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61.
Quadratic voting and the normalized gradient addition mechanism are both social choice mechanisms that confront individuals with quadratic budget constraints, but they are applicable in different contexts. Adapting one or both to apply to the same context, this paper explores the relationship between these two mechanisms in three contexts: marginal adjustments of continuous policies, simultaneous voting on many public choices, and voting on a single public choice accompanied by private monetary consequences. In the process, we provide some formal analysis of quadratic voting when (instead of money) votes are paid for with abstract tokens that are equally distributed by the mechanism designer. 相似文献
62.
The dramatic outcome of the Malaysian 2008 elections has been interpreted within a Gramscian framework. It has, for example, been suggested that the hegemony created by the Malaysian ruling class is being contested, leading to a weakening of its legitimacy, and that an active class of organic intellectuals is emerging and helping to develop potential bases for counter-hegemonic participation. We employ an alternative Gramscian approach, restoring relevant aspects of Gramsci's theories to the centre of analysis. We, therefore, focus on mutual perceptions in coalitions between civil society organisations and trade unions as a key indicator of the strength of counter-hegemonic forces. We conclude that accounts that claim that “counter-hegemony” is developing are questionable at best. Fundamental differences exist between these central institutional actors which sit uneasily with claims that the construction of counter-hegemony is under way. 相似文献
63.
Sam Miles 《Journal of Arts Management, Law & Society》2013,43(5):305-320
ABSTRACTArts festivals have been explored through many lenses, but social media marketing and digital performance are less studied. The potential of social media networks in digital performance is exemplified by the London International Festival of Theatre (LIFT), which repositions social media technology as an enabler for audiences to co-produce digitally oriented performance. This article argues that the relationship between social media marketing and performance is more hybridized than often assumed, with performances forming a creative development loop from producer to audience through performative social media. Harnessing the creative potential of social media platforms via “digital staging” encourages audience insight into process as well as product. 相似文献
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Edward W. Miles 《Negotiation Journal》2013,29(4):383-412
Although negotiation writers often advise negotiators to have a strategy for asking their counterparts questions, the negotiation literature does not currently provide a detailed discussion of how to develop a strategy for asking questions in negotiation. This essay begins that discussion. In doing so, it draws from such disciplines as logic, linguistics, and cognitive psychology, in which the act of questioning has been examined with the goal of developing theory. This article also draws from such applied disciplines as law, education, and journalism, in which questioning as a matter of strategy has also been examined. A common theme across these different domains has been potential resistance to answering questions on the part of the person being interviewed and explorations of the sources of that resistance. Therefore, in this discussion of questioning strategy, I have focused particularly on how resistance can be avoided or overcome. 相似文献
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