. The influence of V.Y. Mudimbe in this regard is immense. The major categories of anthropology are examined, even called into question, and most notably the ethnic groups. As pertinent as they may be, these analyses return to the library and to the system of representation that the continent invents and raise it to a paradigm of difference par excellence. It is important, beyond the scholarly discourse, to take a look at the relationship of ordinary people with libraries. Broadcasters, for example, comment candidly on the work of one artist-musician or another. Appropriation implies the related right: “droit d'auteur(e)”, copyright or “Urheberrecht”. Anyone who fails to comply becomes a pirate. What, therefore, is the meaning of to modernise the author, the work, the copyright or the pirate not in language inherited from Western law but in that of the citizen or the average villager?  相似文献   

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In his recently published studies, the author analyzed the development and use of militia groups in the political conflicts that shook Congo-Brazzaville in the 1990s. After briefly reviewing these events, he points up the change in recruiting militiamen that occurred in the last phase of these conflicts. His text is primarily concerned with the role of Western mass culture in shaping the bodies and identities of these militiamen and the militiamen’s sense of identity. From the late 1950s (here the author draws on the research of Georges Balandier) to the late 1990s, the young men of Brazzaville were inspired in constructing a modernity of their own bodies by certain Western action films. The graphic violence in these films, perpetrated by characters whom the young men adopted as their heroes, legitimated their own use of violence.  相似文献   

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In 2012, images of a mystical mermaid known locally as Mami Wata circulated on the Internet and via people's mobile phones, sparking rumours that Chinese labourers had captured her as they were installing underwater fibreoptic cables. Appearing as a grotesque sea-creature with a gnarled, shrivelled body, this new image of Mami Wata challenges older, popular depictions of her as a beautiful maiden. Further, in her deformed body, Mami Wata reveals new tensions arising from promises of wealth and modernisation promoted by both Chinese and Congolese governments. Accounts of rumours/urban legends and metaphors of contagion animate larger contemporary discussions concerning development projects, “otherness” and the influence of the Internet and mobile phone technology on production of popular African culture. The female siren, Mami Wata, is a recurring motif in Kinshasa's collective urban imaginary. Historically she has been an expression of modernity and hybridity through visual representation in popular painting, sculpture and television serials. Now Mami Wata appears in the digital world. In this article, in addition to analysing the ways in which contemporary technology mediates this archetypal figure, I draw on notions of otherness, recent historical, political and economic changes in the Democratic Republic of Congo to analyse the ways they inform the particular shape and meaning that Mami Wata takes when transformed into the digital domain.  相似文献   

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