首页 | 本学科首页   官方微博 | 高级检索  
相似文献
 共查询到20条相似文献,搜索用时 15 毫秒
1.
Ann Liv Young's The Bagwell in Me, which premiered at The Kitchen in NYC, 2008, continues this experimental dance-theater artist's characteristically brutal, anatomizing exposure of the performers’ bodies through both sexual and violent narratives. This analysis examines how Young's construction of a certain type of subject on the stage challenges the subjectivities of her audience members, provoking moments of potential eruption. By setting up the possibility of abjection through the ambivalent dynamic of attraction and repulsion, and bombarding the audience with tropes that engender a push toward Georges Bataille's concept of “radical formlessness,” I argue, Ann Liv Young's performance places notions of the stable subject – composed of a “whole” body that is coherently organized and intelligibly coded in terms of sex, gender, sexuality and race – into question. Not only will this analysis explore how viewing oral sex as choreography speaks to Bataille's discussion of radical formlessness through decontextualization and the maddening effects of staring at the sun, but it will also interrogate how the same strategy of radical formlessness could have entirely different performative effects regarding the threat of bodily coherence and taxonomy within the narrative of historical racial violence.  相似文献   

2.
    
In 1957 Arries Ann Ward, who was formerly enslaved, appeared on the classic television interview-entertainment program, This Is Your Life. Despite Ward’s practices of refusal, the rare interview enacts an idealization of black female servitude and indebted obligation through performances of affection and racial benevolence. Ward’s appearance effectively works to resolve national crisis produced by widespread images of civil-rights protest and counterinsurgent violence, reifying discourses of American exceptionalism in Cold War context.  相似文献   

3.
Using a sample of 20,000 adolescents (Add Health data), this study examined the influences of community poverty and race/ethnicity on adolescent obesity. Multilevel analyses revealed strong evidence for the unique influences of community poverty and race/ethnicity on adolescent obesity net of family characteristics. The prevalence of obesity is significantly higher in poor communities than in affluent communities; and it is higher among African Americans, Hispanics and Native Americans than among Whites. The interaction between race/ethnicity and community poverty indicates that race/ethnicity moderates the influence of community poverty on the prevalence of obesity. Although the prevalence of obesity is higher among minorities than among Whites, the influence of community poverty is stronger for Whites than for minorities, suggesting that unlike Whites, most minority groups may not accrue benefits of structural community advantages. The state of being overweight as the outcome variable provided essentially the same findings. The practical implications are discussed.  相似文献   

4.
    
In March 2003, a contemporary version of the Greek play Lysistrata was performed on over 1000 stages across the globe to protest the war in Iraq. This article analyzes the synchronized performances of Lysistrata in order to question the role of the lived body in social activism. The lived body, as conceptualized by Young (2005), considers the power and constraint we experience as the material facts of our bodies – skeleton and organs, ligaments and tendons, muscles and fat – move and exist in a particular time in history, a particular geographic space, surrounded by particular other people who are co-constructing ways of being in the world together. In the past several decades, numerous public examples have emerged of women in particular creatively constructing themselves in relation to their given socio-historical conditions. This article engages in a two-part analysis, of a ‘productive misreading’ of Aristophanes' Lysistrata and of the synchronized performance-protests orchestrated by the Lysistrata Project, in order to better understand the ways in which gendered bodies are enabled and constrained by their physical and social environments in performing dissent.  相似文献   

5.
    
ABSTRACT

In the United States, right-wing populism is a major factor in national politics, as evidenced by the election of Donald Trump as President of the United States in 2015. Right-wing populism is defined by an appeal to ‘people’ (usually white, heterosexual Christians) to rebel – against both liberal ‘elites’ from above and ‘subversives’ and ‘parasites’ from below – by engaging in a hardline brand of conservative politics. There are a variety of right-wing populist political currents in the U.S. One of the most visible is the contemporary ‘Patriot’ movement, which is the successor to the Armed Citizens Militia movement which swept the across the nation in the 1990s. Today, the core Patriot movement groups are united by an interpretation of the Constitution that derides federal power (especially regarding environmental regulations, public lands, and progressive taxation) and advocates for a radical brand of right-wing decentralization. This opposition to federal government policies is framed in a way that inflames preexisting White, Christian nationalism (including anti-immigrant xenophobia and Islamophobia), as well as Christian Right support for patriarchy and opposition to LGBTQ rights.  相似文献   

6.
    
