首页 | 本学科首页   官方微博 | 高级检索  
相似文献
 共查询到20条相似文献,搜索用时 15 毫秒
1.
    
Michael Jason Enriquez digitally altered celebrity headshots to make the celebrities look like they are wearing chola make-up. The “cholafied” headshot circulated on a Tumblr account, which at its most popular, in 2012 and 2013, spread to over 160 countries and had half a million page views, over 20,000 Tumblr followers, 90,000 reblogs, and at least 60,000 shares on Facebook. Attending to the sensory, affective, and historical rituals hidden in the haptic register of this quotidian digital archive, the author argues, insinuates and approximates one aspect of what racial seeing feels like in our contemporary moment.  相似文献   

2.
Abstract

This paper examines the ways in which girls and women are using digital media platforms to challenge the rape culture they experience in their everyday lives; including street harassment, sexual assault, and the policing of the body and clothing in school settings. Focusing on three international cases, including the anti-street harassment site Hollaback!, the hashtag #BeenRapedNeverReported, and interviews with teenage Twitter activists, the paper asks: What experiences of harassment, misogyny and rape culture are girls and women responding to? How are girls and women using digital media technologies to document experiences of sexual violence, harassment, and sexism? And, why are girls and women choosing to mobilize digital media technologies in such a way? Employing an approach that includes ethnographic methods such as semi-structured interviews, content analysis, discursive textual analysis, and affect theories, we detail a range of ways that women and girls are using social media platforms to speak about, and thus make visible, experiences of rape culture. We argue that this digital mediation enables new connections previously unavailable to girls and women, allowing them to redraw the boundaries between themselves and others.  相似文献   

3.
Abstract

This paper follows the affective impact of a story on rape culture in a school magazine in a US high school. Immediately following its publication, the school administrative enacted a policy of prior review on all future publications. The event made waves in US national news and online media and was denounced as an act of censorship and infringement on students’ freedom of expression. In concert with other students and faculty at the school, the author of the piece engaged in various forms of protest and on- and off-line activism. This piece tracks the multiple political affects and effects activated by the article through a notion of affectivisms. This case study further explores notions of ‘positive’ school climate and the increasingly imbricated textures of schooling experiences with online media.  相似文献   

4.
企业文化的三大文化特征   总被引:1,自引:0,他引:1  
企业自1769年问世以来,从未间断过创造企业文化,企业文化孕育着企业.企业文化的文化特征在于,企业文化是企业特有的文化,是企业的个性文化,是企业群体的文化.  相似文献   

5.
    
This essay considers how the current compulsion to digital reproduction – the urge to digitize, network, and online previously not-online materials – offers researchers of and within queer circuits the opportunity to defamiliarize and denaturalize our participation in academic systems of exploitation and to reorient our work towards decolonizing research economies, habits, protocols, and relationships. It takes the Cabaret Commons, the authors’ speculative digital archive of and for trans- feminist and queer (TFQ) grassroots performance scenes in Canada, Mexico, and the United States, as its point of departure. The authors frame TFQ performance and party scenes as negotiated intimacies, cultivating ethics of vulnerability and risk, which operate within and as networked intimate publics. Reading across decolonial, queer, feminist, and trans- ethics and methods, this essay revisits the value of ephemerality, of strategic evaporation, non-storage, and forgetting in online research contexts.  相似文献   

6.
    
ABSTRACT

This article introduces the special issue on fashion and features an analysis of the current state of the relationship between the fashion system and feminist scholarship. Important points of convergence are identified, including the link between the so-called democratisation of fashion and the recent resurgence of feminism in mass culture, fashion’s introduction of complex models of identity, embodiment and materiality, its foregrounding of class, and its ability to shed light on the relationship between feminism and neoliberal capitalism. Altogether, fashion emerges as an ideal diagnostic tool for the feminist politics of the present.  相似文献   

7.
ABSTRACT

This article historicises Josephine Baker’s use of fashion in terms of contemporary black stage performers, particularly Beyoncé Knowles-Carter’s evolving black feminist politics. It examines Beyoncé’s references to Baker as an inspiration for her own black feminist art and argues that they offer an opportunity to re-examine Baker’s legacy in our own contemporary moment. Using Beyoncé’s arguments about Baker as a starting point, the article examines Baker’s fashions and costumes and argues that she used them to manipulate her relationship to the models of white supremacy that attempted to structure her identity and relationship to the public sphere. Using contemporary black feminist criticisms of respectability politics, it argues that Baker’s fashions produced a politics of disrespectability, where clothing and body worked together to carve out space for black feminist experimentation. By constantly changing the terms through which her audiences and the public read her, Baker carved out a subjective space where she could become in relation to her clothes without restraining herself to the identity categories normatively allotted to black women.  相似文献   

8.
"三个代表"理论的完整提出,有着重大的历史意义,其中"代表中国先进文化的前进方向"作为当代中国共产党人文化自觉的理论标志,意味着党对社会发展整体进程及其"内在目的"的深刻把握,意味着党在复杂多变的新形势下,始终坚持共产党人的根本宗旨和坚定信仰,使党的所有现实努力,紧紧维系于造福人民、振兴中华的历史使命,维系于谋求人类完善和人类解放的"内在目的".  相似文献   

9.
    

