Are we interested? a trend analysis of sex offender internet registries

Traditional research on community awareness and use of sex offender registries relies upon random digit dialing and other survey instruments. While important sources of data, these sources have limitations and attempts to improve on these measures are bound to funding limitations impeding the collection of larger samples. Analyzing internet search query data associated with interest in sex offender registries from 2006–2016, we explore regional and temporal trends associated with interest in sex offender registries. Results substantiate prior research using mail and telephone surveys, and that of other similar methodologies, showing that interest in sex offender registries display low to moderate interest, which are relatively stable overtime and declining in interest.     

Does corporate social responsibility cushion unethical brand behavior? Insights from chocolate confectionery

Food and agribusiness companies face increasing scrutiny of their corporate social responsibilities (CSRs) due to the impacts of their business activities on the environment and in society. In particular, the procurement practices of some companies in the commercial food industry have been linked to unsustainable farming, deforestation, and loss of biodiversity. This study investigates the extent to which a positive CSR reputation influences consumers' evaluations of a company and its new products following brand misconduct involving unethical procurement of palm oil. The results of an experiment revealed that a positive CSR reputation prior to the misconduct enhanced consumers' evaluations of the company and their support for its new products, thereby facilitating its recovery. These findings extend understanding of the potential insurance afforded by a positive CSR reputation and its halo effect in situations of brand misconduct in the food industry, in this case where a brand has failed to meet consumers' expectations of its obligations to avoid commercial activities that threaten the natural environment.     

Saying all the right things? Gendered discourse in climate-smart agriculture

Amidst debates about the role of ‘climate-smart agriculture’ (CSA), the intersection of concerns about climate change and agriculture offer an opportunity to consider how gender is considered in global policymaking. The latest module in the Food and Agricultural Organization of the United Nations, World Bank and International Fund for Agricultural Development Gender and Agriculture Sourcebook – ‘Gender and Climate Smart Agriculture’ – offers an opportunity to reassess how gender factors into these global recommendations. This contribution argues that the module makes strides toward more gender-aware policymaking, but the version of CSA discussed in the module sidesteps the market-led and productivity-oriented practices often associated with CSA. As a result, though the module pushes a more feminist agenda in many respects, it does not fully consider the gendered implications of corporate-led and trade-driven CSA.     

Melbourne (1835–1927): The Birth of a Music City

Music heritage in cities has become a significant area of interest in the twenty-first century because it is linked to profitable music tourism and a growing cultural economy. Melbourne, the Victorian state capital, is used as a case study; in March 2013, the city was unofficially crowned Australia’s music capital because it, at the time, had the most music venues and a vibrant music economy. However, this paper argues that this identification is somewhat ahistorical for two reasons. Firstly, it leaves out the colonial and gold rush prehistory of Melbourne’s music culture. Secondly, it omits the critical recognition of Melbourne’s (and Australia’s) first international music superstar exports, such as opera diva Dame Nellie Melba (nee Helen Porter Mitchell), who was named after her home town of Melbourne, and pianist prodigy and composer Percy (Aldridge) Grainger. Drawing on a textual analysis of government policies, economic reports, and the work of historians, musicologists and journalists, this paper synergises the history of Melbourne’s music culture from its colonial beginnings in 1835, until 1927, when the city was no longer Australia’s political capital. It identifies four early stages of Melbourne’s musical development, which laid the foundations for iconic music venues, Australia’s first opera company, music entrepreneurs, and the initial nurturing of the nation’s first music superstars in Melba and Grainger.