No Handmaidens Here: women,volunteering and gender dynamics in the Sydney New Theatre

This paper considers the role of women in the Sydney branch of the New Theatre, from 1936 to 1969. In contrast to other gendered spaces found in the theatrical, industrial and political spheres, women held together the New Theatre. Not only did the theatre give opportunities to women as performers, but women embraced roles as directors, stage managers, writers, designers as well as holding elected offices. Drawing on oral histories and archival research, this study presents new scholarship on Australian women’s leadership in the theatre, arguing that their pattern of involvement was shaped by the voluntary nature of the work, the longevity of involvement, their political commitment and the theatre’s democratic structure. The blending of organisational and creative leadership created spaces for women’s voices in ways that were crucial to the long-term success of the Theatre, at a time when women were generally expected to focus on the domestic sphere.     

Same same but different. Die Feldtheorien Fligsteins und Bourdieus und das Potenzial einer wechselseitig informierten Perspektive für die Wirtschaftssoziologie

Field theoretical approaches have become popular within economic sociology. Many even consider the notion of ?field“ a suitable alternative to the hegemonic paradigm of ?embeddedness“. This article outlines the epistemological potential of a field theoretical perspective by systematically comparing the approaches of Neil Fligstein and Pierre Bourdieu. By examining their respective contexts of emergence, their theoretical and methodological references, their research interests and their central concepts, both similarities and differences between the two approaches become visible. The resulting insights allow for a field theoretical and profoundly relational perspective on economic phenomena that might stimulate ongoing debates within economic sociology.