Deleuze and literature: Metaphor and indirect discourse

This paper deals primarily with Deleuze's work on literature? but also looks briefly at related ideas in the books on cinema. Deleuze has often concentrated on what he calls ‘American‘ literature, particularly in Critique and clinlque. The first part of the paper seeks to outline some of the main elements of this particular literary field for Deleuze. The paper then goes on to show how the general rejection of metaphor that informs Deleuze's work on literature can be more precisely defined as a theory of free indirect discourse. The concept of free indirect discourse is? as Frangois Zourabichvili has shown, at the heart of Deleuze's work? aesthetic or otherwise. For example, the idea of the percept functions as an aesthetic application of free indirect discourse, and Cinema 1 and Cinema 2 suggest that this form of enunciation represents a new aesthetic cogito to which cinema is ideally suited.     

Social movements and the changing structure of political opportunity in the European union 1

To the extent that European integration results in the decline in the importance of the nation‐state as the exclusive seat of formal political power, we can expect attendant changes in those forms of interest aggregation and articulation historically linked to the state. This article suggests that a polity characterised by multi‐level governance is emerging in Europe and that this poses a set of new constraints and opportunities for groups that wish to influence political decisions. We argue that group strategy in response to this is a function of: (1) the structure of political opportunities facing a group in the EU; and (2) inherited institutions and ideologies that constrain the capacity of a group to exploit those opportunities. We use this framework to analyse the effect of European integration on four groups: the labour movement, regional movements, the environmental movement and the anti‐nuclear movement.