Drawing on readings of ‘home’ in cultural and literary criticism, as well as on historical and social scientific analyses of the experiences of Irish women in England, this article will examine how William Trevor's novel, Felicia's journey, uses space to explore the marginalisation of the Irish woman within Irish and English society. It will begin by examining the ways in which domestic interiors complement the narrative of entrapment and escape central to the novel, before going on to look at how Trevor engages with the social and cultural conditions that circumscribed the lives of Irish women in the second half of the twentieth century. Finally, it will examine how Trevor's representation of the Irish emigrant experience foregrounds the historical dilemmas encountered by Irish women in England, specifically in the context of the ‘abortion trail’ of the 1980s and 1990s and in relation to how Irish women have been imagined in English culture.  相似文献   

7.
    
This paper examines how gender, age, education, income, race, and ethnicity affect giving behaviors using the 2006 US Consumer Expenditure Survey. The testable hypotheses are based on theories of human capital and social capital. The research suggests that gender differences in philanthropic behavior are non-existent. Education, annual income, wealth, and being Hispanic increase the probability of giving, but they had no effect on the amount gifted. It is estimated that age and race interact with gender to affect differences in giving – older women are more likely than younger men to donate but give smaller shares of their income, while white women, black women, and Asian women are less likely to donate and give smaller amounts than men of ‘other’ races.  相似文献   

8.
This paper uses the film Born in Flames to engage questions around hope and the future that have been central to queer studies in the last decade. As the author understands it, the film's critique of the time of reform and progress holds profound implications for how we think about the future. By demonstrating the repetitions of racialized and gendered violence over time, the film produces a theory of the future where the continuation of the present as it is means the future will not come. If the state organizes populations, institutions, and forms of knowledge through a regulatory imagination and disciplined vision, it also determines the future in the same manner. The state ensures that the future can be extrapolated from the present by managing, contorting, and eradicating the future before it arrives. It uses preemptive action (war, assassination, incarceration, policing, administrative violence, and surveillance) to make its “imagined future come to pass.” The author argues that by showing the continuity between the racialized and gendered violence of the past, present, and future, the film constructs an anticipatory queer politics of urgency and presentism.  相似文献   

9.
    
  相似文献   

10.
    
This paper examines the significance of landscape and memory in peasant–state relations in Eritrea since independence in the early 1990s. During this period, people were being resettled around cultivable land in the western lowlands as a means of recuperating land and society after prolonged warfare. Projects of statemaking in Eritrea, involving both refugee resettlement and agrarian development, have drawn from a national narrative of lost fertility and deforestation caused by generations of colonial extraction and violence. This paper explores how shared memories of environmental change, an ecological nostalgia, become a means through which people from diverse ethno-linguistic, religious, and regional backgrounds come together to imagine a collective future based in creating livelihood from farm land. However, as people reclaim remembered landscapes and face the challenges of rebuilding communities and livelihoods during a time of tense political and economic change, their ideas of a shared future diverge from state-led projects of nation-building. This article argues that ecological nostalgia legitimises state interventions into rural livelihoods but also provides a means for people to speak and critique the state under conditions of increasing fear and silencing.  相似文献   

11.
    
In order to understand the ongoing production of gendered nation in Anderson's sense, which is mainly realized in the cultural domain, novels can play a significant role in terms of representing the imagined boundaries and functioning as mediums through which cultural difference is expressed. As mentioned by Jean Franco, the novel can be used as a means to work out imaginary solutions to different and conflicting problems through the representation of some imaginary figures. The aim of this article is to examine the representation of women's images in novels in the pre-Republican (Ottoman–Turkish) and early Republican period (1908–1923) in order to analyze the formation of gendered national identity. Women's images in these novels offer important clues towards having a better understanding of the production of gendered nationhood and exploring the specific characteristics of Turkish nationalism such as Westernization, the notion of collective soul, women's sexuality, emancipation and education.  相似文献   

12.
    
