To Buy or Not to Buy? Vulnerability and the Criminalisation of Commercial BDSM

This paper examines the interaction of law and policy-making on prostitution, with that of BDSM (bondage and discipline, sadism and masochism). Recent policy and legal shifts in the UK mark out prostitutes as vulnerable and in need of ??rescue??. BDSM that amounts to actual bodily harm is unlawful in the UK, and calls to decriminalise it are often met with fears that participants will be left vulnerable to abuse. Where women sell BDSM sex, even more complex questions of choice, exploitation, vulnerability, power and agency might be thought to arise. Does the combination of activities take two singular behaviours into the realm of compound harm? Are those who sell BDSM doubly vulnerable in a way that would justify criminal intervention? This paper argues that in imposing categories of vulnerability, the state engages in the heteronormative construction of risky sexual subjects who must be rehabilitated, responsiblised or punished. Through an examination of existing empirical studies on BDSM, the paper offers a feminist critique of the potential criminalisation of commercial BDSM and calls for more research on the lived experiences of those who buy and sell BDSM.     

"Heavyweight" men and younger women? The gendering of selection processes in Norwegian sport organizations

This article concentrates on discourses and practices concerning leadership selection in Norwegian sport organizations, how meanings of gender are made relevant and how these processes may contribute to build and rebuild organizational gender structures. The empirical material focuses on selection procedures and how these are discursively underpinned. The analyses revealed that the selection discourses were strongly related to images of corporate leadership skills: skills associated with "heroic" masculine traits, but seen as gender-neutral. Most female candidates were not regarded as sufficiently possessing the most preferred skills. The selection procedures seem to indicate a gendered political situation, where overall organizational objectives to promote gender equality are relatively subordinated.     

Post-socialist deindustrialisation and its gendered structure of feeling: the devaluation of women’s work in the Croatian garment industry

ABSTRACT

This paper examines the devaluation of women’s industrial work during the transition from market socialism to capitalism in Croatia. On the basis of oral history interviews with former workers from the Arena knitwear factory in Pula, it explores the gendered structure of feeling created by socialist industrialisation, and its transformations during post-socialist deindustrialisation. In socialist Yugoslavia, female industrial workers participated in the discourses and practices of workers’ self-management. Despite their hard work and their low wages, most workers fondly remember the factory as a space of socialisation, solidarity and empowerment. The factory functioned as a redistributive centre for accessing welfare rights. After post-socialist transition, workers experienced worsening social rights, precarity and exploitation as a result of deindustrialisation, privatisation and the neo-liberal withdrawal of the welfare state. Workers’ nostalgic narratives about their work experiences during socialism are mobilised to reclaim the dignity and value of work in post-socialist times.     

To ‘Better the Breed of Men’: women and eugenics in New Zealand, 1900–1935

Over the past decade the relationship between feminism and eugenics has become an increasingly important site of research. This relationship, however, remains to be examined in New Zealand. This article interrogates the ways in which female reformers, colonial feminists and female health and welfare workers engaged in eugenic debates in New Zealand during the first three decades of the twentieth century. It situates the 1924 Inquiry into Mental Defectives and Sexual Offenders in New Zealand and the sterilization debate of the 1930s as representative of women’s role as both the agents and subjects of eugenics in this period. Eugenics offered women a discourse of moral and social reform that fitted neatly with the ideals of colonial feminism and, by extension, enabled them to participate in national debates about racial health. However, in their testimony before the 1924 Inquiry and in the subsequent debates surrounding sterilization, women articulated and prescribed eugenic solutions for ‘deviant women’ and cast themselves as the ‘mothers of the race’. As authors of eugenics for other women, white middle‐class female reformers, health professionals and colonial feminists complicate the history of eugenics in New Zealand.     

Looking for Lela Simone: Singin’ in the Rain and microhistories of women’s sound work behind the scenes and below-the-line in Classical Hollywood Cinema

ABSTRACT

Despite her contribution to some of classical Hollywood’s most renowned musicals, the largely unknown Lela Simone exemplifies one of Hollywood’s ‘anonymous movie workers’ (Leo Rosten) working in the shadows of film history. As music co-ordinator for MGM’s Arthur Freed Unit (1944–1957), Simone’s exacting technical supervision of sound and music recording and post-production ensured films such as The Pirate (1948), On the Town (1949), An American in Paris (1951), Singin’ in the Rain (1952) and Gigi (1958) achieved perfect synchronisation and polished production values. Drawing on archival sources this article engages with the methodological and conceptual challenges of making visible the labour of women, like Simone, working below-the-line in technical roles. Taking Simone’s work on sound and music in the iconic ‘Singin’ in the Rain’ number as a case study, the article illustrates how a micro-historical focus can bring a previously invisible realm of women’s labour, and agency, into view.     

