Greening organizations 2000

Environmentalism will be one of the most potent forces of economic, social, and political change in this decade. By the year 2000, organizations and organizational theory will need to transform themselves dramatically to accommodate environmental concerns. Despite the rise of environmentalism over the last two decades, organizations and organizational theories have failed to adequately address environmental concerns. This paper examines this failure and proposes new concepts and a framework for greening organizations.     

Organizational loyalty and personal ethics: The moral priorities of Chinese cadres

The ethical norms of senior cadres in the Peoples Republic of China are examined with respect to personal ethics, organizational loyalty and social responsibility. The extent to which one of these sets of norms may take priority over the other is investigated using survey research. The personal ethical values of the 46-50 age group are found to be unusually acute for a group of middle-aged administrators, much closer to those of the younger cadres. Also, they demonstrate exceptional homogeneity in their responses as compared to other age groups. However, they appear to have little independence of conscience when confronted with concrete decision making situations. Loyalty to the organization is found to be particularly dominant over personal ethics and responsibility to the larger society among these 46-50 year-old cadres. Lacking a moral anchor in any foundational philosophy or ideology, these cadres are highly vulnerable to control by the bureaucracies in which they are employed. Further research is suggested to explore the possibility that the Cultural Revolution of 1966-76 may have impacted this particular generation of cadres in ways that severed their ties to Marxism and traditional Chinese values rooted in Confucianism.     

(En)Gendering indochina: Feminisation and female figurings in french colonial discourses

The issue of gendering highlights the indeterminacy of France's own conception of its role abroad, whose ambiguous and confused emphases are contained in the term la mère-patrie, and find expression in France's double mission to both nurture and subdue. The gendered and sexualised images variously attributed to Indochina in French colonial discourses sit uncomfortably alongside the more parental or familial configurations of the Franco-Indochinese relationship as expressed by the ideological imperatives of mise en valeur and the French colonial doctrine. The arrival en masse of women settlers and the consequent feminisation of settler society conflicted with the initial conceptualisation of Indochina as a male utopia. Whilst official France desired the further domestication of Indochina, and hoped to achieve this partly through the tacit moral arbitration of women, certain sections of the settler community resented this evolution, and desired instead a return to what was perceived as a more authentic and unadulterated society and relationship with Indochina.     

‘Two bodhisattvas from the East’: Minhe Monguor funeral orations

This paper presents and analyzes the texts and performance context of funeral orations for Monguor living in Minhe Hui and Monguor Autonomous County, Qinghai Province, China. The orations provide an important insight into the Minhe Monguor religious worldview. It is further noted that the longer, more traditional orations are now rarely given and that the Minhe Monguor funeral orations differ considerably from those heard in Huzhu Monguor Autonomous County, also located in Qinghai.     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Regionalism and integration

Abstract

This book is a straightforward, well researched, meticulous study of regionalism and its associated problems during the early post-liberation period of Chinese political development. It is loaded with data and hypotheses that the expert will doubtless find stimulating, but which the layperson could easily afford to pass up.