Liang Tang,China’s Authoritarian Path to Development: Is Democratization Possible?

Journal of Chinese Political Science -     

Silk dresses and lavender kid gloves: the wayward career of Jessie Craigen,working suffragist

Abstract

Occasional references to Jessie Craigen occur in the literature on the nineteenth-century women's suffrage movement, generally emphasizing her importance as a working-class suffragist. Previously unknown material throws more light on her career, revealing the eddies of love and exasperation which flowed around her. This paper discusses the various representations of Jessie Craigen to be found in letters among her friends, representations which served to paint her – sometimes warmly, sometimes dismissively – as odd, eccentric, undisciplined. It also examines the more positive sense of herself which she attempted to convey in letters to several of her middle-class promoters – as a romantic authentic in the grip of unbrookable, passionate conviction. Her story confirms the existence of a current of radical-liberal opinion within the nineteenth-century women's movement, and the difficulties which confronted those who found themselves among its paid employees     

Impossible Hosting: D’lo Sets an Undomesticated Stage for South Asian Youth Artists

At the center of this article is D'Lo, a Sri Lankan American hip hop performance artist, as the host of YouthWallah, a performance in Los Angeles, which features the work of South Asian youth artists. The focus of the article is on the possibility of an undomesticated stage that D'Lo creates for community youth artists as a female, yet unmistakably masculine host who translates female masculinity to a primarily straight South Asian audience as herself and, in drag, embodying her mother. D'Lo's performance includes autobiographical narratives of being gay and South Asian, which she uses to ground her politics in her experience. D'Lo does not perform the “exclusion” of a queer subject from a diasporic home. On the contrary D'Lo, as the host of this article home of YouthWallah 2004, provides an important undomesticated stage for the emergence of South Asian diasporic youth artists' voices and their alternative imaginations of diaspora. Therefore it becomes necessary to rethink the common conflation of notions of home and notions of domesticity, as a colonially inflected version of the home, which reproduces a colonial and gendered relation of power and thereby precludes the imagination of a decolonized community.