Antipodean dilemmas

Nicky Hager, Secret Power: New Zealand's Role in the International Spy Network (Nelson, New Zealand: Craig Potten, 1996). Pp.299, index. NP. ISBN 908802–35–8.     

Pinyin Roumaji to Wade-Giles conversion table

Abstract

Throughout the Cultural Revolution, new dramas and controversies about drama were prominent in both culture and politics. The centerpiece of the new drama was the set of works proclaimed as revolutionary model operas in 1966. These occupied the professional stage and also formed the basis of the post-1970 amateur movement. Through this amateur movement much larger numbers of people could be reached than by reliance on professionals alone, and, more importantly, they could be involved as active participants rather than passive spectators.     

“Dynamite bombs of New York manufacture”: the terrorist perspective in the Stevensons,Greer and James

This article examines the first three literary reactions to Fenian terrorism: Robert Louis Stevenson and Fanny van de Grift Stevenson’s co-written novel, The Dynamiter (1885); Tom Greer’s A Modern Daedalus (1885) and Henry James’ The Princess Casamassima (1886). Although these works approach terrorism from different angles, they set the pattern for subsequent treatments that will “give primary voice to the perspective of the terrorist”. “Zero”, the hapless bomb-makers in The Dynamiter, is a surprisingly urbane, sympathetic figure; Greer illustrates both the necessity and the moral quandaries of terrorism and James shows considerable sympathy for anarchism’s causes, even though terrorism threatens high art and culture. I also hope to show that fiction can provide excellent source material for studying the cultural imaginary of terrorism and, by extension, make a bid for the inclusion of literature scholars under the umbrella of Critical Terrorism Studies.     

From Balcony to Barricade: Nationalism and Popular Mobilisation in Georgia,Ukraine, and Russia

This article examines the dynamics of popular mobilisation in autocratic post-communist regimes, focusing on how opposition groups manoeuvre around cultural and structural constraints to inspire ordinary citizens to join street protests, despite the real dangers associated with political action. Using evidence from original interviews with activists in Georgia, Ukraine, and Russia, the article analyses the comparative challenges facing Russian activists in constructing new collective identities for the people they hope will become their followers, through the use of an inclusive, civic nationalism and a narrative that links action in the present to an ongoing, shared historical process.