Interrogating the Look of the Gaze: Theorizing a Latina Cine-subjectivity

Abstract: This article concerns sexual object choice, transgender subjectivities and emancipatory heterosexuality as imaged in three films: The House of the Spirits (1993), I Like It Like That (1994) and Mi Vida Loca (1994). The author argues, through her examination of the three films, for cinematic ways to refocus and interrogate the look and gender of the gaze, thereby envisioning what the author theorizes as a Latina cinematic subjectivity. The idea of a Latina cinematic subject is presented in order to articulate how at particular moments in the films an autonomous Latina subjectivity is created through narrative and mise-en-scène. It is at these narrative and aesthetic moments that the characters look back at the objectifying gaze, thereby creating a cinematic sexual subjectivity for the characters and a model of agency for the culturally resistant spectator who is doing the looking. The House of the Spirits points to the contradiction of sexual object choice and female desire; I Like It Like That reveals the performative and fluid possibilities of gender, as well as the hybridity of black and Latino cultures; and Mi Vida Loca reflects the struggle for agency in Chicana heterosexual relationships and in their material lives. The author argues that the three portrayals begin important cultural work in the rethinking of sexualities, as they unthink the rigidity of monosexuality, destabilize normative conceptions of gender and reinvigorate agency and egalitarianism in heterosexual relations.     

Ethnic Socialization,Family Cohesion,and Ethnic Identity Development Over Time among Latinx Adolescents

Journal of Youth and Adolescence - Family socialization of one’s ethnic culture is essential for ethnic identity development among Latinx adolescents. However, less is known about how the...     

Echoes of domestic silence: mechanisms of concealment in cases of ‘Family Honour Killings’ in Mandate Palestine

This article deals with the manner in which family and community in Mandate Palestine attempted to keep the criminal justice system from intervening in cases defined as ‘Family Honour Killing’. Drawing on criminal court cases, we argue that the familial, domestic and communal features of this crime and its social, predominantly rural, context were critical for the attempts to keep it within the community and to prevent state intervention by obstructing, concealing and denying evidence. We focus on the mechanisms used by members of the family and community for that purpose. Our case study is in line with previous findings indicating the under-reporting of domestic violence, especially when witnesses were closely related to both the victim and the perpetrator. This domestic and communal alignment was most likely reinforced under colonial rule, though it was not necessarily caused predominantly in opposition to it.     

Dr Mary Louisa Gordon (1861–1941): A Feminist Approach in Prison

This article discusses the work of Dr Mary Louisa Gordon, who was appointed as the first English Lady Inspector of Prisons in 1908, and remained in post until 1921. Her attitude towards and treatment of women prisoners, as explained in her 1922 book Penal Discipline, stands in sharp contrast to that of her male contemporaries, and the categorisation of her approach as ‘feminist’ is reinforced by her documented connections with the suffragette movement. Yet her feminist and suffragist associations also resulted in the marginalisation and dismissal of her work, such that Mary Gordon and Penal Discipline are virtually unknown today. Nevertheless, her insights into the position and needs of women prisoners retain a striking contemporary relevance.     

Voice of America and Iran, 1949–1953: US liberal developmentalism,propaganda and the Cold War

The administration of President Harry S. Truman used Voice of America radio to promote Iranian ‘liberal developmentalism’. Radio propaganda joined economic assistance, military aid, and other information programs to promote Western‐style capitalism and to repel Communist appeals in Iran. But President Dwight D. Eisenhower abandoned Truman's gradualist Iran policy in favor of covert action, a seemingly more expedient solution to perceived Iranian political instability. The US‐British engineered coup in 1953 to overthrow the nationalistic Prime Minister Mohammed Mossadeq revealed the shallowness of US commitments to liberal reform in Iran and highlighted Americans' willingness to undermine Iranian sovereignty in order to preserve US security interests in the Middle East.