Recovering the transnational life of Charlotte Maxeke: an interview with Zubeida Jaffer

Abstract

A conversation with Zubeida Jaffer, discussing her recent book Beauty of the Heart: The Life and Times of Charlotte Mannya Maxeke (2016) and Maxeke’s perspectives towards colonialism, women’s rights, and transnational pan-African movements during the twentieth century.     

Breaking boundaries,defying borders: transnational networks of gender and race in South Africa and the United States

Abstract

This special issue examines transnational connections and collaborations among women and People of Color from South Africa and the United States, from the late nineteenth to the beginning of the twenty-first century: it considers how connections were fostered and how ideologies travelled. Key figures include Emily Hobhouse, Charlotte Maxeke, Cecilia Lilian Tshabalala, Maude White Katz, Madie Hall-Xuma, Elizabeth Mafeking, Miriam Makeba, Gloria Steinem, and Winnie Madikizela-Mandela. Actively and symbolically, each of these non-state actors approached the relationship between the two nations differently, through political and religious affiliations, and as individuals and through organizations. Many challenged and transcended the restrictions imposed upon them officially, through state-sanctioned segregation and apartheid, but also socially, on account of their gender. These women fostered intellectual and social connections with each other, as well as for their nations, through interpersonal relationships and in print, but also simply – and perhaps most problematically – through abstracted ideas about humanitarianism, motherhood, apartheid, and nation. Such travels and intellectual journeys could prove both mutually beneficial and hierarchically imbalanced, but nonetheless reiterate the continued transnational relevance and resonances between South Africa and the United States.     

Is sexual difference a probelem

The paper offers a semiotic analysis of Macedonia's emotional architecture as represented in Manchevski's film entitled Before the Rain. Using a Deleuzean theoretical framework, the paper examines the paranoic, the schizzo and the depressive as three main, and deeply entwined, modes of Macedonian subjectivity. The paper particularly focuses on the filmic representation of the relentless struggle between the paranoid codings of Macedonian desires, the schizoid escapes of those same desires, and the depressive compromise formations peculiar to desiring Macedonian subjects.