Fatal nonatherosclerotic myocardial infarction in a young man with allergic bronchial asthma

A 34-year-old man with allergic asthma died an (instantaneous) sudden cardiac death as a result of multiple myocardial infarcts. These occurred in the absence of coronary atherosclerosis. The major mechanism by which the infarcts occurred was recurrent coronary artery spasm. The latter can occur spontaneously, asthma patients being particularly prone to it. However, various medications prescribed by different physicians may also have played a role.     

The Impact of Relationship Status, Gender, and Minor Status in the Police Response to Domestic Assaults

Data from police records on 320 domestic violence calls for assistance collected during a four-month period from five jurisdictions operating under a pro-arrest statute in a Northeastern state were examined to determine the distribution of incidents by victim-suspect household relationship. It was hypothesized that, despite the lack of any statutory distinction, police compliance with the requirements of a pro-arrest statute—and mandatory arrest policies—would be higher in incidents involving a parent complainant than in incidents between other household members. Logistic and ordinary least-squares regression indicated that the odds of arrest for cases of child to parent and sibling assault were significantly higher than for other kinds of relationships, especially adult partner cases. Analyses also revealed that police compliance with victim assistance actions was significantly less likely for victims of parent to child and sibling violence relative to other victim-suspect relationships. The police were also more legalistic in the application of the statute to both female victims and female suspects. The implications of the increased role of extra-legal variables in the arrest decision (i.e. age, gender and relationship status) and the police support of parental authority are examined.     

Die Rolle der Kritik in der Dynamik des Kapitalismus und der normative Wandel

Die französische Soziologie der 70er Jahre gab sich kritisch, stieß damit aber weder im moralischen Sinne noch im Sinne der Gerechtigkeit auf großes Interesse. Im Gegensatz dazu betonte die pragmatische Soziologie der 80er Jahre das absichtsvolle Handeln der Individuen und nahm die moralischen Motive, die sie für sich in Anspruch nahmen, sehr ernst. Sie hat dabei jedoch sehr oft die kritische Sichtweise aufgegeben. In ?Le nouvel esprit du capitalisme“ haben wir versucht, einen Rahmen zu konstruieren, der es ermöglicht, die Kernpunkte einer kritischen mit denen der pragmatischen Soziologie zu verbinden, und dazu das Programm einer Soziologie der Rolle der Kritik im sozialen Leben entwickelt. Um zu verstehen, wie ein neuer ?Geist des Kapitalismus“ in den letzten dreißig Jahren entstehen konnte, muss man in der Zeit um 1968 ansetzen, einer Phase, die durch ein hohes Niveau der Kritik gekennzeichnet war. Der Kapitalismus hat zunächst — ohne Erfolg — versucht, dieser Krise auf dem Gebiet der sozialen Gerechtigkeit zu begegnen, um dann große Teile einer neuen Form der Kritik zu verinnerlichen, die Ende der 60er Jahre entwickelt wurde und die sich auf Forderungen nach Autonomie, Authentizität und Kreativität konzentrierte. Die Anpassung des Kapitalismus an diese Form künstlerischer Kritik, wie wir sie bezeichnen, hat zu seiner Wiederbelebung beigetragen. Zusammenfassend entwickeln wir ein Modell normativen Wandels, das auf dem Begriff der Bewährungsprobe und dem des Wechsels zwischen Regimen der Verlagerung und Kategorisierung gründet.     

Power in Paradise: The Political Implications of Santos's Utopia

When we are planning for posterity, we ought to remember that virtue is not hereditary.
—Thomas Paine, Common Sense
Common sense creates the folklore of the future, a relatively rigidified phase of popular knowledge in a given time and place.
Antonio Gramsci, Selections     

Local Democracy in a Digital Age: Lessons for Local Government from the Manchester Congestion Charge Referendum

Local government in England has, in general, struggled with exploiting the much heralded democratic potential of the Internet. Evaluations of the local e-democracy initiatives, funded as part of the New Labour Government's e-government programme, were largely unfavourable. Since this initiative ended usage of the Internet has arguably reached a critical mass opening new opportunities for local policy makers interested in more effectively involving citizens in the local decision-making process. This article illustrates these opportunities by drawing on new empirical evidence of the online political activity associated with the 2008 Manchester Congestion Charge referendum. It also serves to highlight the political challenges facing local government and argues that if the Internet is to be used for strengthening local democracy then local government must become a fit for purpose institution and develop strategies that tackle the online influence of vested economic interests and the problem of enacting local citizenship online.     

Conceptual art and language: introducing a logico-semantic analysis

This article suggests a logico-semantic analysis of Keith Arnatt's Trouser-Word Piece and Victor Burgin's Room, based on Ludwig Wittgenstein's examination of the logical relationship between propositions and the world and M.A.K. Halliday's discussion of social semiotics. It reconsiders the use of language in conceptual art practices from a wider sociological and interdisciplinary perspective, and aims to show how their juxtaposition of different voices within a public context negotiates the space of art as a social space. Focusing on how artworks communicate in context, the following discussion presents the historical as well as the discursive environment in which Arnatt's and Burgin's works are situated and received; moreover, it examines how these works critically manipulate viewing and reading regimes, frameworks of evaluation and patterns of communication in order to create a situation of particular tension between perceptual and conceptual apprehension. In wider terms, this article demonstrates how critically engaged artworks manipulate the conditions of communication by utilizing loan rhetoric (a rhetoric external to the art context) and displace associate meaning in order to challenge the institutionalization of art's production and function. In doing so, they critically stage and contest the power structures that support corresponding hierarchies across producer, audience and mediator, and bring art's social modality into focus. Investigating the manipulation of language in conceptual art, this article proposes a method of analysis that becomes fundamental in studying contemporary multi-modal art production, and in understanding the dialectics of art'But the difficulty is to remove the prejudices communication and critical potential.