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While the music of Australia’s First Peoples contributes to a growing list of academic books and articles, the appropriation of that music by non-Indigenous pop musicians has received little academic attention. During the 1950s and 1960s, Australian audiences dismissed early attempts at fusing pop with Indigenous instrumentation as embarrassingly kitsch; at the same time, many Australian historians and archaeologists viewed Aboriginality as something primitive, a relic of the “stone-age”. Consequently, there was very little commentary on the cross-pollination between pop and Indigenous music. This article examines this phenomenon. Drawing on contemporary newspaper articles and vinyl record releases, this article argues that pop music appropriated Australia’s Indigenous music soon after art developing its fusions with Indigenous culture. Older popular musicians were more prepared to experiment than young pop performers. The reluctance of young pop musicians to experiment with Indigenous music was primarily an economic decision—American rock’n’rollers had captured the local teenage market. After more recordings of Aboriginal music became commercially available, interest in Indigenous music accelerated, and younger non-Indigenous musicians saw opportunities to incorporate Indigenous themes and instrumentation into their own material.  相似文献   
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The Industry Commission, the former Bureau of Industry Economics and the Economic Planning Advisory Commission have amalgamated on an administrative basis to prepare for the formation of the Productivity Commission. Legislation establishing the new commission is before parliament.
The Industry Commission has been involved in a number of projects that monitor the performance of a range of government services across Australia. The first monitors the performance of a large number of Australia's major government trading enterprises and the second has begun the process of monitoring the performance of a range of government service providers.
This article outlines why measuring and monitoring performance can be used to improve public sector performance and provides two examples of how this tool can successfully be used in practice.  相似文献   
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“Grassroots Development Where No Grass Grows: Small-Scale Development Efforts On The Peruvian Coast” reports site visits to several low-budget development projects: one in a squatter settlement on the outskirts of Lima, three in the agricultural area near Chiclayo, and one in the small provincial city of Ilo. The article describes a style of development assistance referred to as “accompaniment” and contrasts its requirements and potential benefits with those of more standard practices. In a philosophical vein, the article examines the advantages of emphasizing how development assistance is carried out as opposed to a focus on outcomes. It suggests that much is to be gained by supporting the small-scale activities of local Non-Governmental Development Organizations. Everything nced not be done at once, but something must be done… John Francis Kavanaugh, S.J. Richard L. Clinton is professor of political science at Oregon State University, where he teaches international relations, Americna foreign policy, alternative futures, and Latin American politics. His most recent book wasPoblación y desarrollo en el Perú (University of Lima, 1985).  相似文献   
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