What Body Parts Do We Owe Each Other?

The American experience in organ transplantation illuminates the attitudes and practices that underlie the ongoing failure to establish a national health insurance system. In both spheres, the public makes a sharp divide between the well-being of intimates and the well-being of strangers. Private and public duties remain distinct; obligations recognized on a personal level do not expand public commitments. As a result, individuals must shift for themselves, whether they require an organ donor or a doctor. In the world of transplantation as in the world of health care more generally, we are all on our own.

(En)Gendering indochina: Feminisation and female figurings in french colonial discourses

The issue of gendering highlights the indeterminacy of France's own conception of its role abroad, whose ambiguous and confused emphases are contained in the term la mère-patrie, and find expression in France's double mission to both nurture and subdue. The gendered and sexualised images variously attributed to Indochina in French colonial discourses sit uncomfortably alongside the more parental or familial configurations of the Franco-Indochinese relationship as expressed by the ideological imperatives of mise en valeur and the French colonial doctrine. The arrival en masse of women settlers and the consequent feminisation of settler society conflicted with the initial conceptualisation of Indochina as a male utopia. Whilst official France desired the further domestication of Indochina, and hoped to achieve this partly through the tacit moral arbitration of women, certain sections of the settler community resented this evolution, and desired instead a return to what was perceived as a more authentic and unadulterated society and relationship with Indochina.     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Russia's Twentieth Century in History and Historiography

Discussions of Russian history have frequently been marked by a preoccupation with the question of Russian 'backwardness', or, during the Soviet period from 1917 to 1991, with its obverse: the claim of the Soviet Union to play a vanguard role in world history. This paper offers a critical survey of twentieth-century Russian and Soviet history, and of its often highly politicised historiography, in the light of these debates. The extent to which the Soviet 'building of socialism' represented a project of modernisation will be considered, along with differing interpretations of this project by both Western and post-Soviet Russian historians. While the work of the new generation of post-Soviet historians promises substantive advances in our knowledge of the Soviet past, it is suggested here that debates on Russia's past are once again being overshadowed by old concerns about Russia's backwardness vis-à-vis the West.     

Regionalism and integration

Abstract

This book is a straightforward, well researched, meticulous study of regionalism and its associated problems during the early post-liberation period of Chinese political development. It is loaded with data and hypotheses that the expert will doubtless find stimulating, but which the layperson could easily afford to pass up.     

Urban ethnic politics in the post‐modern city: Comparing Miami and Toronto

This paper synthesises variants of post‐modern political theory in order to examine contemporary urban ethnic politics in Miami, Florida, and Toronto, Ontario. Cities in general, and Miami and Toronto in particular, are conceptualised not as foundational entities to be excavated in search of pre‐given data, but as texts—configurations of signs, symbols and codes to be read, interpreted and analysed. The focus is on race and ethnicity as socially constructed and political contested imageries, but the approach, aptly described as empirical post‐modernism, has even broader implications for the study of power and identity politics in contemporary world cities.