“El pájaro de cuatro notas”: the reception of Argentine women writers and artists’ work in avant-garde magazines (1920–1930)

This article assesses the reception of Argentine women writers and artists’ work within vanguard magazines. Taking as case studies the work of Norah Lange and Norah Borges, I identify four key tropes that emerge in reviews of their creative output published between 1920 and 1930. This article brings to light original archival material in order to expose how women’s peripheral position in the artistic sphere of early twentieth-century Latin America was enacted at a discursive level. In so doing, I propose that the gendered dynamics evident within avant-garde magazines represent a microcosm of women’s experiences within the vanguard more broadly. This article aims to contribute to a thorough investigation into how marginalisation is enacted and enforced, exposing the extra-literary processes which construct an artistic sphere that is inhospitable to women practitioners.     

Here’s looking at her: an intersectional analysis of women,power and feminism in film

While feminist film scholars have considered what makes a film feminist, we explore this question from a feminist sociological perspective with an emphasis on power and women in film. We take an intersectional approach to explore gender, race, ethnicity and social class in films about women. We draw from Amy Allen’s conception of power as the interrelated triad of domination (power-over), empowerment/resistance (power-to), and solidarity (power-with). We then apply Sutherland’s elaboration on those forms of power in terms of how they are depicted in film. Results reveal that most feminist films revolve around stories about power-to; women finding the courage to individually confront and challenge existing norms. Power-to films are predominantly tales of white, middle class women. Women of color are most likely to be featured in power-over films. Very few can be considered power-with films that demonstrate solidarity among women. We conclude that more women and men with feminist values behind the camera is a necessary, but not sufficient, requirement to change cultural representations of women and power in film.     

Reform,Openness and Public Health: on the economic and social determinants of HIV/AIDS in China

China's HIV/AIDS epidemic today is seen by policy-makers primarily as a biomedical problem. Yet according to many researchers this conceptualization of what causes HIV/AIDS epidemics is restricted, focussing on individual behaviour to the exclusion of the broader economic and social determinants. This paper, therefore, illustrates how considering such determinants, including income and gender inequalities, may complement our understanding of the HIV/AIDS epidemic in China. It does so by using two different examples: the development of commercial sex work and long-distance migration patterns.