From Dictatorship to Democracy: Four Chilean Women’s Memories

A law school dean, a university president, a scholarly judge, and the head of the Foreign Ministry division in charge of Chile’s frontiers agree: The Constitution of 1980 was the initial turning point in Chile’s transition from autocracy to pluralism.

Social Reconstruction as a Local Process

¹When it comes to post-armed conflict interventions aimed atrestructuring a shattered society, policy makers have largelytreated countries as an undifferentiated whole, ignoring localdynamics that reinforce or transform the power relations thatare often most relevant to peoples’ lives. Using the exampleof Guatemala, the authors argue that local-level, bottom-upmechanisms can reflect a country's diverse makeup and experienceof conflict, and provide crucial precursors or extensions forwider-scale national and international projects. Local-levelinitiatives also can involve more community members, promoteagency and perhaps be less prone to large-scale patronage andcorruption. In promoting truth-telling initiatives and confrontingthe past, memorializing the departed and burying the dead, andresolving ongoing or recent community conflicts, the authorshave found that local-level programs have distinct advantages.The article considers local ‘houses of memory,’community-sponsored psycho-social interventions and exhumations;and conflict resolution based on Mayan methods. It concludesthat such efforts should be more systematically identified andsupported in post-armed conflict settings. In transitional justice,as elsewhere, the authors find, all politics is local.     

Women in the world of work: Past,present, and future

Women have not been usually credited with much Utopian writing, but in fact a number of women writers have projected societies which seek to improve the condition of their sex. This paper examines three eighteenth century English women writers's ideas of feminist utopias: Mary Astell's A Serious Proposal, Sarah Robinson Scott's Millenium Hall, and Clara Reeve's Plans of Education. It discusses their ideas on the rationale and organization of communities of women and how these communities could extend their benefits to society as a whole. It will also discuss the limitations of the thinking of these women for the reform of society especially in regard to woman's place.     

Seeing land deals through the lens of the ‘land–water nexus’: the case of biofuel production in Piura,Peru

ABSTRACT

This contribution examines two large-scale land acquisitions on Peru’s northern coast, using a ‘land–water nexus’ approach. The establishment of large sugarcane monocultures resulted in a massive transfer of land and water rights from smallholders to biofuel companies. Using Ribot and Peluso’s theory of access, we demonstrate that this transfer of rights was enabled by the convergence of neoliberal land and water reforms and the presence of the two investors. This constellation (1) altered smallholders’ bundles of rights; and (2) created sharp imbalances that radically changed access to land and water, not only through changing bundles of rights, but also, and maybe more significantly, through widening the gaps between smallholders’ and biofuel companies’ bundles of powers. Using Hall et al.’s powers of exclusion approach, we identify the processes both underpinning and resulting out of the changing access relations analyzed in this study. Changes to Peru’s water governance may accentuate power asymmetries between investors and smallholders, constraining locals’ access to increasingly scarce water.     

Editing the 1930s: The Lost Work of Josephine Johnson Excerpts from Josephine Johnson's published and unpublished writings are quoted with permission of the Estate of Josephine Johnson Cannon. All quoted materials © Estate of Josephine Johnson Cannon 2005.

The radical avant-garde has aged profoundly. Yet, led by director Judith Malina, the Living Theatre, founded in 1947, remains the longest surviving political theatre collective in the US. The Living Theatre opened its doors at a new theatre/home on New York City's Lower East Side in 2007, where Malina directed a much lauded revival of the company's groundbreaking 1963 production of Kenneth Brown's The Brig, and performed the role of Maudie in the premiere production of Hanon Reznikov's adaptation of Doris Lessing's Maudie and Jane. Vibrant and luminous at 81, an aged Venus rising from the half shell, Malina (dis)played the decaying and decrepit Maudie, standing naked onstage, sensually and lovingly bathed by Pat Russell, playing Jane. Malina's ageing activist/artist's body and voice spoke volumes about decades of societal and cultural transformations, of sexual revolutions, and of wounds that never heal.

Evoking Pierre Nora's ‘sites of memory’—this performative lieu de memoire ‘talks back’ on many levels, both in contemporary contexts and re-membering the zeitgeist of Malina's earlier performances—nearly naked, strident and much younger in the Living Theatres’ legendary production of Paradise Now (1968–70), and eloquently, flamboyantly anarchist, if too old, playing Antigone in Malina's adaptation of Brecht's version of Sophocles play (1967–84). This essay analyses the mise en scène and the reception of Maudie and Jane in light of the working processes and performance history of director/performer/inspirator Malina. Finally, the challenges and hope made visible and corporeal in Malina's on- and off-stage performances are explored.     

