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Bob Simpson 《The Modern law review》1983,46(5):635-643
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Roger W. Byard M.D. Ph.D. Ellie Simpson Ph.D. Shari L. Forbes Ph.D. 《Journal of forensic sciences》2020,65(1):327-329
Skeletal remains were retrieved from a cave in an arid desert environment. The submitted material consisted of dried grass, soil, and malodorous skeletal remains wrapped in leather. After examination, it was revealed that the smell had not been due to recent decomposition but to adipocere. The cause of death was listed as “undetermined” and a suggested date of death as “unknown.” Although adipocere usually requires a damp environment or submersion in water to develop, this case provides further evidence for the rare possibility of adipocere formation in an otherwise very dry environment. Wrapping of the body in leather material had produced an impermeable barrier which had sequestrated and preserved bodily fluids allowing anaerobic decay with fat hydrolysis and adipocere formation. Microenvironments may have potentially significant and quite idiosyncratic effects on decompositional processes which may initially confuse investigations. 相似文献
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Michael Simpson 《Women: A Cultural Review》2013,24(3):229-247
Harold Bloom's influential theory of literary influence has been widely regarded as utterly patriarchal, and yet some feminist critics have adapted rather than attacked it. The theory argues that a great poem aggressively rewrites and thereby conceals its precursor in order to appear as completely original. Bloom's theory of precursors invites in its turn an application of itself to itself, and his Anxiety of Influence seems to trail several possible antecedents, such as Shakespeare and Freud. A more powerful precursor, however, is a novel written by a woman: Mary Shelley's Frankenstein . Just as Bloom's theory postulates only fathers replicating themselves through generational struggle and identification, so Mary Shelley's Gothic shocker represses the mother as both a source and an object of desire. What Bloom's theory thus represses behind its model of masculine sublime poets is a feminine Gothic novel. There is, however, a crucial difference: whereas Shelley's novel is profoundly critical of Victor Frankenstein's paternal shortcomings, such overweening Gothic masculinity provides the very basis of Bloom's Anxiety of Influence (1973), conceived as it is in the immediate post-Vietnam era. Such strong revision notwithstanding, behind the strong critic who re-asserts American masculinity after Vietnam stands the madman in the laboratory, and behind him stands the repressed mother, otherwise known to literary history as the Madwoman in the Attic. What she reveals is that literary history is Gothic rather than sublime, and that it will not ultimately cover and compensate for the worst creation of men: war itself. Even the enquiring spirit of the New Historicism emerges as a function of this Gothic exposure. 相似文献
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Journal of Experimental Criminology - To experimentally evaluate the effects of police vehicle types and esthetics on participants’ perceptions of police officers. Using participant data... 相似文献
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