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When dying is all that awaits them, more and more people are choosing certain death now rather than uncertain life on medical support systems. But the decision seldom comes easy, as a Newsweek reporter discovers during three weeks with the doctors, nurses, patients and families in an intensive-care ward. A best-selling guide to suicide fires debate over when it is right to let life go--and who should make that choice when the patient no longer can. 相似文献
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Social Choice and the Grammar of Rights and Freedoms 总被引:1,自引:0,他引:1
Keith Dowding 《Political studies》2004,52(1):144-161
The techniques of social choice and game theory are increasingly being used to analyse concepts in political theory. Although these techniques may prove invaluable for teasing out contradictory formulations, puzzles and problems with traditional concepts, formal writers often begin their analysis with simplistic intuitive accounts rather than building on earlier traditions in analytic political theory. This is no more obvious than with the social-choice and game-theory analysis of rights and freedoms. This paper reviews these approaches and demonstrates that by ignoring the grammar of rights and freedoms, social-choice and game-theory analysis goes wrong from the very beginning. Formal writers need to take more account of the history of their subject, as developed in the analytic theory tradition. 相似文献
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World Risk Society and War Against Terror 总被引:1,自引:0,他引:1
Keith Spence 《Political studies》2005,53(2):284-302
I interpret the 'war against terror', declared following September 11 2001, as adopting concepts drawn from the work of Ulrich Beck, as a projection of world risk society. Despite its global character, war against terror is constructed through outmoded vocabularies of national security and sovereignty, within which the reasoned negotiation of risk is marginalized. This exclusion contributes to the intensification rather than reduction of terror and terrorism. In so doing the moment of violence inscribed within the concept of the political resurfaces in the constitution of war against terror, Homeland Security, and the identities and anxieties that they reproduce. Contrary to Slavoj Žižek's claim that risk society is incapable of resolving the dilemmas that it exposes, Beck's approach cuts across established ideological and methodological boundaries, anticipating key transformations of discourse required to address the prevailing global predicament through the vocabularies and logic of cosmopolitan risk, rather than those of absolute security, terror and war. 相似文献
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Janet Wilson 《Women: A Cultural Review》2017,28(4):343-357
AbstractThis article examines Anna Kavan’s sojourn in New Zealand from February 1941 to November 1942 in the company of the pacifist playwright Ian Hamilton. Living in the most remote of the ex-British colonies reinforced Kavan’s ontological sense of homelessness and wish to disidentify from British society, yet the colony’s anglophone orientation offered familiarity within the strange and alien. The geography, landscapes and communities of its Pacific islands encouraged a reshaping of her imaginative engagement with otherness. Referring to Kavan’s recently published diary, ‘Five Months Further or What I Remember ab[ou]t New Zealand’, the essay argues that the New Zealand ‘experience’ encouraged her use of tropes of the Gothic and uncanny as she grappled with issues of distance, homelessness and disjunctive reality. The discussion focuses on the alternative/parallel world that New Zealand represents in stories published in I Am Lazarus (1945). It identifies experimental techniques associated with Gothic fiction by which Kavan registers the overlapping dualisms of war-torn London and idyllic rural New Zealand, and represents memory through framing devices and defamiliarizing rhetorical tropes as a distancing activity interrupting the present moment: dream sequences, irruptions into and splittings of reality, space and time reversals, doublings of self/other, disjunctive non sequiturs and ghostly mirror imaging. 相似文献
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This article describes a number of possible existential motivations for engaging in terrorism. Three in particular are identified: (1) the desire for excitement, (2) the desire for ultimate meaning, and (3) the desire for glory. Terrorism, according to the argument set out here, is as much a site of individual self-drama and self-reinvention as a tactical instrument for pursuing the political goals of small groups. The conclusion explores the concept of “existential frustration,” and suggests that terrorist activity may provide an outlet for basic existential desires that cannot find expression through legitimate channels. 相似文献