工会凝聚力:概念、维度及影响因素探析

工会凝聚力指工会对成员进行整合,实现工会内部秩序,从而让成员能够围绕工会的组织目标形成合力的能力。工会服务供给和工会活动参与对工会凝聚力具有显著的正向影响。因此,为增强工会凝聚力,需提高工会的服务质量,鼓励会员积极参与工会活动。     

规范基层工会组织工会经费收支管理的研究——基于某市工会经费收支管理的审计结果

基层工会是落实工会各项工作的实践者。工会经费是维持基层工会正常开展工作,落实工会各项工作的物质基础。但基层工会是如何管理工会经费的,工会经费是否起到了应有的作用,目前成为关注的焦点。     

加强工会财务管理确保工会经费合理使用

工会财务管理是工会工作的重要组成部分,在基层工会经费独立核算的原则下,随着我国工会会计制度改革的不断深入和完善,财务管理进程的不断加快,做好基层工会财务管理工作显得更加重要。加强基层工会财务管理规范化建设,促进基层工会财务管理制度化、规范化、科学化,是增强基层工会活力,夯实工会经济基础,提升工会整体实力的重要举措。本文结合北京市总工会最新文件,研究新形势下基层工会如何更好的使用工会经费,围绕大局、保障重点、服务职工,从而推进工会事业不断稳步发展。     

企业工会改革的法律探讨——以FLA对富士康的调查为背景

美国公平劳动协会(FLA)对于富士康的调查暴露出企业工会作用发挥的困境:工人对于企业工会的认同感偏低、企业工会的代表性弱、企业工会委员会的人员构成违法、企业工会未能有效进行集体协商并监督履行集体合同、企业工会未能有效代表工会成员磋商等等。企业工会作用发挥困境的根本原因在于其独立人格的缺失。构建企业工会的独立人格是企业工会改革的合理路径。基于工会的社团属性,工会应该有与之相一致的工会章程。因此,企业工会独立人格的构建,除了具备民法通则规定的法人成立的一般条件之外,还应该有独立的企业工会章程来完成其独立人格的创设。     

借助“互联网+”强化工会预算监管

当前,"互联网+"深刻影响社会。如何运用"互联网+"推进工会维护职工权益服务水平升级,助力工会服务职工效率提高,促进工会服务职工平台建设,改善工会服务职工资源配置,实现全流程工会服务,优化工会服务布局,改变工会财务管理监管模式,是摆在我们面前的新课题。借助"互联网+",施行工会预算管理新措施,夯实工会预算管理基础设施"云网端",推行工会预算监管行为"在线化",实现工会预算监管信息利用效益"最大值",推动工会财务管理水平进一步提高。     

工会的法律性质

以往工会性质的研究更多地停留在政治学和社会学层面,主要从工会的阶级性和群众性的角度研究工会的性质,很少从法律的角度来研究。工会的法律性质是工会法律制度的逻辑起点,工会的组织机构、工会的职能、工会的权利与义务、工会的内部法律关系和外部发生关系均由此产生,并由此决定。因此,研究工会的法律性质,不仅有着重要的理论意义,而且有着重大的实践意义。     

员工对工会的职能感知加深对工会凝聚力的影响 —— 中国情景中的权力距离调节作用

近年来中国工会通过强化维权职能、改革组织结构、组织工会活动等一系列措施以解决工会“四 化”问题,目标在于提升工会对员工的凝聚力和员工对工会的归属感,这一路径在理论上已达成共识,但在实 践中还需要更多的验证。本研究通过对 142 家企业和 2457 名员工的问卷调研,基于社会交换理论,探究中国情 境中员工对工会的职能感知加深从而提升工会凝聚力的路径机理。研究结果表明：在工会的深入改革中,员工 认识到工会对自己的权益保护功能（工会职能感知）的确能提升对工会的归属感和认同感（工会承诺）,且通 过组织工会活动提高员工对工会的参与度（工会参与）,进而加强了工会凝聚力。同时,如果企业的管理层级多、 上下级沟通不畅（即企业与员工的权力距离大）,反而会促进员工更积极参与到工会建设中,希望工会为自己代言, 从而提升工会吸引力、凝聚力、战斗力。     

关于当前加强企业工会工作的思考

企业工会是我国工会的重要组织基础和工作基础,是中国工会的主体。加强企业工会建设,是工会推动构建和谐企业劳动关系的着力点,也是工会扩大覆盖面,增强工会凝聚力的关键所在。     