This study examines the gender project at an after-school program for low-income black boys in which officials and workers contested street manhood as a legitimate form of masculinity. Acting street involves establishing respect and status through physical intimidation, usually when race- or class-disadvantaged boys lack other resources. For programmers and direct-care workers concerned about boys' well-being, changing the definition of manhood potentially offered boys freedom from harm and a route to success. This study analyzes the life-skills programs designed to promote alternatives to acting street. It finds that while trying to protect boys from race- and class-based injury, these programs reinforced male entitlement to authority, status, and freedom from scrutiny by legitimizing rationality, responsibility, achievement, and traditional male roles. Furthermore, workers who implemented the programs often reinforced boys' gender privilege even when they undercut the definition of manhood inherent in the programs. The findings illustrate how addressing gender's internal hegemony reproduced external hegemony (Demetriou 2001).  相似文献   

13.
This study examined perceptions of differential treatment relating to school disciplinary practices in a racially and ethnically diverse sample (Black, South Asian, Asian, White, and other racial/ethnic background) of high school students (N = 1870). Participants completed detailed individual questionnaires assessing general perceptions of school disciplinary practices and various aspects of the school environment. Results indicated that racial/ethnic minority students are much more likely than White students to perceive discrimination with respect to teacher treatment, school suspension, use of police by school authorities, and police treatment at school. Multivariate analyses revealed that such perceptions are particular strong for Black students. In addition, a number of other variables such as gender, socioeconomic status, age of immigration, and views of school climate also predicted students' perceptions of differential treatment toward members of their racial/ethnic group. The implications of these findings are discussed, and suggestions for future research are outlined.  相似文献   

14.
    
ABSTRACT

This article argues that race and class are central aspects of sexual citizenship in a Australia. It does so by investigating representations of heterosexuality that were produced and circulated during the 2017 same-sex marriage postal survey. Engaging with feminist and critical race theorists, we position same-sex marriage as not exceptional but part of a wider distribution of sexual citizenship within Australia's ongoing settler colonial history. We do so by introducing a number of illustrative examples of representations of heterosexuality produced during the survey. These representations reveal how same-sex marriage perpetuated heterosexual authority by asserting claims to authenticity and the occupation of space. We observe how heterosexuality in the survey material reproduced fantasies linking these three themes, for example, in an authentic white heterosexual family who speaks from their suburban backyard. It reveals that ceding to a bifurcated view of either progressive or conservative voices forestalls rather than advances other visions which may exceed the limited imaginings of sexual citizenship offered by the white liberal settler colonial state.  相似文献   

15.
    
As White farmers in the United States retire en masse, the racial and ethnic demographics of US farming are shifting to now include a significant number of Latino farm owner-operators. Yet this population of new farmers, contributing specific technical expertise and knowledge, is not represented in current discussions concerning agrarian transitions. This paper draws on interview-based research conducted in the states of California, Maryland, New York, Minnesota and Washington, with first-generation Latino immigrant farmworkers who have transitioned to farm ownership. The majority are practicing small-scale and diverse crop production, with limited synthetic inputs and mostly family labor, as this form of farming allows them to reclaim control over their own labor and livelihoods, while also earning a cash income. The farmers included in this study, and their rationale for farming despite race- and citizenship-based challenges, cannot be understood simply through a lens of class transition. This contribution provides evidence that Latino immigrants’ ascendancy to farm ownership is instead a result of their struggle to redefine their relationship to land and labor in a country where their race and citizenship status have relegated them to the working poor.  相似文献   

16.
Abstract

The author treats von Arnim’s Elizabeth and Her German Garden and The Solitary Summer as types of imperial romance, showing the ways in which von Arnim quite literally domesticates the genre by adapting discourses of eugenics and racial contest to fit an Englishwoman’s experiences of home-making and gardening in late nineteenth-century Pomerania. Racial fitness is replaced by aesthetic fitness as von Arnim sets up a contest between English and German femininities within the home and garden.  相似文献   

17.
    
Our Black bodies have had colonial histories inscribed on them. This colonial project of inscribing Black bodies with colonial knowledge has fragmented our Black knowledge to the point of making us doubt our Blackness. In my effort to leave my Black children a road map for living a whole and healthy life as proud Black people, I engage my experience of being fathered in colonial Africa through a letter to my own Baba (father). This letter embodies the African orality structure of engaging, and reflects on how colonialism has fragmented Black families and traumatized our children as part of the colonial project. To expose this colonial trickery through dialogue is my way of beginning to re-establish my Black familial bonds. I also share this story to our diverse global community because our Blackness is a part of our common humanity. So in our global human diversity we center our relational humanity through storytelling. This means how we matter to each other is in the stories that we tell. I hope my story connects us so that we matter to each other without undermining the intersections of race, gender, disability, colonialism, class structures, poverty, and ageism. My story highlights the power of dialogue in healing fractured relationships, giving witness to colonial oppression and being a tool for engaging social justice.  相似文献   

18.
    