No Rosy glasses in Bluesy Ghettos? Job satisfaction of pink and blue collar workers and the comparable worth legislations

ABSTRACT

The majority of studies using contemporary data report that women have a higher job satisfaction than men, and even more so in the occupations with a greater female share. This pattern, paradoxically given the lower pay of female-dominated jobs, is often attributed to women’s voluntary sorting into these occupations. In contrast, historical scholarship emphasizes the societal restrictions which shaped women’s vocational choices and the dissatisfactions with wages which led to the comparable worth movements around the world. During the 1980s, the Canadian comparable worth movement achieved momentum and instigated many legislative changes. By 1989, 6 out of 10 Canadian provinces had laws prescribing ‘equal pay for work of equal value.’ Using nationally representative Canadian data from 1989 to 1991, we examine how these legislations affected job satisfaction in pink and blue collar occupations. We find strong evidence for the higher job satisfaction of pink collar women in jurisdictions with a comparable worth legislation. The findings are discussed within the sociocultural context of the late twentieth century.     

Did unemployed workers choose not to work in interwar Britain? Evidence from the voices of unemployed workers†

This paper revisits the controversy over whether unemployed workers in interwar Britain chose not to work because unemployment benefits were too generous. Economists have generally neglected the actual expressions of unemployed workers on the subject, while focusing rather narrowly on the economic aspects of work. The paper takes seriously the voices of unemployed workers, providing economists with a historian's perspective. Unemployment brought workers isolation, family breakdowns, anxiety-ridden idleness, shame and hardship for spouses. Their testimonies render implausible the argument that they voluntarily elected not to work. The evidence emphasises that work meant more than a source of income: it had positive social aspects.     

What's Love Got to Do with It? Dynastic Politics and Motherhood in the Letters of Eleonora of Aragon and her Daughters

This article analyses interpretations of motherhood in letters from the duchess of Ferrara, Eleonora d'Aragona, to her daughters, Isabella and Beatrice d'Este. Following the girls’ marriages in 1490 and 1491, the duchess used letters to maintain a close surveillance and authority over them, as well as to offer advice and direction as they established intimacy with their spouses, faced the rigours of childbirth and took on new political responsibilities. In their side of the correspondence, Isabella and Beatrice reveal their anxieties about marriage and transfer to a new environment. The author argues that despite the constraints of writing mainly through secretaries and according to formulaic epistolary conventions, the women communicated effectively, revealing both their struggle to adhere to conventional interpretations of filial and maternal duty and the personal costs borne by them for the sake of their family's dynastic and political survival.     

Appealing to the Female Vote: Dutch political parties and the approach of women voters in general election campaigns,c.1922–1980

This article explores the effects of female enfranchisement on the nature of political identity formation in Dutch election campaigns between 1922 and the early 1980s. It argues that women voters played a key role in the imagination of the Netherlands as a ‘pillarised society’ in which political constituencies were represented as stable and based on ‘objective’ characteristics like class and religion. The continuous representation of women as politically ignorant and indifferent served to maintain a self-identity that made women susceptible to ‘be educated’ and ‘learn to understand’ their political identity. The second feminist wave did much to upturn dominant representations, but older discourses proved persistent. The call to take women more seriously as members of the demos, again resulted in a separate treatment of women in political propaganda, with organisations like MVM and the parties' (rebranded) women's clubs, as well as commercial women's magazines now playing a key role in their ‘political education’.     

“I've got a lot to do and i don't think i'll have the time”: Gender differences in late adolescents' narratives of the future

The present study examined gender differences in late adolescents' future narratives.Thirty-nine male and 43 female late adolescents (M=20.01 years) completed 90-minute individual interviews assessing dimensional and thematic aspects of the future narrative as well as psychological profile characteristics (abstract reasoning, psychological distress, self-concept, and self-esteem). As predicted, gender differences emerged in the anticipation and projected timing of adulthood transition events. More females than males anticipated marriage and parenthood; females also anticipated younger ages at marriage and parenthood than males. Examination of adolescents' narratives of the life course beyond the adulthood transition revealed greater extensionoverall among males than females. No gender differences in extension or densitywere obtained for the anticipated occupational domain, and no gender differences were obtained in extension in the family domain. Female adolescents, however, anticipated more events in the family domain than did males. The findings are discussed in terms of the implicit theories of adulthood that inform adolescents' future narratives.This research was supported, in part, by a grant awarded to the first author by the National Science Foundation (Differential Perceptions of the Family Environment).Received Ph.D. from Boston University in Developmental Psychology. Research interests include future narratives, self-perception, and cognition.Research interests include cognition, schema theory, and gender.     

Gaining a Public Voice: Ottoman women's struggle to survive in the print life of early twentieth-century Ottoman society,and the example of Halide Edib (1884–1964)

After delving into the emergence of women in Ottoman print culture and the challenges associated with this process, this paper focuses on women's periodicals which provided a platform for women writers, education for a female audience and a means of communication between both parties. Analysing the social and technical challenges of establishing independently run and long-lived women's journals under the restrictive circumstances of the early twentieth century's gender-segregated Ottoman society, this article not only documents women's struggle for survival in the publishing world but also explains why women's periodicals and their female authors had an ephemeral print life. After acknowledging the role of print culture in the women's emancipation movement, the focus is on Halide Edib as an exceptional example in terms of her survival and transformation from unknown to world-renowned author. Her struggle to enter and become established in the print life of the late Ottoman society illustrates the potential and available positions for women in the publishing sphere and explains the failure of her female contemporaries to achieve success in this area.     

