A study of cadaveric mycobiota at the late stages of post-mortem changes within the forensic-medical verification of death coming and of bury place

Data are described on the late stages of fungus populating in cadaveric remains (soil and other fungi). By week 2 after bury, the soil fungi grow through the cloths and skin of cadaver with the species mycobiotic composition of remains corresponding, on the whole, to a bury place. The woodland soils are distinguished through a more diversified species composition and total mycobiotic content, which can be valuable in establishing the fact and route of transfers of cadaver or of its remains even at late cadaveric changes.     

A gas chromatographic method for determining acetaldehyde in cadaver blood

Gas-chromatographic method of acetaldehyde detection in blood of subjects who died of alcoholic intoxication is suggested. Method is simple, does not require additional expenses, can be readily used in medicolegal practice and in difficult cases it may help the expert to make an objective conclusion on the cause of death.     

Thanatology (origin and interpretation of the word)

History of origination of a term "thanatology' its interpretation nowadays by pathologists and medicolegal examiners are considered in this work.     

Fictionalizing Hospitality in Ahdaf Soueif's Short Story ‘Knowing’

Drawing on Derrida's double conceptualization of the ‘la question de l’étranger’, which he utilizes to unpack the notion of hospitality, this paper explores the question of foreignness in Ahdaf Soueif's short story ‘Knowing’, from her collection I Think of You: Stories (2007). Jacques Derrida uses the interrogative mode to examine the diasporic situation by looking at ‘the question of the foreigner’, which ‘is a question of the foreigner, addressed to the foreigner’. To Derrida, the diasporic condition is determined by the type of hospitality offered or withheld by visiting and hosting countries. Likewise, Soueif questions the notion of hospitality as she introduces homes and locales that seem uncongenial to foreign dwellers. In ‘Knowing’, Soueif portrays the foreigner's position as being marked by the presence or absence of hospitality. In this context, the Derridean conditioned hospitality could become invasive as it colours diaspora with its own peculiar brush. As she fictionalizes hospitality, Soueif blurs the line between home and host as well as that between guest and stranger. In the short story, she introduces the insidious effects of the new receiving culture as her fictional girl is not a guest since the host country withholds the Derridean unconditional hospitality; neither is she a stranger as foreignness dictates a sense of cultural dislocation, which is that of not ‘knowing’.