New Dreams of China: The China Novels of Anne Duffield

This article examines the work of a forgotten novelist, Anne Duffield, whose early novels set in China merit re-examination. Utilizing but also subverting the romance novel formula and alert to the utopian appeal of entertainment, Duffield’s The Lacquer Couch and Lantern-Light create a dream of China that invites intercultural connection, friendship and understanding. As China in the 1920s was rocked by anti-foreigner violence, the vision of these two novels was an appealing and hopeful alternative to the resurgent fears of malevolent fiends reminiscent of an earlier ‘Yellow Peril’ discourse. In addition, Duffield’s China, though romanticized, is also a modern and cosmopolitan one—an important counter to a tendency to imagine China as antiquated and entombed in the past.     

Motherhood through the ages

Suzanne Dixon, The Roman Mother (Croom Helm) London, 1988; Valerie Fildes (ed), Women as Mothers in Pre‐Industrial England (Routledge) London, 1990; Katherine Arnup, Andrée Lévesque, and Ruth Roach Pierson (eds) Delivering Motherhood: Maternal Ideologies and Practices in the Nineteenth and Twentieth Centuries (Routledge) London, 1990.     

The rules of the road, a universal visual semiotics

The rules of the road form part an international willingness to simplify the understanding of road regulations worldwide. There is still an attempt to harmonise all regulations, but some countries are reluctant to do so as they fear a loss of their domestic sovereignty. Indeed, with the increase in car use for private or professional reasons, accidents have become one the central issue in international politics; and one way to curb accidents is said to have a universal visual road semiotics. However as this cultural discernment of road signs in civil society (i.e. visual encoding) has become popular, many other forms of use have derived from it for other purposes than road regulations.     

Nationalism and Cultural Memory in Poland: The European Union Turns East

The eastern expansion of the European Union confronts the process of European integration with the phenomenon of cultural and ethnic nationalism. This paper examines the situation of Poland, using Jan Assmann's theory of cultural memory to reconstruct the historical dimension of Polish nationalism which underlies the current constructions of the Polish nation. Understanding itself as the antemurale Europae christianiae, Poland owns an old tradition of resistance. This tradition allowed this country to survive times of division and oppression but now turns against the European Union.