论我国诉讼时效效力的私人自治转向——实体与程序双重视角的观察

我国《民法通则》及《关于适用〈中华人民共和国民事诉讼法〉若干问题的意见》对诉讼时效法律效力的规定实质上是一种"干预"模式,这种模式既不符合诉讼时效制度的本来目标,也不符合通过私人行为实现法律控制的国家策略,从干预模式到"自治"模式的转换势在必行。同时,那种试图通过法官释明来纠正自治模式可能带来的局限的方式并不是真正有效和适当的方式。     

高校学生家乡观念的表现特点及管理措施研究

文章总结了当代大学生这个特殊群体的家乡观念的表达特点和形式。提出高校应通过全面了解和加强管理等措施来引导大学生树立健康理性的家乡观念;在工作中要善于利用家乡观念的积极作用,限制和克服其消极作用,使学生教育管理工作更具有针对性和实效性。     

Good Fox,Bad Fox

FOXES have been popular characters in Chinese fables for two millennia. They first featured in their original an-imal form before gradually     

浅谈我国发展知识经济应注意的问题

我国发展知识经济 ,首先要充分认识我国经济与知识经济的差距 ,在此基础上从国情出发 ,遵循经济规律 ,实事求是地发展知识经济。高科技产业是知识经济的主角 ,我国发展高科技产业应兼顾数量和质量 ,关键要保证质量。知识经济的标志是信息技术。网络技术在我国方兴未艾 ,对此我们应充满信心。     

The Analects of Confucius

T HE Analects of Confucius is a contemporary record of Confucius’ and his disciples’ quo- tations from more than 2,000 years ago. As such, it is seminal reading for the study of Confucius, his life and his thinking. There was a prevailing belief in feudal China that the noblest human existence within an ideal human society could be achieved through self-cultivation of the mind and body, harmony within the family, good governance and a peaceful realm. As this was the concept preeminent wit…     

再论中国古代契约与国家法的关系——以唐代田宅、奴婢卖买契约为中心

由唐代有关卖买契约的令文及有关律文规定,可见当时卖买契约与国家法律的基本关系。唐代卖买契约,基本是依照法律令进行的程序和活动,是在法律指导下形成的秩序。在此方面,古代契约活动的依据,主要为国家法,而非所谓民间法。     

法家重刑思想的逻辑分析

法家有其独特的重刑思想的逻辑。以“民性”、“民情”为法家重刑理论的归宿,基于人性发展起“以刑去刑”的理论,着眼于轻罪重刑。法家总是把“富国”放在首要地位,否定了“富民”、“足民”的意义,只是单纯使用重刑。法家讲求“胜民”、“制民”、“弱民”,高度发达了告奸理论。法家重刑的出发点和最后归宿,都被说成是善良的,是基于“爱民”、“亲民”而达到“利民”的。法家的重刑思想到秦灭亡前夕,得到了淋漓尽致的表现,致使其二世而亡。     

关于司法鉴定体制改革的实践与探索

本文对我国司法鉴定体制改革的背景、司法鉴定体制改革的目标要求、司法鉴定管理的基本定位等基本问题进行了介绍和论证.对于我国司法鉴定改革实践中存在的问题进行分析,对于改革前景进行探索.     

Chinese Sword Culture

THE sword first appeared in China during the early age of cold weaponry, but its use in close-quarters combat was relatively short. By the early third century it had departed the battlefield and become a main artistic motif. Later still, it was an appurtenance denoting social standing. Star of Stage Swordplay combines martial and acrobatic skills. After becoming obsolete on the battlefield, the ethos of the sword, so-called monarch of all weapons, changed from that of dispatcher of enemies and preserver of its owner's life to object of aesthetic appreciation. The sword became, and remains, a ma-