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Eva -Maria Annerbäck Carl -Göran Svedin Per A. Gustafsson 《Journal of family violence》2010,25(2):165-172
Minor child physical abuse has decreased in Sweden since 1979, when a law banning corporal punishment of children was passed,
but more serious forms have not decreased. The aim of this study was to examine risk and background factors in cases of severe
child abuse reported to the police. Files from different agencies (e.g., Social services, Adult and Child psychiatry and Pediatric
clinic) for 20 children and 34 caretakers were studied. An accumulation of risk factors was found. It is concluded that when
the following four factors are present, there is a risk for severe child abuse: 1) a person with a tendency to use violence
in conflict situations; 2) a strong level of stress on the perpetrator and the family; 3) an insufficient social network that
does not manage to protect the child; 4) a child that does not manage to protect him or herself. Thus, multiple sources of
information must be used when investigating child abuse. 相似文献
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Carl Boggs 《New Political Science》2013,35(3):351-370
Postmodern cinema, in its various expressions over the past three decades, represents a form of popular culture characteristic of the post-Fordist, globalized phase of capitalist development most visible in the United States. As a crucial dimension of media culture with its strong emphasis on new modes of technology, commodification, consumerism, and the society of the spectacle, filmmaking today celebrates increasingly diverse, experimental, and in some cases subversive types of aesthetic representation. It often questions established social hierarchies and discourses while at the same time depicting a society in the midst of turmoil, chaos, fragmentation, and violence - a social order that gives rise to and sustains a popular mood of anxiety, cynicism, and powerlessness. Postmodern cinema reflects and helps reproduce this milieu through its embrace of disjointed narratives, dystopic images, technological wizardry, and motifs dwelling upon mayhem, ambiguity, death of the classical hero, and breakdown of dominant values or social relations. While such film culture calls into question certain dimensions of the class and power structures, it simultaneously negates prospects for collective identity and subjectivity required for effective social change; its cultural radicalism is never translated into anything resembling political radicalism. On the contrary, postmodern cinema more than anything encourages a flight from politics - a cynical, detached, disempowering attitude toward the entire public sphere - typical of an increasingly depoliticized society. 相似文献
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Carl Boggs 《New Political Science》2013,35(3):301-322
Abstract By the 1990s American society had become more depoliticized than at any time in recent history, with the vast majority of the population increasingly alienated from the political system. This has occurred, ironically, at a time when deepening social problems—environmental degradation, homelessness, eroding public services, civic violence, threats to privacy—require extensive and creative political intervention. Further, it has taken place during a period of accelerated growth of higher education, informational resources, and communications. Most people seem to have lost hope for remedies to social problems within the existing public sphere. The political system has atrophied, with differences between the two major parties narrower than ever; citizenship is in drastic decline, as reflected in lower voter turnout, collapsing sense of political efficacy among ordinary citizens, and declining knowledge about the social and political world. This triumph of anti‐politics is not a matter of failed leaders, parties, or movements, nor of flawed structural arrangements, but mirrors a deeper historical process—one tied to increased corporate colonization and economic globalization—that shapes every facet of daily life and political culture. Depoliticization is the predictable mass response to a system that is designed to marginalize dissent, privatize social relations, and reduce the scope of democratic participation. 相似文献