This short article focuses on the input of emergent values and norms in a dominant legal system. The pure request and need of emergent legal values for recognition and formal acceptance underline the position of the dominant culture. Moreover, it allows the dominant culture to change and adapt emergent values and norms in order to enforce its position. Gender legal issues at large, and same-sex couples' request for the right to marry in particular are examples of this phenomenon. Legal polycentricity on the other hand stresses the equalisation of different values. However, the question raises to what degree this theoretical legal model effectively ameliorates the lives of individuals.  相似文献   

10.
    
ABSTRACT

If feminism and the fashion industry were once seen as adversaries, given how the strictures of Simone de Beauvoir in The Second Sex (1949) permeated so much of second wave feminism, a consideration of fashion’ is now central to contemporary feminist scholarship. But just as the earlier critique of fashion seemed finally to have been supplanted, certain basic arguments around dress and makeup nevertheless resurfaced within contemporary feminism. The current neoliberal climate has led to the ever-increasing consumption of ‘fashionable’ goods, provoking unease and encouraging the contested ‘protectionist discourse’ within feminism to shield young women from just such excesses. Meanwhile, the fashion world itself, arguably more powerful than ever, has across the last twenty years continued a process of legitimising itself through its various modes of alliance with the art world; it has even hijacked elements of feminist practice in the pursuit of publicity. This article suggests that the fashion industry and contemporary feminism are nonetheless alike in one significant respect: neither have properly engaged with the needs of an ageing population. It is an omission that this article will seek to examine through a discussion of the recent ‘portraits‘ of Cindy Sherman, an artist of great interest to feminist scholars, in whose earlier work there was a discernible ‘anti-fashion’ element. Now ‘fashionable’ herself, a leading figure in the global art world, she has collaborated with the fashion industry in rather different ways. Her ‘portraits’ of 2012, in which she reconfigured herself as imaginary Manhattan socialites in or beyond middle age, and a later series, exhibited in 2016, where she appears as a series of ageing, anonymous ‘movie stars’, reveal more general ideological tensions surrounding the representation of women, the ageing process and the fashionable ideal. It is the dissection of these tensions that underpin this article, for while Sherman’s work has been the subject of academic debate across a forty year period, her use and critique of the ‘fashionable ‘ image has not been examined alongside an exploration of the expanding activities of the fashion industry itself; nor have her recent images of ageing women been examined within this more general context.  相似文献   

11.
    
ABSTRACT

The rise of fast fashion has meant that young women (even those on relatively low incomes) are able to ‘regularly consume and discard fashionable clothing’ [Buckley, Cheryl, and Hazel Clark. 2012. “Conceptualizing Fashion in Everyday Lives.” Design Issues 28 (4): 18–28. doi:10.1162/DESI_a_00172., 21]. While this development may be aligned with the democratisation of fashion—the fact that the supply chains that deliver fast fashion are not consistent with the principles of global democracy is now also relatively common knowledge in the democratised West. This, along with growing awareness of the ecological harms associated with the fashion industry has contributed to what Elke Gaugele [2014. Aesthetic Politics in Fashion. Vienna: Sternberg Press] has termed the ‘ethical turn’ in fashion. However, despite the fact that young women are often not deemed capable of translating their (ethical) attitudes into (ethical) behaviours [McNeill, Lisa, and Rebecca Moore. 2015. “Sustainable Fashion Consumption and the Fast Fashion Conundrum: Fashionable Consumers and Attitudes to Sustainability in Clothing Choice.” International Journal of Consumer Studies 39 (3): 212–222], nor able to be ‘trusted to consistently make good decisions’ [Brooks, Andrew. 2015. Clothing Poverty: The Hidden World of Fast Fashion and Second-Hand Clothes. London: Zed Books, 241], they are also increasingly being called to recognise their individual role in the politics of global fashion supply chains. Drawing on examples from scholarly and popular discourses as well as online peer to peer communications, this article explores the historical moment of fast fashion as an instance of both the feminisation of consumption and the feminisation of responsibility.  相似文献   

12.
    
This article uses short vignettes to evoke some of the experiences of life in the network.  相似文献   

13.
提高民族文化素质 ,必须继承中华民族优秀文化传统 ,加强思想政治工作。中华民族优秀文化传统与当今我国社会主义现代化建设有着密切联系。不仅要用先进的科学技术武装广大群众 ,而且要用马克思主义科学世界观和人生观武装广大群众。要坚持“以德治国”与加强道德教育相结合。  相似文献   

14.
    