国家治理现代化视域下工会治理若干问题论要

工会治理是国家治理的重要组成部分,工会治理现代化也是国家治理现代化的必然要求。本研 究以党的十八届三中全会、十九届四中全会和党的二十大报告提出的国家治理现代化理论为依据,结合工会实际, 对新时代工会治理的若干重要问题进行了探讨和分析。研究认为,工会被治理与工会治理是辩证统一的,工会 治理包括参与治理和工会自身运行治理,工会自身运行治理又包括工会自身组织建设和工会组织的运行。为实 现工会治理体系和治理能力的现代化,应夯实工会治理体系的制度基础,着力提升工会治理能力,强化工会社 会团体法人治理,以发挥我国工会制度的优势与效能,推动中国工运事业的现代化。     

论加强工会理论建设的必要性及意义

工会理论建设是中国特色社会主义工会建设的重要组成部分,是指导工会政策研究、指导工会工作实践的重要保证。加强工会理论建设,必须摈弃就工会论工会的思维范式,从不同学科视角对工会工作进行研究,使工会理论建设更加符合工会工作实践的需要。     

Introduction to queer circuits: Critical performance and digital praxis

This introduction situates the articles making up this special issue within four thematic clouds, positing queer theorization as broadly relevant for critically engaging with computational technologies and culture. These sub-themes offer suggestions for future queer inquiry and praxis and reflect key terms in performance studies and queer theory that have undergone transformation with the ubiquity of digital technology.     

Women,Science and Culture: Science in the Nineteenth-century Periodical

The Victorian periodical press offers unique insights into many diverse areas of nineteenth-century experience, and the complex relations between gender, science and culture in particular, yet it has been consistently marginalized as a primary resource in academic study. The Science in the Nineteenth-century Periodical (SciPer) project at the universities of Sheffield and Leeds is creating a new point of access to a wide range of non-specialist periodicals across the century by means of a fully searchable electronic index. By detailing the entire contents of each journal, and not just those articles that have a clear scientific relevance, it becomes clear that science formed a fundamental and integral part of nineteenth-century culture. The electronic index, moreover, will include hypertext cross-reference links that will allow the user to identify a dialogic pattern of encounters between ostensibly diverse articles, rather than only to browse in a simple chronological mode. By adopting this innovative approach, the SciPer database will reveal the manifold intertextual relations between the fictional works of women writers like Elizabeth Gaskell and the scientific articles that often appeared in the pages of the same magazines, and will show that writers of both sexes and across several different genres actively engaged in vibrant interdisciplinary debates concerning scientific issues in a forum provided by the periodical. Although the SciPer database itself is not specifically focused on issues of gender, the index will include several periodicals aimed explicitly at a female readership and, by providing access to titles still rarely utilized in modern scholarship, it will offer further insights into the important contemporary debates about women and science, as well as the more subtle ways, in which gendered imagery was employed within scientific discourse. This article details some critical findings from Punch , The English Womans Domestic Magazine , Cornhill Magazine and the Review of Reviews .     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

Feminism, Aestheticism and the Limits of Law

This article seeks to identify and address the normative void that resides at the heart of postmodernist-feminist theory, and to propose a philosophical framework – beyond postmodernism, but incorporating its central insights – for thinking through the normative questions with which feminists are inevitably confronted in their engagements with positive law. Two varieties of postmodernist-feminism are identified and critically analysed: the ‘corporeal feminism’ of Elizabeth Grosz and Judith Butler, which seeks to ground feminist critical practice in the irruptive capacities of the material body considered as an arte fact of social construction; and the deconstructionist feminism of Drucilla Cornell, for whom ‘the feminine’ is an indeterminate but disruptive force beyond its construction in law and in other social sites. The first component of the argument elaborated here is that each of these approaches ultimately reduces to a form of aestheticism which is incapable of generating a worthwhile and workable feminist approach to the restructuring of politics and law. The second component of the argument involves a return to aesthetics, in particular to the philosophical aesthetics of Kant’s Critique of Judgement. Kant’s aesthetic philosophy, it will be suggested, yields a framework of concepts which, duly re-manipulated, could speak to the very concerns that have inspired postmodernist-feminism: how to attend to (bodily) particularity while avoiding the dangers associated with ‘essentialism’; and how to theorise the propensity of the unrepresentable power of the feminine to exceed both embodied human capacities and the confining rein of socially privileged rationalities. Crucially, however it also responds to a set of preoccupations – those of the feminist lawyer – that cannot be accommodated by postmodernism: how to translate embodied experience into (legal) norms; generalise from the particular; seek consensus; and codify an endless potentiality in the form of law. This revised version was published online in July 2006 with corrections to the Cover Date.     

