Unearthed and Rediscovered

正Retracing the steps of a century-old China excursion Aseries of related coincidences-and some very diligent work on the part of several individuals-brought an unprecedented China-themed program to a museum in New England this year. The events that led to the exhibition of some of the most remarkable archaeological artifacts unearthed in China in the past 20 years affect-     

Cultural Criminology and Sex Work: Resisting Regulation through Radical Democracy and Participatory Action Research (PAR)

Taking a feminist cultural criminological analysis to the regulation of sex work in the United Kingdom, this paper argues against the dominant deviancy and the increasingly abolitionist criminal justice model for regulating sex work. The paper begins by offering a critique of the dominant regulatory regimes which have operated since the Victorian era, amended in part in the 1950s with Wolfenden, and currently being reinscribed with the Home Office strategy on prostitution and various pieces of legislation. The focus is specifically upon research with female sex workers and the usefulness of using Participatory Action research methodologies (PAR) with sex workers, agencies, and policy makers in order to foreground the diverse voices and experiences of sex workers, challenge the current focus on abolitionist criminal justice regimes and outcomes, and offer an alternative framework for a cultural materialist analysis of sex work, drawing upon the work of Nancy Fraser.     

Not all the time … But Mostly…

Not all the time … but mostly … is the outcome of collaboration across the genres of ethnographic research, and visual and performing arts. In exploring renewed methodologies for social research Maggie sought to develop a methodological model (ethno-mimesis) rooted in feminist thought and practice, that represented in visual artistic forms the multiple standpoints of women working in prostitution. Ethno-mimesis is a combination of ethnographic research and the representation of this work in visual/artistic form. Introduced by a mutual friend in 1997 our collaborative work began with Sara reading and interpreting the ethnographic work with a view to developing a performance text, as an exemplar of ethno-mimesis. In the collaborative work presented here the hybrid texts that emerge are an outcome of the inter-relationship between ethnographic research and the re-presentation of women's life stories through live art forms – video, and two movement based performances. Through this work we hope to reach a wider audience, beyond academic communities, facilitating understanding, interpretation and maybe even action/praxis in relation to prostitution as a social issue. In representing ethnographic data in artistic form it is hoped that we can access a richer understanding of the complexities of women's lived experiences that can throw light on broader social structures and processes. Such hybrid work may also help audiences to see that women working in prostitution are ordinary women; and that ‘prostitutes’ are indices for all women.