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271.
Ann McGrath 《澳大利亚女权主义者研究》2014,29(80):204-214
AbstractFeminist historians in Australia have achieved the critical mass that means that they no longer need to be the sole woman's voice pleading to get women into the history corridors and inside the books. By looking back at recent history reflexively, this article celebrates the achievement of feminist historians over the past four decades in making profound impacts on mainstream historical writing and understanding. Engaging in particular with the work of feminist historians Joan Scott and Joy Damousi, ‘The Loneliness of the Feminist Historian’ considers whether feminist history has a future. It also reflects upon the author's memories of the feminist history movement from the 1970s and 1980s—its aims, its achievements and its significant successes, especially compared with other social science disciplines. It explains how certain ‘great (female) historians’ made courageous efforts to internationalise and pluralise feminist history. It also probes the meaning and relevance of ‘professional masculinities’, pointing out that feminist historians were supported by key male historians, who backed them in gaining career and publishing opportunities. Additionally, the challenges of Indigenous scholars led to a sharpening of critical approaches to colonialism. This article argues, however, that feminist historians cannot afford to cling to the excitement of the early conferences of the 1970s and 1980s, for if they expect their practice to thrive, they must constantly critique it, using the most innovative and best tools of our era, including the empirical, the reflexive, the whimsical and the theoretical. 相似文献
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Lisa Merrill Robin Kovat Jill Dolan Judy Stephens Pam McAllister Ann Cooper Albright 《Women & Performance》2013,23(2):74-103
Theatre The Miss Firecracker Contest, by Be A Henley at Westside Arts Theatre, New York City. Me and My Shadow by Terry Wolver‐ton, at ABC No Rio in New York City, Fall 1984. A Good American Novel, by Beth Lapides, at P.S. 122, New York City, December 1984. nubs? (?nubs/'nebz/n: an ugly woman), by Lisa Goldberg, produced at SUNY‐Binghamton Fine Arts Center, December 1984. Out/In The World: Life in the Work of Jane Bowles, created, directed and performed by Ellie Covan, produced by Open Channels in New York City, October‐November, 1984. Dance Pooh Kaye and Eccentric Motions at Dance Theatre Workshop, New York City, October 1984. Sequestered Gestures, Carol Martin, Experimental Intermedia Foundation, December 1984. Senta Driver's Harry, Emanu‐El Midtown YM‐YWHA, New York City, October 1984. Marie Chien Noir at the Jerusalem Festival, Israel, Summer 1984. Film A Question of Silence, directed by Marlene Gorris, Netherlands. A Quartet Films Release, 1982. An earlier version of this review, “Ordinary Women Who Kill,” appeared in the New York Native, August 13–26, 1984. Books The Diaries of Judith Malina: 1941–1957 by Judith Malina. NY: Grove Press, Inc., 1984. 464 + index. Cloth: $22.50; paper: $11.95. Women in Motion by Alexa L. Foreman. Bowling Green, OH: Bowling Green University Popular Press, 1983. 245 pp. + bibliography. Cloth: $19.95. Women Composers, Conductors, and Musicians of the Twentieth Century by Jane Weiner LePage. Metuchen, NJ: Scarecrow Press, Inc., Volume I, 1980; Volume II, 1983. 275 pp. and 360 pp. respectively, index. Cloth: $18.50 and $21.50 respectively. Stormy Weather: The Music and Lives of a Century of Jazzwomen by Linda Dahl. NY: Pantheon Books, 1984. 268 pp. + notes, discography, bibliography, index. Paper: $12.95. Mother of the Blues: A Study of Ma Rainey by Sandra B. Lieb. Amherst, MA: University of Massachusetts Press, 1981. 173 pp. + discography, appendices, notes, bibliography, two indices. Paper: $9.95. Listings 相似文献
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Ann Heilmann 《Women's history review》2013,22(1):67-95
Abstract This paper, which makes available previously unknown pictures and personal information drawn from interviews, introduces aspects of the life and work of a neglected First Wave feminist writer. In particular, it examines Caird's analysis of the social construction of marriage and motherhood and the dynamics of mother-daughter relationships. The conceptual framework within which Caird wrote, while being embedded in its historical context, bears striking resemblance to some theories within Second Wave thought, especially those of Carol Gilligan and Adrienne Rich. The paper addresses the problem of how to negotiate the danger of ahistoricism when establishing ideological and conceptual links between feminists of different historical periods, and argues for regarding Caird as a radical feminist in the making. 相似文献
278.
Ann Oakley 《Women's history review》2019,28(3):360-379
The development of social science research methods by women reformers in the late nineteenth and early twentieth centuries is a largely buried history. This article examines the work of Clementina Black and Margaret Harkness, two British reformers who conducted many social investigations using a wide range of research methods. They also crossed genres in writing fiction, which was an accepted method at the time for putting forward new ideas about social conditions. Black and Harness were part of a vibrant network of women activists, thinkers and writers in late nineteenth century London, who together contributed much to the growing discipline of social science and to imaginative forms of writing about social issues. 相似文献
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