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John A. Wiseman 《Democratization》2013,20(2):128-155
The widespread democratization process which occurred in Africa during the early 1990s gave rise to a varied range of scholarly assessments. They have been categorized in relation to the extent that they presented more or less optimistic or pessimistic views of the significance of what had taken place. Demo‐pessimists tended to argue that this change was relatively superficial and likely to prove ephemeral, whilst demo‐optimists viewed it as having important and longer‐term consequences for the way African states were governed. More recent assessments reflect a movement towards a more demo‐pessimistic perspective on the part of academic observers. Based on an examination of developments in Africa since the early 1990s and an assessment of what are viewed as ‘obstacles’ to democracy in Africa, this article argues that a cautious and limited form of demo‐optimism remains plausible. In spite of obvious difficulties democracy is likely to remain firmly embedded into the African political agenda. 相似文献
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Geoffrey Wiseman 《国际研究展望》2005,6(4):409-430
The existence of a deeply rooted, state-based diplomatic culture with its own distinctive institutions, values, and norms has been neglected in both the study and the practice of international relations, especially in the United States. This neglect has had consequences in recent years, notably in connection with the 2003 invasion of Iraq. Using Iraq as a case study, I argue that the United States transgressed five norms of diplomatic culture that are widely accepted: the use of force only as last resort, transparency, continuous dialogue, multilateralism, and civility. Criticisms of these transgressions and the US responses to these criticisms suggest that even a paramount America cannot avoid diplomatic culture's pervasive influence. 相似文献
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This paper extends recent discussions about copyright and the public domain by looking at attempts in post‐war Britain to promote access to scientific information. More specifically, it concentrates on the Royal Society's Fair Copy Declaration (1950) and the related library copying provisions introduced in the Copyright Act 1956, which were designed to protect access to information. While the UK library copying provisions were presented as an expanded version of the Fair Copy Declaration recast in a statutory format, we show that the library copying provisions reflected a specific way of thinking about creation, production and distribution that differed markedly from those that underpinned the Fair Copy Declaration. We also argue that the logic of creation reflected in the library copying provisions shaped copyright law over the course of the twentieth century and beyond. 相似文献
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