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ADAM SHARMAN 《Bulletin of Latin American research》2011,30(4):488-501
The article examines two ‘postmodern’ critiques of modernity: a general history that argues that it was never solely Western, and a work of Latin American cultural criticism that petitions for the region to leave behind a modernity seen as Eurocentric. It argues that to understand the modern elements of Latin America entails keeping present the European, and in part pre‐nineteenth‐century, genealogy of modernity. This is in order to grasp that both the pitfalls of claiming modernity is a common project (colonialism vanishes) and the difficulty of going beyond it (European modernity bequeathed the language of breaks and dialectical incorporations). The piece identifies the rhetorical choreography involved when the limits of the critique of Western modernity become apparent. 相似文献