Queer love economies: Making trans/feminist film in precarious times

In this essay, the authors, all experimental filmmakers, discuss the impact of Born in Flames on their own work, as well as the ways their various projects pick up, extend, or change the political questions raised by the film. The relationships of experimental film to political community and community building are explored, particularly in the context of queer, feminist, trans, anti-racist politics and media.     

Mimesis,metaphor and representation: holding out an olive branch to the emergent schreiner canon [1]

There are complex and interesting representational issues and interpretational practices involved in claiming to ‘know past lives’ and these have particular resonance in feminist terms. These ideas are examined in relation to a particular case study, of the feminist writer and theorist Olive Schreiner (1855-1920), although the discussion contributes to the ‘women's history and post-structuralism’ debate by eschewing taking up an abstract ‘position’ in favour of examining these ideas through a grounded historical example. A range of representations of Schreiner is discussed, including a photograph which her estranged husband contemporaneously had ‘touched up’ before sending it to some of her friends just after her death, and presentday representations of Schreiner in the emergent feminist canon of claimed knowledge about her. The ideas of mimesis and alterity are used both in relation to photographic representation and also in relation to the use of metaphor to stand for perceived facets of Schreiner's character. Representational issues are fundamental and ought not to be excised from feminist discussion; at the same time, the past and its ‘irreducible things that happened’ must also be taken seriously.     

Contents of Volume 19 (2000)

Volume Contents

Contents of Volume 19 (2000)