Negotiating the boundaries of the domestic: British socialist women and the politics of consumption

Abstract

Historically, socialist strategy has privileged production over consumption, yet consumption was a space in which socialist women could have constructed a woman-focused politics. This article discusses the possibility of a politics of consumption where consumption provided the focus for overt political demands around which consumer-centred tactics were developed. It explores an attempt by British socialist women to create a politics of consumption around shopping for food. Although Margaretta Hicks and the National Women's Council of the British Socialist Party ultimately failed to reorder socialist priorities, they did try to build a politics of consumption in the years 1912 to 1915. Their significance was to imagine one way in which the border between the ‘domestic’ and the ‘political’ could be dissolved so that consumption and production could be recognised as complementary and equally necessary spheres of socialist politics.     

“There is no end to relationship among the indians”

This article presents an overview of the Ojibwa family over the past three centuries, from early European contacts to the present. It emphasizes the extent to which Ojibwa familial relations have long been embedded in extensive networks of kin that played major roles in the family lives of individuals of all ages. The article traces the effects of historical change on the Ojibwa family and examines continuity within Ojibwa kinship relations. The changes of the last century have taken a heavy toll on these relationships, yet, where they persist or are being revived, they are sources of strength and renewal.     

Brigalow bondage: Rural women and the arts

‘The arts’ is a field of activity and power which has traditionally been associated with ‘great men'; women have typically been represented as having only tenuous links with the field. However, in regional and rural areas, women are by far the major arts participants, organisers and educators, and tend to operate not as individuals, but as members of arts groups. Possibly as a corollary, while arts in rural areas recruits substantial community participation, the activity apparently receives little media coverage or support from governments or corporations, relative to other recreational activities.

In this paper I will discuss ‘the arts’ as a social practice, with its own internal rules and logic, and explore the social location of arts beyond the metropolis. To this end I will outline the results of my research to date in the field of arts in Central Queensland, drawing on policy statements and on interviews with (mainly women) rural art practitioners. The paper examines whether the logic of the field of arts changes when it is moved from the city to the bush, and discusses to what extent this can be attributed to the social position of women in rural communities. It attempts to engage with social relations in regional Queensland, and the incommensurability of the public and private spheres. That is, women arts practitioners are actively engaged in a public activity—dealing with funding, public relations and policy implementation—yet are perceived (and, typically, perceive themselves) to be operating largely within the private sphere. This suggests that modes of representation have greater material effects than empirical ‘realities’.