The debate over south Africa's foreign policy

South Africa is no exception to the rule that there tends to be continuity in a state's foreign policy even in the event of far‐reaching domestic political change. But given the new South Africa's debt to a global human rights campaign, the emphasis on ‘staking out the moral high ground’ in the rhetoric of the country's new decision‐makers and of commentators is not surprising. The article discusses the creative tension between the claims of morality and the constraints of realpolitik in the debate on the formulation of the new South Africa's foreign policy. It identifies both differences and overlaps in the approaches of realists and radicals to the conduct of the country's foreign policy.     

When Money is not Enough: Reggae,Dancehall, and Policy in Jamaica

This study highlights another disjuncture in the internationalization of the creative industries policy discourse, a postcolonial disjuncture. Despite reggae’s global popularity and the Jamaican government’s adoption of creative industries discourse, policies supporting the music industry remain lacking. This article demonstrates that economic value alone is not always enough to make a creative sector worthy of policy support, even after adoption of creative industries discourse. The sociocultural history and position of the creative sector are equally important. This article, by highlighting the social and cultural embeddedness of creative sectors, questions the social inclusion benefit assumed of creative industries-led development.