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South African local government has undergone radical transformation. The reform process included a local government financial management best‐practice technical assistance programme (MFMTAP) targeting financial management and especially budget quality reform. Dollery and Graves (2009) earlier examined the efficacy of the South African National Treasury (NT's) municipal budget funding compliance technique for measuring adherence to the Municipal Finance Management Act's (MFMA) budget funding requirements using a single metropolitan municipality case study. This article further evaluates the robustness and validity of the funding compliance instrument as a reform performance measurement tool by comparing the results of four geographically and demographically different municipalities. Also introduced is a performance ‘trend’ instrument similar to a ‘Likert scale’ for comparing municipal performance. Optimal tax revenue theory is invoked to examine this key revenue variable for producing a compliant budget. The article finds the ‘budget funding’ reform component of the Best‐Practice Technical Assistance (BPTA) programme presently ineffective and unsustainable. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
273.
As membership levels decline, parties are developing new forms of linkage with supporters, many of which rely on Internet technologies. To date, the discussion of these new modes of affiliation has been largely theoretical in nature, with little, if any, systematic empirical analysis undertaken on their appeal and impact on formal membership. This article seeks to fill this gap by examining the presence of three new types of digital affiliation—audience, friends, and digital activists—among the French electorate using original survey data from the 2012 Presidential election. Our findings are important in showing that while the new methods of affiliation are increasing parties’ reach into society, they are not necessarily widening parties’ socioeconomic support base. Furthermore, digital activism is mostly a supplementary channel for members’ input although there are a smaller group of people engaging in these activities that avoid formal membership ties. Such results suggest that digital methods of affiliation might offer an important new resource to parties during campaigns. 相似文献
274.
Gibson Ncube 《Journal of contemporary African studies : JCAS》2014,32(4):476-490
This paper sets out to examine the social implications and functions of the contemporary body of gay Moroccan literature against Maria Pia Lara's readings of the creation and reception of literary works in the public sphere. Through a (re)reading of novels by Rachid O. and Abdellah Taïa, it is argued that these novels offer a privileged space that is not simply a metalinguistic and autonomous edifice, but also a means through which individual, societal and cultural self-assessment and comprehension can be affected in the domain of quotidian life. Ultimately, and possibly more importantly, this paper asserts that gay literary narratives reveal the heterogeneity of lived experiences, thereby producing innovative ways of considering sexuality which cannot be simply overlooked or invalidated. These narratives thus propose an alternative public-sphere which challenges hegemonic Moroccan norms and value systems. 相似文献
275.
While associations with deviant peers are well understood to impact individual development, less is understood about the relationship between friendship quality and delinquency. Two criminological theories-social control theory and self-control theory-are able to offer an explanation for the latter relationship. Social control and self-control theories both premise that delinquents will have largely fractured, weak, and "cold and brittle" friendships. This study investigates how variations in perceptions of friendship quality are related to the delinquency, maternal attachment, school attachment, and self-control levels of both a participant and his/her close friend. To explore these relationships, we use a diverse (14% black; 18% Hispanic; 9% Asian) sample of 2,154 emerging adults within 1,077 friendship pairs (66% female). In each dyad, both members perceived the friendship's quality and reported personal markers of delinquency, social bonds, and self-control. Several series of multilevel models are estimated that regress each participant's friendship quality perception onto the participant's and their friend's delinquency, attachments, self-control, and demographic characteristics. Results show that delinquents have as intense, or more intense, friendships as non-delinquents. However, low levels of both actor and partner attachments and self-control are independently related to low friendship quality, and this is especially true for self-control. Supplemental analyses demonstrate that the effect of self-control on friendship quality may be reduced when individuals in dyads are delinquent. In conclusion, studies that address friendship quality without including characteristics of multiple members of the friendship are only capturing part of one's estimate of friendship quality. 相似文献
276.
Pamela Church Gibson 《澳大利亚女权主义者研究》2018,33(98):481-497
ABSTRACTIf feminism and the fashion industry were once seen as adversaries, given how the strictures of Simone de Beauvoir in The Second Sex (1949) permeated so much of second wave feminism, a consideration of ‘fashion’ is now central to contemporary feminist scholarship. But just as the earlier critique of fashion seemed finally to have been supplanted, certain basic arguments around dress and makeup nevertheless resurfaced within contemporary feminism. The current neoliberal climate has led to the ever-increasing consumption of ‘fashionable’ goods, provoking unease and encouraging the contested ‘protectionist discourse’ within feminism to shield young women from just such excesses. Meanwhile, the fashion world itself, arguably more powerful than ever, has across the last twenty years continued a process of legitimising itself through its various modes of alliance with the art world; it has even hijacked elements of feminist practice in the pursuit of publicity. This article suggests that the fashion industry and contemporary feminism are nonetheless alike in one significant respect: neither have properly engaged with the needs of an ageing population. It is an omission that this article will seek to examine through a discussion of the recent ‘portraits‘ of Cindy Sherman, an artist of great interest to feminist scholars, in whose earlier work there was a discernible ‘anti-fashion’ element. Now ‘fashionable’ herself, a leading figure in the global art world, she has collaborated with the fashion industry in rather different ways. Her ‘portraits’ of 2012, in which she reconfigured herself as imaginary Manhattan socialites in or beyond middle age, and a later series, exhibited in 2016, where she appears as a series of ageing, anonymous ‘movie stars’, reveal more general ideological tensions surrounding the representation of women, the ageing process and the fashionable ideal. It is the dissection of these tensions that underpin this article, for while Sherman’s work has been the subject of academic debate across a forty year period, her use and critique of the ‘fashionable ‘ image has not been examined alongside an exploration of the expanding activities of the fashion industry itself; nor have her recent images of ageing women been examined within this more general context. 相似文献
277.
Colin S. Gibson 《The Modern law review》1980,43(6):609-625
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