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151.
Abstract

Late nineteenth-century England saw the development of a number of campaigns and social movements which were connected by both a hostility towards the medical profession and by the use of discourses of purity and sanitary reform. This article explores the involvement of women within these movements, analysing their activism as an aspect of social purity feminism. It argues that many of these movements drew on widespread female anxiety regarding male violence – both physical and sexual – towards women. The anti-medical feminists claimed that some pieces of ‘sanitary’ legislation represented a state-sanctioned violation of the bodies of women and children. Finally, this article analyses the use made, by some of these activists, of the discourses of sanitary reform to challenge the gender ordering associated with the reason/nature dualism in Victorian society.  相似文献   
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153.
This research re‐evaluates the female marginalisation thesis through an examination of the changing nature of work in Latin America and of women's incorporation into paid employment. We combine labour market segementation theory, which explains the emergence of low level occupations in terms of capitalist restructuring, with feminist theory, which explains why women become concentrated in inferior positions. We operationalise this reconceptualisation through an empirical analysis of women's and men's relative occupational position across economic sectors and through time in Ecuador. A key finding is that women's and men's occupations are differentiated in terms of control over economic resources and control over the labour process and that this worsens over time.  相似文献   
154.
Imperial power, and the policies of the Bush administration, are widely perceived as a distinct break with the modern world and the American past. In fact, elements of imperial power have been present since early modernity. The distinct nature of imperial sovereignty remains unclear. Negri and Hardt insist that imperial sovereignty constitutes a sharp break from modern nation-state sovereignty. However, if modern sovereignty is read from the standpoint of the exception, not liberalism, its ground and operation are the same as those of empire. What is new in empire is that global restraints still present in the nation-state order have disappeared. As a result, the state of exception today has become the rule. Only by recognizing that this relation is a product of imperial power, and not an external factor it seeks to counter, can we challenge the legitimating discourse of empire.  相似文献   
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The Leopard (Italian: Il Gattopardo) is a novel by Prince Giuseppe Tomasi di Lampedusa that chronicles the end of the Bourbons' kingdom and the beginning of the Savoy dynasty, the first sovereigns of the new Kingdom of Italy (1861). Published posthumously in 1958, it became the top-selling novel in Italian history and it is considered one of the most important novels in modern Italian literature. In 2012 The Observer named it as one of the ‘10 best historical novels’. The purpose of this article is to refute the negative image of the Risorgimento as presented in this novel. The Leopard, with its broad resonance, has strongly contributed towards distorting the historical judgement on the foundations of the Italian nation, above all by failing to do justice to Prime Minister Cavour's courageous and judicious political strategy in the choice of the leadership class – also Sicilian – in the newly created Kingdom of Italy (1860–61).  相似文献   
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158.
Abstract

And once more, the company brought with it harassment and destruction. This time, however, it was the PANAMIN main office that sent the orders to have the Manobos taken off their land. PANAMIN, the supposed friend of the cultural minorities, ordered their evacuation. And so they were trucked in a BUSCO vehicle like cattle, and dumped at the Quezon public school and Catholic chapel. Dumped and left there. With little food, little medicine, little shelter. It was there they lived for one month. One long month.  相似文献   
159.
Columbus and the Discovery of Japan, by Richard Nelson. Royal Shakespeare Company, the Barbican Theatre, London, July 1992.  相似文献   
160.
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