Do Conduct Problem Pathways Differ for Black and Minority Ethnic Children in the UK? An Examination of Trajectories from Early Childhood to Adolescence

Journal of Youth and Adolescence - A substantial body of evidence has examined developmental pathways into and out of conduct problems. However, there is a dearth of research examining whether the...     

Does it pay to break male gender stereotypes in advertising? A comparison of advertisement effectiveness between the United Kingdom,Poland and South Africa

Advertisers shy away from using non-traditional (vs. traditional) male gender portrayals even though theory suggests they may be more effective cross-nationally. Two main hypotheses were tested cross-nationally for the first time. H1: ‘paternalistic’ male stereotypes (e.g. Househusband) would be more effective than ‘envious’ male stereotypes (e.g. Businessman) across countries confirming the stereotype content model (SCM). H2: the match between initial male gender role attitudes and advertisement type would increase advertisement effectiveness only in countries with relatively low egalitarian norms (i.e. Poland and South Africa). A cross-national study was conducted through the use of student samples following a 3(country: United Kingdom, Poland and South Africa) × 2(advertisement type) × (gender attitude) mixed design (N = 373). A three-way multivariate analysis of variance showed support for H1 and partial support for H2 (i.e. the second hypothesis held on purchase intent and for South Africa). The study provides evidence for the cross-national applicability of the SCM to advertising and the limited predictive value of gender attitudes for purchase intent depending on country. Thus, contrary to mainstream advertising practices, breaking male gender stereotypes does appear to pay cross-nationally. Theoretical and practical implications alongside the potential for change in practices are discussed.     

what’s in a face?: Sara Baartman,the (post)colonial gaze and the case of <Emphasis Type="Italic">Vénus Noire</Emphasis> (2010)

The story of Sara Baartman, who was brought to Europe in 1810 to be exhibited as the erotic-exotic freak ‘Hottentot Venus’, is arguably the most famous case study of the scientific validation of (gendered) racism. Her scientific examination and post-mortem dissection by Georges Cuvier, who looked for an alleged connection between the Khoisan and the orangutan, have been the object of famous critical works (Gilman, 1985; Haraway, 1989; Fausto-Sterling, 1995), but also exposed her to the unpalatable fate of becoming the ‘quintessential’ figure of intersecting gender and racial oppressions. This paper deals with Abdellatif Kechiche’s film Vénus Noire (2010), which interestingly rearticulates the (in)famous narrative in unexpected ways. Shot by a male director who is also a postcolonial subject, the film exposes the performativity not only of gender and racial identities, but also of science theorisation, while at the same time raising the issue of whether exposing a violent male colonial gaze on a heavily exhibited woman can contribute to a counter-knowledge of her experience or rather risks reiterating the historical violence. The startling dynamic between the portrayed abuse and Kechiche’s peculiar filmic strategies is the crucial focus of this paper. While Sara’s body is continually exposed and violated, Vénus Noire relies on her face, shot in recurrent extreme close ups, as a haunting presence potentially exceeding violence. Drawing on Gilles Deleuze and Félix Guattari’s (1987 [1980]) account of the close up, I explore how Kechiche’s take on Sara’s face builds a strong connection with the spectator’s extra-filmic dimension. As a case of what Deleuze and Guattari call a ‘reflective face’, such close ups invest the viewer with the ethical responsibility of being complicit in the othering practices of (post)colonial times. Vénus Noire thus manages to engage the spectator’s own corporeal awareness of violence, and calls attention to the persisting exploitation of sexual and racial colonial tropes in the contemporary world.     

feminist disavowal or return to immanence? the problem of poststructuralism and the naked female form in Nic Green’s <Emphasis Type="Italic">Trilogy</Emphasis> and Ursula Martinez’ <Emphasis Type="Italic">My Stories,Your Emails</Emphasis>

This essay discusses the work of two female theatre-makers, and their strategic use of nudity on stage. The author appropriates signs of indignation in this work in order to re-visit the ‘problem’ of the female form being traditionally associated with bodily immanence rather than transcendence. Both Nic Green’s Trilogy (2009–2010) and Ursula Martinez’ My Stories, Your Emails (2010) use the naked female form to proffer statements about the experience of being a woman in the 2000s. Their use of nudity breaks with feminist theories popular in the 1990s, which argued that because the female form could never escape the symbolic logic of phallocentrism, it could never escape sexual objectification, and thus should operate on the margins of mainstream culture, cultivate agency by appropriating the means of production and be removed from view (radical negativity). By identifying as ‘artists’ and by insisting on their right to put their experience centre stage, Green and Martinez break with the anti-humanist theories of the 1990s and proffer a more individualistic strain of feminist performance. The author celebrates this work as a break away from the deadlock offered by theories of radical negativity.