A Review of: “Mikel Dunham. Buddha's Warriors: The Story of the CIA-Backed Tibetan Freedom Fighters,the Chinese Invasion,and the Ultimate Fall of Tibet”

Brenda K. Uekert, Rivers of Blood: A Comparative Study of Government Massacres. Westport, CT and London: Praeger Publishers, 1995. Pp.256, biblio, appendix of data sources. $55. ISBN 0–275–95165–0.

Maria Tatar, Lustmord: Sexual Murder in Weimar Germany. Princeton: Princeton University Press, 1995. Pp. 213.

James E. Jacob, Hills of Conflict: Basque Nationalism in France. Reno, Las Vegas and London: University of Nevada Press, 1994. Pp.568.

Mark S. Hamm, Hate Crime: International Perspectives on Causes and Control. Cincinnati, OH: Anderson Publishing, 1994. Pp.199, index. ISBN 0–87084–350–8.

David A. Korn, Assassination in Khartoum. Bloomington and Indianapolis: Indiana University Press (An Institute for the Study of Diplomacy Book), 1993. Pp.262, biblio, index. $24.95. ISBN 0–253–33202–8.     

The Quest for the Lost Story: feminist reading of Julia Margaret Cameron's ‘Mountain Nymph Sweet Liberty’

This article suggests a feminist reading of the photograph ‘Mountain Nymph Sweet Liberty’ created by the early Victorian photographer, Julia Margaret Cameron. Examining this photograph in its historical context, it analyzes the unique encounter between Cameron, an upper-middle-class Anglo-Indian photographer, and her female model-subject, who came from the English lower classes. Whereas Cameron's biography is well researched and her artistic endeavors are fully acknowledged, the information on the photographed model, Annie Keene, is scarce. This article aims to reconstruct the model's life story. To fill the holes in the archival record, fiction is used to tell a detailed story of the unique professional meeting between Cameron and her sitter. The following is a feminist project intended to recover female subjectivities, whose relationships have been erased by art and history.