This paper examines how masculinities and race are co-constructed in South African television advertising. A sample of 5803 advertisements was collected that included 876 primary visual male actors. These were coded and analysed by means of traditional content analysis. A coding scheme was developed which was partly based on existing research. Coding categories included advertisement setting and products; race, social class, age and portrayal of primary visual actor; as well as sexuality, toughness, independence, status, responsibility and homophobia norms of traditional masculinity as related to the primary visual male actor. Hypotheses predicted that men would be represented significantly differently in television advertisements depending upon their race. These differences in representation reflect an intersection between traditional gender and race relations in South Africa that are marked by longstanding inequalities. The findings largely supported these hypotheses. White men are represented as exemplars of hegemonic masculinity whilst black men are marginalised. It is argued that these representations serve to maintain hierarchical social relations between men in South Africa. This study provides a foundation upon which further work may be undertaken. Avenues for future research are outlined.  相似文献   

19.
    
Disproportionately high rates of Conduct Disorder are diagnosed in African American and Latino youth of color. Diagnostic bias contributes to overdiagnosis of Conduct Disorder in these adolescents of color. Following a diagnosis of Conduct Disorder, adolescents of color face poorer outcomes than their White counterparts. These negative outcomes occur within mental health and juvenile justice settings. The aims of this article are to: (a) identify the factors that contribute to overdiagnosis of Conduct Disorder in adolescents of color, (b) discuss the associated negative outcomes, and (c) provide recommendations for culturally sensitive diagnosis of adolescents of color with conduct problems in order to reduce overdiagnosis. Clinical and research implications will also be presented.  相似文献   

20.
    
Performance

Song of Lawino. Directed by Valeria Vazilevski and choreographed by Ja‐wole Willa Jo Zollar. Aaron Davis Hall, City University of New York, New York, January 5–8, 1989.

Abingdon Square. Directed by Irene Fornes. American Place Theatre, New York, 1988.

The Kathy &; Mo Show: Parallel Lives. Written and produced by Kathy Najimy and Mo Gaffney. Westside Arts Theatre, 1989.

Annulla, An Autobiography. Written and Directed by Emily Mann, performed by Linda Hunt. TNT (The New Theatre of Brooklyn), New York, October‐November, 1988.

The Warrior Ant. Written and directed by Lee Breuer; music composed by Bob Telson. Brooklyn Academy of Music, Next Wave Festival, October 19–30, 1988.

Go Between Gettysburg. Written, directed and designed by Linda Mussmann, in collaboration with Claudia Bruce and composer Semih Firincioglu. Theatre of the Riverside Church, New York City, November 10–20, 1988.

Mary Surratt. Written, directed, and designed by Linda Mussmann, in collaboration with Claudia Bruce; music by Semih Firincioglu. Time &; Space Limited production. New York, 1988.

Elizabeth Streb. Dance Chance series, Dance Theatre Workshop, New York, January 4–8 and 11–13, 1989.

Books

Dance, Sex and Gender: Signs of ‘Identity, Dominance, Defiance and Desire, by Judith Lynne Hanna. Chicago: University of Chicago Press, 1988 ($15.95 paper).

The public forum

Sexist Images in Women's Performance. Performances by Jerri Allyn, Ellen Fisher and Dancenoise, and Panel moderated by Peggy Shaw. Movement Research, New York, December 19, 1988.

The Edinburgh Fringe Festival. Edinburgh, Scotland, 1988.

Plenty Money, by Pat Kaufman; Men, Women and Margaret Fuller, by Laurie James; “An Evening of Dance: Karen Bernard, Jean Churchill and Joanna Zubaty”; “Readings by Sonia Taitz,” Women &; Performance Events Series, produced by Katheryn Kovalcik‐White. Tisch School of the Arts, New York University, June‐December, 1988.  相似文献   

设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号