The Unexpected: Bionic Woman at the Millennium

Wilfred Bion's A Memoir of the Future provides a point of departure for feminist thinking about the millennium. Bion problematizes hopes for the future and associates thought with catastrophic change. Women play an unexpected role in Bion's experimental autobiography, posing provocative questions and unsettling the status quo . Since Bion has little to say about women in his clinical writings, A Memoir sheds light on his thinking and on the post-Kleinian culture of the 1970s. Book I of A Memoir depicts a class- and sex-nightmare played out between men and women, and women and women, in an age of anxiety whose setting appears to be the fascist 'pacification' of Middle England during an unspecified period. In this hallucinatory drama, all encounters are reduced to a brutal fiction of dominance and submission. The violence of the action suggests the primitive mental world of psychosis. Book II of A Memoir satirizes 'the brilliance of masculine thought' through the voices and criticisms of women. But this is the purgatorial movement of Bion's autobiography, inhabited by 'idées mères' (untransformed beta-elements) and haunted by the ghosts of Bion's traumatic war-time experience. A monstrous plot is hatched to kill primitive, fascistic Man, who retaliates and takes the female spoils. Is this the prelude to catastrophic change? Book III stages a country-house debate between different characters who represent aspects of Bion's personality, recapitulating the concerns of his later writing. The debate includes a meditation on childbirth as compared to war trauma, but Bion takes his distance from feminine intuition or common sense. Women fight on both sides of the barriers in the Bionic revolution - becoming, however, figures for the 'unexpected' and precursors of emotional upheaval. The gendering of millennial thought in Bion's Memoir provides an opportunity to scrutinize our own unthought fantasies of change.     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Beyond the scarcity scare: reframing the discourse of hunger with an eco-mind

Solutions to world hunger continue to be impeded by a frame – a set of assumptions – that keeps much of humanity focusing narrowly on quantitative growth. The result is greater food production and greater hunger. Yet, across the world another way of seeing, one grounded in the relational insights of ecology, is transforming food systems in ways that both enhance flora and fauna and strengthen human relationships, enabling farmers to gain a greater voice in food production and fairer access to the food produced.     

Here be monsters: a choreomaniac's companion to the danse macabre

Consider this a vade mecum: an invitation to “walk with me” through more or less uncanny terrains of worlds in the making in search, of(f) course, of monsters. The search will be delving into the areas of “creepypasta:” pieces of cursed prose and pictures that circulate online, waiting to contaminate and possess the next reader. Using a theoretical framework of posthuman and feminist theory, not least the work done by Jacques Derrida and Donna Haraway, this vade mecum asks what it might mean to engage ethically with that which is not supposed to exist, but which haunts us nonetheless. In other words: what does it mean to move, live and engage with spectres in digital times?     

The Impersonal Strategy: Re-visiting Virginia Woolf's Position in The Common Reader Essays

The concept of impersonality as a writer's strategy has been exposed to misinterpretations that either fail to exhaust its full meaning and deposit an unequal amount of attention on all components of the term or, in the worst case, tend to distort its true elements. In relation to Virginia Woolf's criticism, in particular, it is a critical commonplace that the author employed an impersonal position in order not to fully materialise her feminist vision, but to shy away from explicitly expressing her feminist convictions and openly supporting women's rights. Indicative of this is the criticism that suggests disapproval of Woolf's reluctance to side with her own gender and declare the power of female personality.

The aim here is to challenge such critical views, separate the discussion of impersonality from its association with that of androgyny, and re-visit the issue of Woolf's employment of the impersonal strategy. I examine two of Woolf's essays on nineteenth-century women writers included in her first volume of The Common Reader and offer an analysis from both a gender-oriented and a genderless angle. Woolf's strong affinity with female conditions of oppression, her modernist convictions, her need to compromise with the male-dominated context of the time and her concurrent urge to co-operate with the common reader of an unspecified sex for the sake of artistic creation reveal more complex reasons behind her intentions than those examined by critics so far.