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61.
Author Vita Sackville-West (1892–1962) has been understood as an author who celebrates in both prose and verse the institution of the English country estate, in part because of her personal attachment to her family’s Kentish house, Knole. The four popular novels that Vita Sackville-West published with the Hogarth Press during the early 1930s—The Edwardians (1930), All Passion Spent (1931), Family History (1932), and The Dark Island (1934)—are no exception, save for their particular focus on the agnatic inheritance of both aristocratic title and estate along with the female subject’s exclusion from that system. While the first pair of novels entertain the possibility of mediated success in obtaining the loved object, either the estate itself or an effective substitute, the latter works become melancholically resigned to the restrictions that effectively disinherit the aristocratic eldest daughter. This escalating melancholia, often Freudian in its narrative presentation, directs the novels’ successive focus less toward the act of mourning the loss of the country house, of some version of Knole either real or imagined, and more to the vexing inability to both acknowledge the disinheritance and mourn the loss. In fact, the melancholic dynamic threatens to erase each of Sackville-West’s protagonists, and as her novels detail the advancing impact of this disinheritance, the female characters face literal extinction. Thus, the celebratory stance so often attributed to Sackville-West is, in these works, a far more critical and essentially abject perspective that demands compensation.  相似文献   
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Research findings show that legal cynicism—a cultural frame in which skepticism about laws, the legal system, and police is expressed—is important in understanding neighborhood variation in engagement with the police, particularly in racially isolated African American communities. We argue that legal cynicism is also useful for understanding neighborhood variation in complaints about police misconduct. Using data on complaints filed in Chicago between 2012 and 2014, we show that grievances disproportionately came from racially segregated neighborhoods and that a measure of legal cynicism from the mid-1990s predicts complaints about abuse of police power two decades later. The association between legal cynicism and complaints is net of prior complaints, reported crime, imprisonment, and other structural factors that contribute to the frequency and nature of interactions involving police and residents. Legal cynicism also mediates the influence of racially isolated neighborhoods on complaints. The mid-1990s is the approximate midpoint of a half-century of police scandals in Chicago. Our research findings suggest that contemporary complaints about police misconduct in highly segregated Chicago neighborhoods are grounded in collectively shared historical memories of police malfeasance. They also suggest that persistent complaints about police misconduct may represent officially memorialized expressions of enduring racial protest against police abuse of power.  相似文献   
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Collective consumption and benefit characterize many government services. Moreover, government services are mostly paid for collectively through taxes—there is little or no relationship between the taxes paid by a household and its use of a particular service. Public sector decision makers face complex budget problems with difficult solutions. Involving citizens meaningfully in these decisions has long been a conundrum. The authors teamed up with the town of West Hartford, Connecticut, to develop a Web-based survey to overcome some of these participation problems and help decision makers better understand citizen preferences. The Web survey allowed for real-time interactivity and was tailored to present respondents with trade-offs between service levels and taxes.  相似文献   
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While the music of Australia’s First Peoples contributes to a growing list of academic books and articles, the appropriation of that music by non-Indigenous pop musicians has received little academic attention. During the 1950s and 1960s, Australian audiences dismissed early attempts at fusing pop with Indigenous instrumentation as embarrassingly kitsch; at the same time, many Australian historians and archaeologists viewed Aboriginality as something primitive, a relic of the “stone-age”. Consequently, there was very little commentary on the cross-pollination between pop and Indigenous music. This article examines this phenomenon. Drawing on contemporary newspaper articles and vinyl record releases, this article argues that pop music appropriated Australia’s Indigenous music soon after art developing its fusions with Indigenous culture. Older popular musicians were more prepared to experiment than young pop performers. The reluctance of young pop musicians to experiment with Indigenous music was primarily an economic decision—American rock’n’rollers had captured the local teenage market. After more recordings of Aboriginal music became commercially available, interest in Indigenous music accelerated, and younger non-Indigenous musicians saw opportunities to incorporate Indigenous themes and instrumentation into their own material.  相似文献   
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The Industry Commission, the former Bureau of Industry Economics and the Economic Planning Advisory Commission have amalgamated on an administrative basis to prepare for the formation of the Productivity Commission. Legislation establishing the new commission is before parliament.
The Industry Commission has been involved in a number of projects that monitor the performance of a range of government services across Australia. The first monitors the performance of a large number of Australia's major government trading enterprises and the second has begun the process of monitoring the performance of a range of government service providers.
This article outlines why measuring and monitoring performance can be used to improve public sector performance and provides two examples of how this tool can successfully be used in practice.  相似文献   
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