Pro-Government Militias and the Repertoires of Illicit State Violence

Most studies of pro-government militias (PGMs) take a narrowly functionalist approach. This article sees PGMs as the product of broader processes of state formation and regime dynamics that generate distinctive repertoires of violence. The article uses a cross-national dataset to shows that low state capacity is singularly correlated with the appearance and activity of all forms of PGMs. Once militias are active, they tend to endure even after initial conditions change, suggesting a strong measure of path dependence in how states PGMs evolve. Democracy curbs the activity of semi-official PGMs but not informal ones. Different authoritarian regime sub-types have varying propensities for militia activity. These findings have major implications for efforts to address state frailty.     

Strategies of technical choice in the Peruvian sugar industry, 1955–74

Despite the rapidly growing literature on agricultural mechanisation in developing countries, there are few studies which examine the evolution of technical choice on large plantations over time. This article analyses the process of selective mechanisation in sugar cane harvesting on three Peruvian plantations over a 20‐year period. Decisions regarding the choice of technique and the control of field labour are intimately connected. The concept of a strategy of technical choice is introduced to emphasise this interdependence and to provide a framework of analysis.     

Theoretical practice and the sociology of knowledge a reply to Paul Q. Hirst: Recent tendencies in sociological theory

This article is a consideration of the viability of an aesthetically oriented social theory. After a discussion of some aspects of Michel Maffesoli's writings, the paper goes on to argue for three: 1. that we might take an interest in the aesthetic sphere not from the perspective of a critique of ideology or from that of critical philosophy but throguh a concern for something like Problematics of freedom: 2 that, against the understandable temptations of a sociological reduction of art, we need to treat aesthetic autonomy with a certain benign seriousness, that is to say, as a (moral, ethical, aesthetic) problem; and 3. That, in contrast to the aestheticizing tendencies of much of what goes by the name of cultural sociology, the question of the aestheticization of culture needs to be analysed in terms, above all, of its ascetic properties, aspirations and directions.