The feminine in abstract painting reconsidered

This essay explores the complex gender issues embedded in abstract painting’s history as well as the present.     

Metaphysics and reality of the feminine in early Neo-Confucian thought

The rise of the Neo-Confucian movement marks an important transition in the history of Chinese women. Before this mode of thought became widespread, customs regarding divorce, remarriage, and education generally allowed women a relatively high degree of personal freedom. The Neo-Confucian movement changed this by reinterpreting the Confucian classics in ways that sharply limited the range of social options open to women. Most significantly the Neo-Confucians emphasized the flawed nature of yin, the basic feminine element, enshrining this antipathy in their complex metaphysical systems. These philosophic abstractions soon influenced works ranging from history to family management. In this way the attitudes expressed by Neo-Confucians slowly spread into the popular consciousness. Thus many of the popular notions held toward women in China today date from the beginnings of Neo-Confucianism.     

Gender,body, and feminine performance: Edna St.Vincent Millay's impact on Anne Sexton

This paper will discuss Edna Millay's influence on Anne Sexton, with particular reference to issues such as gender politics, femininity, performativity, and the female body. Through close comparative readings of some of the two women's most representative poems, I analyze, firstly, how Millay's outspokenness and daring self-presentation as a woman writer facilitated Sexton's handling of material that was previously considered unacceptable for poetry and, secondly, how Sexton expanded the scope of women's writing in a manner that paid tribute to the earlier poet's innovation. My paper maintains that Millay's repeated attempts to explore gender and interrogate the concept of ‘authentic’ femininity anticipated Sexton's overtly feminist works. Ultimately, I am arguing that, despite the literary climate of the 1960s (which urged the rejection of poets like Millay) and despite her own ambiguous feelings for the earlier poet, Sexton eventually recovered Millay as an important literary predecessor for her generation, consistently imitated her artistic posturing, performance strategies, and self-presentation, and finally acknowledged her unique contribution to women's writing.     

Ukraine's ancient matriarch as a topos in constructing a feminine identity

In 1991, Ukrainian independence opened an important theoretical channel for debating the status of its women. The people's collective memory of an ancient matriarchy generated a neo-matriarchal mythology which has been transformed into a delusional ideology that legitimizes female subordination, in the name of her alleged empowerment. Fieldwork in Ukraine – annual visits, including travel from one end of the country to another in official capacities, and many extended stays in Ukraine, as a scholar, researcher, educator and participant in key events, provided opportunities for exchanging views with countless people from many walks of life throughout the country. Participation in a host of programs – television ‘specials’ on gender, seminars, retreats, workshops and conferences, designed to raise the consciousness of women and men alike – provided an array of opportunities to observe at first hand the way that today's women construct individual identity. Extensive research in the press (many runs of daily newspapers, including Den’, in Kyiv, and Vysoky Zamok in Lviv, and women's journals such as the widely read Zhinka, among others) added further insights. Television viewing, popular publications collected habitually during my numerous visits to Ukraine, copies of documents contributed by my Ukrainian friends and colleagues, outdoor advertising, posters and intimate gatherings at the homes of likeminded women, all played a part in the formation of my impressions of Ukrainian women's inferior status. In this paper I use my findings to explore the conflicting discourses on women's alleged empowerment, and the essentialist constraints on their self-realization, together with measures adopted to date on changing gender stereotypes and promoting equal rights and opportunities.     

Sexual frigidity: the social construction of masculine privilege and feminine pathology

This study examines how mid-twentieth century physicians used the term ‘sexual frigidity’ to disempower women. Conceptualizing medical texts as accounts, I focus on how medical authors saw, described and explained sexual frigidity from the 1930s to the 1960s in both scientific writings and in those aimed at the general public as sex guides, marriage manuals and advice columns. The study concludes, that behind the pretext of treating a woman’s frigidity, psychiatrists and gynecologists, using the language and theoretical structures of psychoanalysis, constructed a narrative in which ‘normal’, non-frigid women always see their man through a lens of unlimited patience, tenderness and altruism. Their attitude is always welcoming, joyous, and worshipful. By contrast, women defined as sexually frigid see their man through a lens of bitterness and resentment, an attitude which reaches its apotheosis during the man’s attempts to engage them in intercourse. Through the frigidity narrative, mid-twentieth century physicians managed to pass judgment, not only on women’s sexuality, but on their autonomy, their character, and the success or failure of their marriage: they are to blame when their husband leaves them for another woman; they are to blame when their husband is impotent; and they only have themselves to blame if they are unable to function in a sexually ‘healthy’ way. The discourse that seemed preoccupied with a woman’s genitals, with their feelings and contractions, was also interested in a woman’s heart, her intentions and activities, with particular emphasis on how she performed as her husband’s housekeeper and companion. There was scarcely an attitude, feeling, or interpersonal activity known to women from which mid-twentieth century physicians did not impute some connection to frigidity.     

class and feminine excess: the strange case of Anna Nicole Smith

Cultural concerns about race, class and beauty often intersect with mass-mediated depictions of the female body. Drawing on Foucault's theories about disciplining the public body, this article examines the changing public perception of Anna Nicole Smith from an ideal beauty to a white trash stereotype. This analysis argues that Smith's very public weight gains, her outrageous behaviour and her legal battle for her late husband's fortune is presented in the media as an example of inappropriate conduct for a white beauty ideal and thus is repositioned as white trash culture. Central to this repositioning is the constant tabloid depiction of Smith as an ‘out of control’ grotesque. This article argues that contrary to the optimistic understanding of female grotesques as effective agents of cultural criticism and social change, Smith represents the female grotesque as an agent of cultural control that instructs middle-class women on how to avoid committing classed, racial and gendered transgressions. The article concludes that the case of Anna Nicole Smith functions as a cautionary tale that reinforces cultural standards of normalization.     

