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Ellen Mortensen 《Nora, Nordic Journal of Women's Studies》2013,21(1):53-62
Abstract In this essay, a critique on the blatant dynamic imperative in contemporary feminist theory is presented. In Judith Butler's Gender Trouble (1990) and Rosi Braidotti's Nomadic Subjects (1994), the theoreticians project a feminist subject of heroic proportions: dynamic, active and subversive. Theoretically, this dynamism can be traced back to Nietzsche's tragic thinking. But what has become of Nietzsche's meditation on death, decay and destruction as necessary preconditions for any creative thinking? By insisting on frantic activity as a strategy to effect sexual difference, Butler and Braidotti have foreclosed the possibility for passivity, receptivity and silence as alternative strategies to think this crucial question. 相似文献
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Ellen Jordan 《Women's history review》2013,22(3):385-412
In 1859 Jessie Boucherett, the daughter of a Lincolnshire landowner possessed of an independent income, was inspired by press discussions of the need to find alternative occupations for women to make contact with the women who were already spreading this message through the English Woman’s Journal. With their rather grudging support she founded a society, which still exists, to further this aim, the Society for Promoting the Employment of Women (now the Society for Promoting the Training of Women). Using the records of this Society, now housed at Girton College, Cambridge, this article looks at the way commitment to this cause allowed a woman from a wealthy, high Tory, landed background to turn herself in six years into the feminist who put up the initial money for the women’s suffrage campaign, and went on to be a leading figure in campaigns to reform the married women’s property laws and against legislation restricting women’s work. It examines in particular the use she made of her personal wealth to direct the strategies of the activist groups to which she belonged. 相似文献
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Ellen Jacobs 《Women's history review》2013,22(3):295-319
Abstract This article analyses the travel writings of the British medieval historian, Eileen Power (1889-1940), during her year-long journey around the world in 1920-21 as the first and only female awarded a travel fellowship administered by the Trustees of the University of London in the years following the First World War. Drawing upon a comparative reading of her official Report to the Trustees and her private diary record of her ‘Tour du Monde’, we examine the various dimensions of subjectivity and identity evident in her narrative of the journey, interrogating the difference which gender makes in the relationship of European travellers to empire. In addition, we examine how the narrative of her journey and subsequent historical narratives were part of those Orientalist forces/discourses which produced and were produced by the West's relationship to the East in the first half of the twentieth century. 相似文献
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