Identification of group affinity from cross-sectional contours of the human midfacial skeleton using digital morphometrics and 3D laser scanning technology

Identifying group affinity from human crania is a long-standing problem in forensic and physical anthropology. Many craniofacial differences used in forensic skeletal identification are difficult to quantify, although certain measurements of the midfacial skeleton have shown high predictive value for group classifications. This study presents a new method for analyzing midfacial shape variation between different geographic groups. Three-dimensional laser scan models of 90 crania from three populations were used to obtain cross-sectional midfacial contours defined by three standard craniometric landmarks. Elliptic Fourier transforms of the contours were used to extract Fourier coefficients for statistical analysis. After cross-validation, discriminant functions based on the Fourier coefficients provided an average of 86% correct classifications for crania from the three groups. The high rate of accuracy of this method indicates its usefulness for identifying group affinities among human skeletal remains and demonstrates the advantages of digital 3D model-based analysis in forensic research.     

Late Victorian Poets

Who's a Pervert?

Jonathan Dollimore, Sexual Dissidence: Augustine to Wilde, Freud to Foucault, Oxford University Press, £35.00 &; £9.95. Louise J. Kaplan, Female Perversions, Pandora, £17.00.

Border Zone Travellers

John B. Allcock and Antonia Young (eds), Black Lambs and Grey Falcons: Women Travellers in the Balkans, Bradford University Press, £11.00.

Canonising H.D.

Claire Buck, H.D. and Freud: Bisexuality and a Feminine Discourse, Harvester, £35.

Susan Stanford Friedman, Penelope's Web: Gender, Modernity, H.D.’s Fiction, Cambridge University Press, £37.50.

Susan Stanford Friedman and Rachel Blau DuPlessis (eds), Signets: Reading H.D., University of Wisconsin Press, £14.00

Lawrence Among the Women

Carol Siegel, Lawrence Among the Women: Wavering Boundaries in Women's Literary Traditions, University Press of Virginia, £19.95 or $29.95.     

Beyond dark and bright: towards a more holistic understanding of inter-group networks

Networks are becoming a popular organizational form for structuring human activities. To date, scholars have addressed networks in a variety of fields, including sociology, economics, public administration, criminology, political science, and international security. However, little has been done so far to systematically examine the similarities, differences, and connections between network forms of organization across different academic disciplines. This has important implications for both theory and practice. The lack of attention paid to organizational similarities and differences prevents the exchange of knowledge developed across fields. In turn, policy-makers cannot take full advantage of existing research, and may miss opportunities to improve the work of some networks and combat that of others. To address this gap in the literature, this paper uses the combination of organizational environments and organizational goals to develop a new typology of inter-group networks, and thus improve our understanding of how human behaviour is coordinated through networks.     

The three phases of rock music in the Czech lands

In the Czech lands (included in Czechoslovakia until the end of 1992), rock music has evolved through three phases. In the first phase, lasting until 1968, rock musicians had no ambition to offer social or political commentaries. This began as the era of rock ‘n’ roll, which is to say music being performed for dancing. The second phase began after the Soviet bloc invasion of Czechoslovakia in August 1968, lasting until the end of the communist era in 1989. In this phase, rock musicians (no longer playing rock ‘n’ roll were closely monitored by the authorities and were expected to sing happy songs, submitting their song texts to the authorities for approval in advance of performing them. In spite of this control, some rock groups purposefully sang political texts in the 1970s and 1980s, mocking or criticizing the communists, albeit often cryptically. Finally, in the third phase – since 1989 – having lost their ideological foe, Czech rock groups have for the most part become politically disengaged.