Performing Arts Review: Statement of Scope and Purposes

Recent research on arts and cultural audiences has attempted to go beyond the traditional social science surveys that assess attitudes or attendance to capture an understanding of how audiences actually experience the arts and what benefits or impacts those experiences provide. The study reported here contributes to this growing body of research by presenting in-depth case studies of four individuals and their chosen cultural experiences at various times through their lives. The authors used Dervin's Sense-Making Methodology to guide the informants through highly structured but open-ended interviews designed to prompt self-reflection and elaboration of what each experience meant to them. Informants were selected from a larger database because of the richness of their interviews and the insight these interviews offer to the understanding of people's engagements with culture. By considering multiple cultural experiences for each informant, it was possible to gain a clearer sense of the context in which these experiences took place and how informants were impacted personally. In addition, the case studies showed how informants' respective struggles with personal and identity issues moved with them across their cultural experiences.     

PERFORMING ARTS MANAGEMENT AND ADMINISTRATION

The aim of this article is to analyze the impact of EU cultural policies on a EUropean (capitalized "EU" meaning only EU member states) cultural identity. Although EUropean integration began as an economic project, the EU has developed more and more statelike features over time and has brought the question of democratization to the fore. Such questions, in turn, led to questions of what constitutes the EUropean demos and how to conceive of its collective identity. The EUropean identity has developed in addition and as a complement to the national identities of the member states. The article argues for EU cultural policies that foster plural, multiple, and dynamic identities instead of a unified EUropean identity. The EUropean cultural policies should not be based on assumed common roots expressed in the cultural heritage of Europe, but rather should focus on contemporary and critical cultural and artistic expressions.