The Real Story of Toy Guns

The truth of the matter is that I was actually dodging the Beijing street vendor a few weeks after asking him if he had anymoretoyfirearms:replicasofrealgunslike M-16’s and AK-47s.I had not seen the dark,wrinkled face of the Chinese man for a long time after happily purchasing two silver-toned     

Comparison of Visual Motifs in Jihadi and Cholo Videos on YouTube

Homegrown Sunni extremists (jihadis) and Latin American street gang members (cholos) represent potential threats to national security. Both groups are known to inhabit the video- sharing website YouTube. Videos representative of each group were selected at random, and the visual motifs in the videos were categorized. Findings suggest similarities and differences between the two groups that may have significance for how practitioners address each threat, and for determining the likelihood that the two groups may begin to work in concert. The portraits that emerge of jihadis and cholos may assist in developing strategies to counter the violence perpetrated by each.     

Do Plaintiffs in CERCLA § 113 Contribution Actions Need to Prove Consistency with the National Contingency Plan?

This article discusses whether the claimant in a contribution action brought under section 113 of Comprehensive Environmental Response, Compensation, and Liability Act needs to prove that the costs were incurred in a manner that was consistent with the National Contingency Plan (NCP). This article examines the recent case law as well as the Supreme Court decisions that address the relationship between sections 107 and 113 and concludes that although the recent case law suggests that NCP is a requirement, the Supreme Court's analysis of the relationship between sections 107 and 113 in United States v. Atlantic Research Corp. may undermine the basis for that conclusion.     

Kawabata and cinema: the ambivalence of knowledge,medium, and influence

Abstract

Many researchers have considered the involvement of Kawabata Yasunari in cinema and the medium's possible influence on his literature. Such approaches, however, tend to assume a definition of the motion pictures as visuality or montage that then influences Kawabata instead of first considering Kawabata's own conception of cinema, his own film theory. By analyzing his writings on film, including his film criticism, short stories involving cinema, and his involvement in the film A Page of Madness, this paper outlines Kawabata's conception of cinema and argues that he developed a portrait of cinema that posed it as a challenge to identity, perception and knowledge itself. Often associated with the female body, the movies became to Kawabata both an object of fascination and a threat, something ultimately to be controlled through literature and the literary subject. What influenced his literature was then perhaps this perception of cinema as posing an epistemic crisis. It is his ambivalence towards this challenge that can serve as a key for elaborating on Kawabata's complicated location within prewar modernism.