Quest for grace: fraternal authority and feminine resistance in colonial Australia

The emergence of feminism in Australia, as elsewhere, was grounded in personal experience. This paper explores the small and private rebellion of one woman against fraternal authority, an episode that took place before women had access to a feminist ideology with which to express their feelings of oppression. It argues that an examination of the tissue of domestic life – in this instance, a tiff about piano-playing – can be read at a number of levels: as a metaphor of inarticulate resistance and as an important precondition for feminism.     

Voices from the feminine margin: Izumi Shikibu and the nuns of Kumano and Seiganji

Kara Walker's 2005 multimedia creation, Song of the South, marks an important transitional moment in Walker's critical artistic practice, described in this essay as a ‘performative turn’. A close study of the work reveals Walker's increasing attentiveness to engage with the viewer's presence as well as incorporating her own personal and collective experiences as an African-American woman with even greater intimacy than in her previous projects. These elements, combined with Walker's use of filmic interventions and her own body as both a represented image and live performer, result in the production of a richly layered and provocative work of art. Song of the South reflects Walker's continued ability to exacerbate the stinging wounds of history while challenging us to address the trauma of the past as manifested in today's societal ills.     

Book reviews: Art and womanhood: From the female imagination to feminine consciousness

The Female Imagination, by Patricia Meyer Spacks. New York: Alfred A. Knopf, 1975, $10.

Feminine Consciousness in the Modern British Novel, by Sydney Janet Kaplan. Urbana: University of Illinois Press, 1975, $7.95.     

Women drivers!: The emergence of folklore and stereotypic opinions concerning feminine automotive behavior

Although often presented in a humorous context, folklore concerning the behavior of women automobile drivers, and the development of a stereotype concerning them, emerged for very serious social reasons. They were attempts to both ‘keep women in their place’ and to protect them against what were believed to be corrupting influences for women in society.In the male-dominated America of the early twentieth century, women at the wheel posed a serious threat to long-established ideas and practices. The automobile threatened to restructure the social status of women and the meaning of family life in America. As a result, defenders of the status quo sought a means by which female use of the motor car might be limited. Hence, the emergence of folklore concerning the alleged disabilities of feminine motorists, and the eventual development of the full-blown, negative ‘woman driver’ stereotype.     

A women's international quarterly over 30 years. Are the arguments to be feminine or feminist?

Women Speaking (first entitled Speaking of Women) was published from 1951 to 1982. Its aim—to encourage women to make their voices heard on public issues—involved discussion of legal, educational and occupational discriminations, evidenced internationally by contributors involved in the struggle to overcome such handicaps in their own countries and through the United Nations Organisation. ‘East’ or ‘West’ the problems are found to be the same, even if immediate priorities differ, and the Journal's stance became radical feminist: ‘…sexism underlies all other ims, and Nationalist, socialist, communist, “Churchist” (Christian or Islamic) movements are at best peripheral and at worst deadly to human progress unless the universal problem of women's oppression is faced’ (editorial July 1980). Patterns of thought which from infancy undermine women's self-confidence stem from belief in a male God; hence a central interest in the struggle for ordination of women to the priesthood. At the outset the editors posited the achievement of peace between nations as the ultimate goal of women's emancipation and their prominence in movements towards this end have been consistently chronicled. The question, however, remains: is it in women's nature, any more than in men's, to seek peace? In the earliest and the last issues may be found the answer ‘Yes’, expressed in almost identical terms. But the last editor argues that in the sum total of interrelated issues we should rather affirm the human need and potentiality in both sexes for cooperative living.     

Gendertyping sports: social representations of masculine,feminine, and neither-gendered sports among US university students

Sport is shifting from being hegemonically masculine but it is unclear how sports are viewed as gender segregated or gender integrated. Previous quantitative studies of gendertyping sports have reported mixed findings. Gendertyping constructs social representations that shape institutional and individual sport activities. This study examined how particular sports are represented as masculine, feminine and/or neither-gendered in one sample of 310 students at a US university. Qualitative open-ended recall questions asked students to name three masculine, feminine and neither masculine nor feminine sports. Results revealed that most students were aware of and used hegemonic gendertyped terms to describe sports. Recall questions elicited 2515 namings of 80 different sports that were arrayed as a spectrum of social representations of gendertyped sports ranging from masculine to neither-gendered to feminine. Some representations were hegemonic segregated masculine sports, many were integrated neither-gendered sports, and fewer were segregated feminine sports. Gendertyped social representations of sports offer cultural toolkits for calibrating the practices of doing and redoing gender in sport.