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971.
972.
Maryam Razavy 《Crime, Law and Social Change》2005,44(3):277-299
In the wake of September 11, authorities have increasingly focused on an age-old method of banking and money transfer known as “hawala.” In this system, a local hawala dealer in one country (or area) takes money from a customer and (for a nominal commission) has an associate in another country (or area) give an equal amount of money to the recipient. This type of underground banking system remains resilient due to several key characteristics. These are: the system's simplicity, its inclusiveness (enabling it to function without any type of external support), and most importantly, its considerable prominence within, and adherence upon specific cultural and religious spheres. This article provides an overview of hawala banking, together with the historical and cultural milieu that gave rise to, and continues to foster it. It suggests that while Islam addresses the issue of debt transfer through the Islamic concept of hawala, the system is widely practiced through many parts of the world by both Muslim and non-Muslims alike. Therefore, to refer to the practice as wholly “Islamic” is erroneous. This study also demonstrates that the initiatives taken towards regulation and/or elimination of hawala are ill suited to deal with the operation of this particular system. This failure particularly reflects the lack of appreciation, on the part of authorities and policy-makers, for the broader social and cultural context in which hawala opearates. A more insightful understanding of the system will address such issues as competing legal paradigms, the local appeal of the system, as well as the likely negative consequences of current regulatory efforts. Thus, any attempts at regulating hawala should ensue with great cultural and religious sensitivity, and should address some of the larger issues that continue to uphold the system, such as the existence of inadequate economic infrastrcture in such nations as Afghanistan and Somalia. 相似文献
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Improvisation and Negotiation: Expecting the Unexpected 总被引:2,自引:1,他引:1
Lakshmi Balachandra Robert C. Bordone Carrie Menkel-Meadow Philip Ringstrom Edward Sarath 《Negotiation Journal》2005,21(4):415-423
Negotiators must improvise. As the negotiations process unfolds, they work with new information, continually making decisions along the way to achieve favorable results. Skilled improvisational jazz musicians and actors perform in similar ways: they repeatedly practice song chord progressions and notes or scene guidelines before a performance; then, during the performance, they work with the information or the music they hear in order to react and respond, making decisions along the way to produce dazzling music or a compelling scene. In this article, two experts in negotiation, a jazz-improvisation scholar, a former member of an improvisational theater troupe, and a psychotherapist versed in therapeutic improvisational techniques explore the improvisational nature of negotiation.
Several aspects of negotiation are similar to improvisation. Both negotiators and improvisational performers need to have a similar mind-set to be successful, both need to recognize and/or change that mind-set at times, and both must craft creative solutions. But there are some significant differences between improvisational performance and negotiation practice, which this article also notes. For example, personal charisma ("star quality") is a common attribute of successful performers, but not something negotiators may always rely on. Similarly, improvisational artists usually work as a team, while a negotiator is often on his or her own. Nonetheless, the incorporation of improvisation techniques into the negotiation skills repertoire holds great promise for practicing negotiators and is a worthy topic of future negotiation research and teaching. 相似文献
Several aspects of negotiation are similar to improvisation. Both negotiators and improvisational performers need to have a similar mind-set to be successful, both need to recognize and/or change that mind-set at times, and both must craft creative solutions. But there are some significant differences between improvisational performance and negotiation practice, which this article also notes. For example, personal charisma ("star quality") is a common attribute of successful performers, but not something negotiators may always rely on. Similarly, improvisational artists usually work as a team, while a negotiator is often on his or her own. Nonetheless, the incorporation of improvisation techniques into the negotiation skills repertoire holds great promise for practicing negotiators and is a worthy topic of future negotiation research and teaching. 相似文献
976.
Siam-Heng Heng 《East Asia》2010,27(4):381-394
In the twentieth century Japan embarked on an economic developmental path that came to be known as the Flying Geese Model.
The geopolitical milieu after the Second World War provided Japan with favourable conditions for rapid economic growth and
industrialization. By the 1950s, many had noticed the success of the model and it was subsequently adopted by other East Asian
countries. They too enjoyed decades of remarkable economic growth. An important element of the model is growth driven by export
to the USA and Europe. As a result of the 2008 financial crisis, the traditional markets of the geese are shrinking. The new
situation poses grave challenges to both the existing flying geese economies and latecomer economies which wish to follow
the model. East Asian countries are responding to the situation by broadening and deepening their existing economic linkages
and developing new ones. This represents a continuation of East Asian regionalism in the wake of the 1997 financial crisis. 相似文献
977.
Jeffrey C. Alexander 《Society》2010,47(5):410-418
Common knowledge suggests that elections are won or lost based on demographics, finances, and other structural elements. Whether
candidates win or lose, however, is a matter of action. Symbolic identification, metaphor, and an unfolding narrative—and
how they are managed and interpreted in the flow of events—determine who will emerge victorious from the democratic struggle
for power. The McCain campaign’s effort to cast Obama as a celebrity, with the hollow trivialities and self-aggrandizement
of Paris Hilton and Britney Spears, proves to be one of the most dangerous episodes for the Obama campaign. In response, the
Democrats must adjust the staging of Obama’s Thursday night acceptance speech in Denver as a performance of purpose and gravitas,
rather than glitz and adoration. 相似文献
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