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Martin Klein 《Canadian journal of African studies》2013,47(2-3):265-280
This article is both a biographical sketch of the career of Nehemia Levtzion and a reminiscence. Levtzion grew up in Israel during the period of its founding. He early chose to study Islamization in Africa and became the leading interpreter of the history of Islam in West Africa. Though often called on to assume administrative responsibilities in the Israeli educational system, he maintained a commitment to scholarship. The small conferences he held in Jerusalem over the years often involved a re-thinking of basic problems in the history of Islam in Africa and in the larger Muslim world. He was particularly interested in processes of conversion and the dynamics of change. Though he described many varieties of Islam and different levels of Islamization, he never accepted the notion of a distinctively Africa Islam. He saw instead processes that were similar throughout the Muslim world. 相似文献
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Martin R. Doornbos 《发展研究杂志》2013,49(1):54-74
In Ankole District, Western Uganda, a serious land problem is developing. Land is increasingly being acquired for commercial and speculative purposes; access to land for the majority of Banyankore becomes problematic. This paper is concerned with the origins of only two avenues of land acquisition in Ankole, mailo grants and individual freehold titles. Both have contributed to nascent problems, if only through their inducement of interests in land as a commodity. The paper explores the effects of these policies on Ankole sociopolitical divisions and questions general (especially ‘individualization') land policies concerned with agricultural growth alone. 相似文献
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Martin Paul Evison 《Science & justice》2018,58(4):300-301
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Abstract: Kawabata Yasunari is Japan's first Nobel Prize recipient for literature and thus an emblem of the modern Japanese writer, but as this essay demonstrates, this writer's career, like that of so many throughout Japan's premodern and modern history, is spanned by the curious practice of ghostwriting. Taking up the specific case of Kawabata, the article exposes a wider conflict between the modern West's notion of the original artist, underwritten by its idea of individualized creativity, and modern Japan's persistent adherence to ghostwriting's more collaborative premodern concept of creativity. Subjecting fine-grained literary historical analysis to its far-reaching theoretical consequences for the modernness of modern literature, Japanese and otherwise, this essay shows how the spectre of Kawabata's ghostwriting haunts our contemporary, and therefore possibly anachronistic, understanding of ‘modern’ literary practice. 相似文献