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Richard S. Katz 《European Journal of Political Research》1998,34(7):551-555
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Yaron Katz 《European Journal of Political Research》2000,38(6):285-302
The article examines the role of governments in the transition in cable policy in the three largest media countries of Europe (Britain, France and Germany). In theoretical terms it is argued that the involvement of governments in determining the course of development of cable systems has comprised three main stages. In the first stage, governments tried to ignore cable and prevent the establishment of cable infrastructure. In the second stage, governments regulated the technology in order to promote a national cable policy and encourage the overall development of the broadcasting media. In the third stage, although at different speeds and perceptions, governments deregulated cable by giving permission to market forces to dominate cable's development and abandoning the social goals of cable policy. 相似文献
186.
Enhancing current explanations of domestic violence exposure effects on child cognitive and behavioral functioning was the
purpose of this investigation. Participants were 31 domestic violence exposed and 31 non-exposed children ages 3 to 5 years
and their single-parent household mothers. Child-mother pairs were matched for child’s age, gender, and ethnicity, mother’s
age and education, and annual family income. Child cognitive and behavioral functioning was assessed via psychological assessment
and parent report. The presence of mental health difficulties in mothers was assessed using self-report and clinician-administered
instruments. Exposed children showed lower verbal functioning and higher internalizing behaviors than did their non-exposed
peers. Exposed mothers displayed greater psychological difficulties than did their counterparts. 相似文献
187.
Oscar W. Gabriel 《Politische Vierteljahresschrift》2006,47(3):361-366
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Oscar W. Gabriel 《Politische Vierteljahresschrift》2003,44(4):451-452
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In most countries the right to publicly perform music is notadministered individually by the copyright holders but rathercollectively by performing rights organizations (PROs). Thecommon explanation behind the proliferation of collective administrationis that some aspects of copyright administrations are naturalmonopolies. It is often argued that individual administrationis impracticable or at least non-economical. Collective administrationis therefore promoted as the most efficient method for licensing,monitoring and enforcing those rights. In addition, becausethe market is a natural monopoly, regulation, rather than anattempt to foster competition, is thought to be the optimalregulatory response. This is the first in a series of two articlesthat critically analyzes this natural monopoly argument. Inthis article I argue that the case for PROs is not as straightforwardas it is assumed to be. I show that many of the underlying costefficiencies that are attributed to PROs are usually simplyassumed and, in many cases, could be equally achieved underless restrictive arrangements. 相似文献