Primum Mobile: Women and Auto/mobility in the Era of the Great War

Abstract: This article explores the construction of Andrea Dworkin as a public persona, or a ‘feminist icon’, revered by some and demonized by others. It argues that in both her fiction and non-fiction, Dworkin engaged in a process of writing herself as an exceptional woman, a ‘feminist militant’ as she describes herself in the subheading of her 2002 memoir, Heartbreak. The article illustrates Dworkin's autobiographical logic of exceptionalism by comparing the story told in Heartbreak to the story of Dworkin's major novel, Mercy, which features a heroine, Andrea, who shares Dworkin's name and significant biographical details. While Dworkin has insisted that Mercy is not an autobiographical novel, the author undertakes a reading here of Mercy as the story of Dworkin if she had not become the feminist icon of her own and others' construction. In Mercy, Andrea unsuccessfully attempts to escape the silent, victimized status that Dworkin has insistently argued is imposed upon women. In her repeated victimization, Andrea functions for Dworkin as an ‘everywoman’ who both embodies Dworkin's world-view and highlights how Dworkin's own biography exists in tension with some of her central assumptions about women, gender and contemporary society.     

Book reviews

The following books are reviewed.

Men of letters, writing lives: masculinity and literary auto/biography in the late victorian period TREV LYNN BROUGHTON, 1999 London: Routledge. 213 pp., ISBN 0 415 08211 0 hardback, £60.00 0 415 08212 9 paperback, £19.99

Adapting to Capitalism: working women in the English economy, 1700–1850 PAMELA SHARPE, 1996, 2000 London: Macmillan. xi + 226 pp., ISBN 0 333 91901 7

Women, Gender and Industrialisation in England, 1700–1870 KATRINA HONEYMAN, 2000 London: Macmillan. vii + 204 pp., £15.50

Breadwinning: New Zealand women and the state MELANIE NOLAN, 2000 Christchurch: Canterbury University Press. 386 pp., ISBN 0 908812 97 3, NZ$39.95

Working-class Culture, Women and Britain, 1914–1921 CLAIRE A. CULLERTON, 2000 London: Macmillan. xii + 221 pp., ISBN 0 333 91290 X

Austerity in Britain: rationing, controls, and consumption 1939–1955 INA ZWEINIGER-BARGIELOWSKA, 2000 Oxford: Oxford University Press. xiii + 286 pp., ISBN 0 19 820453 1, £40.00

Seeing History: public history in Britain now HILDA KEAN, PAUL MARTIN, SALLY J. MORGAN (Eds), 2000 London: Francis Boutle. 193 pp., ISBN 0 9532388 9 X, paperback, £10.00

Migrant Daughter: coming of age as a Mexican American woman FRANCES ESQUIBEL TYWONIAK & MARIO T. GARCIA, 2000 Berkeley: University of California Press. 237 pp., ISBN 0 526 21915 5

The Matriarchs of England's Co-operative Movement: a study in gender politics and female leadership, 1883–1921 BARBARA J. BLASZAK, 2000 London, Greenwood Press. ix + 209 pp., ISBN 0 313 30995 7

Dirt and Desire: reconstructing Southern women's writing, 1930–1990 PAULINE YAEGER, 2000 Chicago: University of Chicago Press. xvii+324 pp., ISBN 0 226 94491 3 paperback, £12.53     

Religion for the Modern Girl: Maude Royden in Australia, 1928

When the feminist preacher Maude Royden (1876–1956) toured Australia in 1928, she promoted modern religion for modern women. This article examines the Australian press coverage of Royden’s visit to shed light on the complex relationships between religion, modernity and the female body as they were constituted in Australia in the 1920s. In doing so, this article contributes to growing historiographic debate concerning the intersections of modernity and religion and serves to disrupt further those narratives which have presumed processes of modernisation and secularisation to be running in parallel. Australian newspapers eagerly spread the news of Royden assuming the previously masculine space of the pulpit and they promoted her new form of Christianity as scientifically credible and suited to modern Australia women’s lives. In advancing my analysis, I also compare Royden’s press reception in Australia to that of her contemporary, Aimee Semple McPherson (1890–1944). McPherson likewise also offered a religious response to modernity and a new religious femininity, but the Australian media showed comparatively little interest in her visit. I argue that although religious femininities were being recrafted for modernity in the pages of Australian newspapers, only certain expressions of religiosity and modern femininity were considered compatible.