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Not all the time … but mostly … is the outcome of collaboration across the genres of ethnographic research, and visual and performing arts. In exploring renewed methodologies for social research Maggie sought to develop a methodological model (ethno-mimesis) rooted in feminist thought and practice, that represented in visual artistic forms the multiple standpoints of women working in prostitution. Ethno-mimesis is a combination of ethnographic research and the representation of this work in visual/artistic form. Introduced by a mutual friend in 1997 our collaborative work began with Sara reading and interpreting the ethnographic work with a view to developing a performance text, as an exemplar of ethno-mimesis. In the collaborative work presented here the hybrid texts that emerge are an outcome of the inter-relationship between ethnographic research and the re-presentation of women's life stories through live art forms – video, and two movement based performances. Through this work we hope to reach a wider audience, beyond academic communities, facilitating understanding, interpretation and maybe even action/praxis in relation to prostitution as a social issue. In representing ethnographic data in artistic form it is hoped that we can access a richer understanding of the complexities of women's lived experiences that can throw light on broader social structures and processes. Such hybrid work may also help audiences to see that women working in prostitution are ordinary women; and that ‘prostitutes’ are indices for all women. 相似文献