  相似文献   

15.
“大厂”数字劳动模式下所催生的员工工作压力,是全社会劳动管理数字化转型的一个集中缩影。 研究认为,互联网大厂通过技术嵌入、组织机制、文化情境三个方面提升了员工的工作压力值,打破了员工工 作生活的边界,形成了全员的“业务锦标赛”“绩效锦标赛”和固定淘汰制。上述现象叠加市场竞争的催化和 有关劳动者权益保护制度不完善,引发了大厂员工的高流动性。通过对大厂员工工作压力的质性研究,研究建 议,应当正视大厂劳动管理模式下劳动者权益受损的现象,从减少对员工的全景式监控、降低员工劳动过程对 数字技术的过度依赖、改革不合理的绩效锦标赛、建设员工友好型企业文化等几个方面降低员工的工作压力值, 努力促进员工工作和生活的平衡,有效保护数字时代“大厂”员工的各项劳动权益,实现数字经济的可持续发展。  相似文献   

16.
    
This article considers the influential work of Ana Mendieta. Focusing on her siluetas series, Muñoz describes Mendieta's art as performing a modality of brownness that leaves resonant indentions on the world, what he calls vital materialist after-burns. Mendieta's after-burns are read alongside the poet's of Négritude and their investment in a critical élan vital that speaks to the historical precariousness of dispossessed people. The artist's work is explained as a meditation on a critical brownness that is theorized as the sharing out of the unshareable, the invaluable and the incalculable.?Mendieta's intervention is ultimately described as the work of offering a brown sense of the world in which singularities flow into a politically enabling common.  相似文献   

17.
    
ABSTRACT

This inquiry analyses the rhetoric of intentionally unfinished fashion contained in the collections from Céline as designed by Phoebe Philo and explicates the implications of this approach to fashion as a feminist text. Shoshana Felman’s seductive promise of speech, modified with insights from Paul de Man’s theory of autobiography as both giving face and defacement, is applied to Philo’s ‘new minimalism’ in order to highlight its appeal to modern female audiences. Using insights from the philosophy of Jacques Derrida, I examine ways in which wearers may seek to create a signature citationality via clothing that produces its own ‘unwriting’ therefore allowing the wearer to believe she inscribes her own iteration while maintaining control. Wearers are offered the chance to identify with a designer who is enlightened beyond fast and flashy fashion while hinting at the notion of the clothing having the substantialising effect that language has (instead of representational). Through this examination, clothing is shown to be a decision, and clothing is also shown to be a fiction. These decisions and fictions are open to failure; yet Felman offers that this failure acts as an opening remaining inadvertent or unacknowledged. Philo's designs invite an exploration of clothing as performative rhetoric.  相似文献   

18.
The present investigation examines mediated pathways from pubertal development to changes in depressive affect and aggression. Participants were 100 white girls who were between the ages of 10 and 14 (M=12.13, SD=.80); girls were from well-educated, middle- to upper-middle class families, and attended private schools in a major northeastern urban area. Three aspects of pubertal development were examined: (a) estradiol categories tapping gonadal maturation; (b) dehydroepiandrosterone sulfate (DHEAS) levels indicating adrenal maturation; and (c) pubertal timing (early vs. other). Three potential mediators were also examined: emotional arousal, attention difficulties, and negative life events. Tests of mediated models indicated that early pubertal timing predicted higher emotional arousal which subsequently predicted increased depressive affect. Negative life events, and possibly attention difficulties, mediated the associations of both estradiol category and DHEAS with aggression. These findings highlight the potential for more intensive investigation of gonadal and adrenal processes in explaining affective changes at puberty.
Julia A. Graber (Associate Professor)Email:
  相似文献   

19.
发展我国数字图书馆的几个关键问题   总被引:2,自引:0,他引:2  
数字图书馆是下一代互联网网上信息资源的管理模式 ,可从根本上改变目前网上信息分散、不便使用的现状。实现图书馆国际化已成为必然趋势 ,我国的数字图书馆工程已在积极运作之中。  相似文献   

20.
    
This article seeks to engage Rosi Braidotti's work on memory and Elspeth Probyn's on shame to analyse the novel Stone Butch Blues by Leslie Feinberg. Probyn asserts that shame is a site of desire for connection and not solely humiliation. That queer and transgender expressions have been shamed then plays a role in how such communities are established. Braidotti analyses constructions of ‘history’ that privilege dominant subject positions (e.g. white, normatively gendered men). As a result mainstream history, or ‘memory’, is denied to those outside such privilege. Feinberg's novel serves as an alternate history for those with shamed genders/sexualities.  相似文献   

设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号